{"id":48,"date":"2010-06-08T15:00:00","date_gmt":"2010-06-08T15:00:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2010\/06\/toy-story-3-welcome-yet-nonessential\/"},"modified":"2010-06-08T15:00:00","modified_gmt":"2010-06-08T15:00:00","slug":"toy-story-3-welcome-yet-nonessential","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2010\/06\/toy-story-3-welcome-yet-nonessential.html","title":{"rendered":"Toy Story 3 &#8212; &#8220;welcome yet nonessential&#8221;?"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/4.bp.blogspot.com\/_MwnH1kpbPRM\/TA7AmWky0gI\/AAAAAAAADbQ\/jI4vZocH-vQ\/s1600\/toystory3-andy.jpg\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><img decoding=\"async\" style=\"cursor:pointer;cursor:hand;width: 400px;height: 225px\" src=\"https:\/\/4.bp.blogspot.com\/_MwnH1kpbPRM\/TA7AmWky0gI\/AAAAAAAADbQ\/jI4vZocH-vQ\/s400\/toystory3-andy.jpg\" border=\"0\" alt=\"\"><\/a><br><span style=\"font-family: georgia\">Remember what I said a few months ago about the <a href=\"http:\/\/filmchatblog.blogspot.com\/2010\/03\/three-phases-of-pixar-history-redux.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">three phases<\/a> of Pixar\u2019s history, and how this newest sequel-filled phase seems to represent a retreat of sorts from the artistic ambitions of the second phase?<\/span><\/p>\n<p>The reviews of <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2010\/05\/toy-story-movies-in-dog-years.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Toy Story 3<\/a><\/i> have started to trickle out, ten days before the movie\u2019s release, and some of them are echoing these concerns. Take, for example, <a href=\"http:\/\/www.variety.com\/review\/VE1117942938.html\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Peter Debruge<\/a> at <i>Variety<\/i> magazine:<\/p>\n<blockquote><p>Andy outgrows his anthropomorphic amigos Buzz and Woody in \u201cToy Story 3,\u201d the franchise\u2019s third (and final?) installment \u2014 and as it turns out, 15 years after launching the computer-animated toon revolution, Pixar has outgrown them, too. Whereas \u201c<a href=\"http:\/\/filmchatblog.blogspot.com\/2009\/06\/technology-time-capsules-redux.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Toy Story 2<\/a>\u201d treated auds to a character-based sequel that handily justified its existence, this tertiary adventure delivers welcome yet nonessential fun, landing well after its creators have grown up and succeeded toying with more sophisticated stories. . . .<\/p>\n<p>Pixar has essentially set an impossible standard for itself, having previously delivered the rare sequel that improves on the original, then followed that up with a run of exceptional work. This latest script, written by \u201c<a href=\"http:\/\/filmchatblog.blogspot.com\/2009\/11\/whos-movie-font-now-see.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Little Miss Sunshine<\/a>\u2018s\u201d Michael Arndt from a story by John Lasseter, Andrew Stanton and Unkrich, feels more gag-driven than the studio\u2019s previous efforts \u2014 essentially borrowing a page from DreamWorks Animation, chasing snappy humor over heart-on-their-sleeve sentimentality, within a few months of DreamWorks going the Pixar route with the sincere storytelling of \u201c<a href=\"http:\/\/filmchatblog.blogspot.com\/2010\/05\/dragons-adolescence-and-loss-of-control.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">How to Train Your Dragon<\/a>.\u201d . . .<\/p><\/blockquote>\n<p>That last comment is especially interesting, given that <i>How to Train Your Dragon<\/i> was co-directed by a former Disney animator who basically left the company after running into creative differences with Pixar chief John Lasseter  (over the film that ended up becoming <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2009\/03\/newsbites-comics-and-cartoons-edition.html#7\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Bolt<\/a><\/i>).<\/p>\n<p>UPDATE:  <a href=\"http:\/\/www.ncregister.com\/blog\/8220welcome_yet_nonessential8221\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Steven D. Greydanus<\/a> also links to Debruge\u2019s review, and puts <i>Toy Story 3<\/i> within the broader context of what seems likely to be a rather lacklustre summer, as far as family films go (\u201cIt might be second-string Pixar, but given Pixar\u2019s overall track record of excellence even second-string Pixar is likely to equal, and probably to surpass, the very best the competition has to offer\u201d).<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Remember what I said a few months ago about the three phases of Pixar\u2019s history, and how this newest sequel-filled phase seems to represent a retreat of sorts from the artistic ambitions of the second phase? The reviews of Toy Story 3 have started to trickle out, ten days before the movie\u2019s release, and some [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-48","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Toy Story 3 -- &quot;welcome yet nonessential&quot;?<\/title>\n<meta name=\"description\" content=\"Remember what I said a few months ago about the three phases of Pixar&#039;s history, and how this newest sequel-filled phase seems to represent a retreat of\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2010\/06\/toy-story-3-welcome-yet-nonessential.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Toy Story 3 -- &quot;welcome yet nonessential&quot;?\" \/>\n<meta property=\"og:description\" content=\"Remember what I said a few months ago about the three phases of Pixar&#039;s history, and how this newest sequel-filled phase seems to represent a retreat of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2010\/06\/toy-story-3-welcome-yet-nonessential.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2010-06-08T15:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/4.bp.blogspot.com\/_MwnH1kpbPRM\/TA7AmWky0gI\/AAAAAAAADbQ\/jI4vZocH-vQ\/s400\/toystory3-andy.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. 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