{"id":49183,"date":"2016-07-15T15:27:36","date_gmt":"2016-07-15T22:27:36","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=49183"},"modified":"2016-10-27T22:21:31","modified_gmt":"2016-10-28T05:21:31","slug":"prophet-joseph-episodes-twenty-three-and-twenty-four","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/07\/prophet-joseph-episodes-twenty-three-and-twenty-four.html","title":{"rendered":"<i>Prophet Joseph<\/i> &#8212; episodes twenty-three and twenty-four"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/07\/prophetjoseph-23-24.png\" rel=\"attachment wp-att-49574\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/07\/prophetjoseph-23-24-1024x342.png\" alt=\"prophetjoseph-23-24\" width=\"600\" class=\"alignnone size-large wp-image-49574\"><\/a><\/p>\n<p><i><b>Synopsis.<\/b><\/i> Apopis is about to be executed. An officer tells the crowd that Apopis will die a slow death \u2014 hung from a pole with a wound in his feet so that he bleeds to death and the birds devour what\u2019s left \u2014 and that he will be deprived of the afterlife because his body will never be mummified. Apopis replies by declaring his belief in God and his hatred for the Egyptian gods. Malek, who has been in Egypt ever since he sold Joseph to Potiphar a dozen years ago, is in the crowd, watching. Back in the prison, Joseph predicts that Ninifer Keptah will be set free, and sure enough, it comes true. Potiphar suffers a couple of mild heart attacks. His servants remark among themselves that Potiphar and Zuleikha don\u2019t seem to love each other any more. Seven years go by, and the Pharaoh dies. His mummified body is sent across the Nile.<\/p>\n<p><!--more-->As the 24th episode begins, Zuleikha tells her servant she missed the funeral because she is always in mourning already, because she is pining for Joseph. Zuleikha does, however, attend the coronation ceremony for the new Pharaoh, Amenhotep IV. Soon after, Amenhotep is woken by a nightmare in which seven fat cows are devoured by seven thin cows. He summons his priests in the middle of the night, demanding that they interpret the dream. Inarus suddenly remembers that he was supposed to tell the Pharaoh about Joseph, but, ashamed that he forgot, he does not actually speak up until the Pharaoh has a second nightmare, of grain devouring grain. Amenhotep sends Inarus to the prison to get Joseph\u2019s interpretation, and when he gets it, he orders his men to bring Joseph before him \u2014 and he says he\u2019s looking forward to the look on the chief priest\u2019s face when the priests realize that Joseph did what they could not. <\/p>\n<p><i><b>Differences from Genesis.<\/b><\/i> The biblical baker was impaled, not hung from a rope (Genesis 40:22). The biblical Joseph was in prison for two extra years, not seven (Genesis 41:1). The biblical Pharaoh had his two dreams together, and did not disturb his wise men until the morning (Genesis 41:1-8). And the biblical Joseph delivered his interpretation of those dreams to the Pharaoh in person (Genesis 41:14-36).<\/p>\n<p><i><b>Muslim tradition.<\/b><\/i> The Koran (12.42) says the cupbearer \u2014 who is not named in the Koran \u2014 forgot about Joseph for several years because \u201cSatan caused him to forget,\u201d but in these episodes Joseph clearly says it is <i>God<\/i> preventing Inarus from fulfilling Joseph\u2019s request, and when Inarus finally remembers Joseph\u2019s request, he <i>speculates<\/i> that Satan must have been the one who prevented him from remembering.<\/p>\n<p>The Koran also says that birds ate from the baker\u2019s <i>head<\/i> (12.41; Genesis 40:19 simply says the birds ate the baker\u2019s <i>flesh<\/i>); and it says that Joseph gave the cupbearer his interpretation of the Pharaoh\u2019s dreams while he was still in prison, instead of giving it to Pharaoh in person (12.43-49). Both traditions are reflected in these episodes.<\/p>\n<p>It is strongly suggested that Amenhotep III dies because he drinks too much wine, and his doctor calls wine \u201ca constant and fatal poison\u201d. This may or may not be rooted in the Muslim prohibition <a href=\"https:\/\/en.wikipedia.org\/wiki\/Islamic_dietary_laws#Intoxicants\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">against drinking wine and other alcoholic beverages<\/a>.<\/p>\n<p><i><b>Pious Joseph.<\/b><\/i> Joseph continues to be a force for good in prison, saying at one point that he has been able to pray and \u201crefine\u201d himself during the extra seven years that he has spent there. One prisoner observes that Joseph likes to cultivate things, from the flowers in the prison\u2019s garden to the people who populate the prison. Joseph prays for Apopis, predicts that Ninifer Keptah will be set free, and willingly gives Inarus his interpretation of the Pharaoh\u2019s dreams without asking any favours in return.<\/p>\n<p><i><b>God versus the gods.<\/b><\/i> Apopis condemns \u201cAmon, the cruel god\u201d at his execution and proclaims his faith in the one true God; in a voice-over, as he is bleeding to death, he also wishes that he had been able to introduce his wife and children to Joseph and his God. Meanwhile, the chief priests of Amon worry that a mere slave like Joseph might provide a better interpretation of the Pharaoh\u2019s dreams than they can provide.<\/p>\n<p>The Pharaohs frequently reject the priests of Amon in these episodes. Amenhotep III tells his son the monks are dangerous and he does not want to be buried with a statue of their god; he also tells his son not to let Queen Tiye interfere in palace affairs because of her devotion to Amon. Amenhotep IV refuses to be treated by the priests when he has an epileptic fit, and he chastises them for getting rich at the people\u2019s expense and being useless when he needs them to interpret his dreams. <\/p>\n<p>Despite this friction between the Pharaohs and the priests, the coronation ceremony for Amenhotep IV is officiated by the priests and is full of praises for Amon. <\/p>\n<p><i><b>Family dynamics.<\/b><\/i> Apopis and Inarus are both seen with families for the first time: Apopis\u2019s wife mourns his execution, condemns the political, religious and military figures who are responsible for his death, and begs the birds to leave her husband\u2019s body alone, while Inarus\u2019s wife urges him to tell the Pharaoh about Joseph.<\/p>\n<p><i><b>Egypt.<\/b><\/i> The historical <a href=\"https:\/\/en.wikipedia.org\/wiki\/Amenhotep_III\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Amenhotep III<\/a> died c. 1350 BC after ruling Egypt for 38 or 39 years; his wife <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tiye\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Tiye<\/a> lived another 15 years or so, and his son <a href=\"https:\/\/en.wikipedia.org\/wiki\/Akhenaten\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Amenhotep IV<\/a> ruled for 17 years, which is just enough to cover the coming years of plenty and famine.<\/p>\n<p>The younger Amenhotep tells his father that they need to change the religion of Egypt because the gods can\u2019t supervise what the priests are doing, and it leads to cruelty. Presumably this foreshadows the younger Amenhotep\u2019s upcoming religious reforms, which will promote a form of monotheism (with input from Joseph, perhaps?).<\/p>\n<p><i><b>Timeline issues.<\/b><\/i> Early in the 23rd episode, the warden states that Ninifer Keptah has been in prison for 12 years. Joseph was 11 when Ninifer Keptah <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/05\/prophet-joseph-episodes-eleven-and-twelve.html\" class=\" decorated-link\" target=\"_blank\">went to jail<\/a>, so he should be 23 at this point. Joseph then spends another seven years in prison, so he should be 30 by the time the Pharaoh has his nightmares, which is the same age the biblical Joseph was when <i>he<\/i> interpreted the Pharaoh\u2019s dreams (Genesis 41:46).<\/p>\n<p>If Joseph is 30 years old when Amenhotep III dies, then he would have been born c. 1380 BC. But the first episode of this series, which takes place <i>before<\/i> the birth of Joseph, said it took place in 1160 BC. Perhaps that was a mistranslation?<\/p>\n<p><i><b>Visuals.<\/b><\/i> There are some fantastic visual effects in Pharaoh\u2019s dreams, both of which suggest that there is something snake-like about the cows and grains that symbolize the seven years of famine. In the first dream, a skinny cow opens his jaws wide \u2014 <i>really<\/i> wide \u2014 and swallows the fat cow whole, while in the second dream, the rotting stalks of grain coil around the healthy stalks and squeeze the life out of them.<\/p>\n<p><i><b>Themes.<\/b><\/i> Medical issues are a recurring motif in these episodes: Potiphar has his heart attacks, Amenhotep III his alcoholism, and Amenhotep IV his epileptic attack.<\/p>\n<p><i><b>The depiction of women.<\/b><\/i> Zuleikha worries that she can\u2019t face Joseph again, if she stays depressed the way she is. As the years go by, she also complains to her servants that she has no dignity or beauty any more. The noblewomen at the coronation ceremony gossip about Zuleikha and what she has \u201cdone to herself\u201d.<\/p>\n<p><i><b>Theological issues.<\/b><\/i> Joseph remarks that God\u2019s messengers do not always succeed in spreading his word because \u201cthe dead do not hear\u201d. This presumably refers to people who are physically alive but spiritually \u201cdead\u201d on the inside.<\/p>\n<p>\u2013<\/p>\n<p><b>Episodes:<\/b> <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/04\/prophet-joseph-episodes-one-and-two.html\" class=\" decorated-link\" target=\"_blank\">1-2<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/04\/prophet-joseph-episodes-three-and-four.html\" class=\" decorated-link\" target=\"_blank\">3-4<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/05\/prophet-joseph-episodes-five-and-six.html\" class=\" decorated-link\" target=\"_blank\">5-6<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/05\/prophet-joseph-episodes-seven-and-eight.html\" class=\" decorated-link\" target=\"_blank\">7-8<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/05\/prophet-joseph-episodes-nine-and-ten.html\" class=\" decorated-link\" target=\"_blank\">9-10<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/05\/prophet-joseph-episodes-eleven-and-twelve.html\" class=\" decorated-link\" target=\"_blank\">11-12<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/06\/prophet-joseph-episodes-thirteen-and-fourteen.html\" class=\" decorated-link\" target=\"_blank\">13-14<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/06\/prophet-joseph-episodes-fifteen-and-sixteen.html\" class=\" decorated-link\" target=\"_blank\">15-16<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/06\/prophet-joseph-episodes-seventeen-and-eighteen.html\" class=\" decorated-link\" target=\"_blank\">17-18<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/06\/prophet-joseph-episodes-nineteen-and-twenty.html\" class=\" decorated-link\" target=\"_blank\">19-20<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/07\/prophet-joseph-episodes-twenty-one-and-twenty-two.html\" class=\" decorated-link\" target=\"_blank\">21-22<\/a> | <b>23-24<\/b> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/07\/prophet-joseph-episodes-twenty-five-and-twenty-six.html\" class=\" decorated-link\" target=\"_blank\">25-26<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/07\/prophet-joseph-episodes-twenty-seven-and-twenty-eight.html\" class=\" decorated-link\" target=\"_blank\">27-28<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/08\/prophet-joseph-episodes-twenty-nine-and-thirty.html\" class=\" decorated-link\" target=\"_blank\">29-30<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/08\/prophet-joseph-episodes-thirty-one-and-thirty-two.html\" class=\" decorated-link\" target=\"_blank\">31-32<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/08\/prophet-joseph-episodes-thirty-three-and-thirty-four.html\" class=\" decorated-link\" target=\"_blank\">33-34<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/08\/prophet-joseph-episodes-thirty-five-and-thirty-six.html\" class=\" decorated-link\" target=\"_blank\">35-36<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/09\/prophet-joseph-episodes-thirty-seven-and-thirty-eight.html\" class=\" decorated-link\" target=\"_blank\">37-38<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/09\/prophet-joseph-episodes-thirty-nine-and-forty.html\" class=\" decorated-link\" target=\"_blank\">39-40<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/10\/prophet-joseph-episodes-forty-one-and-forty-two.html\" class=\" decorated-link\" target=\"_blank\">41-42<\/a> | <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/10\/prophet-joseph-episodes-forty-three-to-forty-five.html\" class=\" decorated-link\" target=\"_blank\">43-45<\/a><\/p>\n<p>\u2013<\/p>\n<p>The subtitled version of these episodes begins at the 2:22:55 mark in this video:<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=3f71iUIqY_8&amp;t=2h22m55s<\/p>\n<p>And here are the English-dubbed versions of these episodes:<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=5uW6CyG7oyo<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=ikozksJ-fnI<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>The Pharaoh&#8217;s dreams have some fantastic visuals that suggest there is something snake-like about the cows and grains that represent the seven years of famine.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1650,4],"tags":[3703,3702,2210,1249,3634,3687,3627,431,3704,3688],"class_list":["post-49183","post","type-post","status-publish","format-standard","hentry","category-bible-movies","category-blog","tag-akhenaten","tag-amenhotep-iii","tag-egypt","tag-islam","tag-joseph-son-of-jacob","tag-potiphar","tag-prophet-joseph","tag-satan","tag-tiye","tag-zuleikha"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Prophet Joseph -- episodes twenty-three and twenty-four<\/title>\n<meta name=\"description\" content=\"The Pharaoh&#039;s dreams have some fantastic visuals that suggest there is something snake-like about the cows and grains that represent the seven years of famine.\" \/>\n<meta name=\"robots\" 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He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Prophet Joseph -- episodes twenty-three and twenty-four","description":"The Pharaoh's dreams have some fantastic visuals that suggest there is something snake-like about the cows and grains that represent the seven years of famine.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/07\/prophet-joseph-episodes-twenty-three-and-twenty-four.html","og_locale":"en_US","og_type":"article","og_title":"Prophet Joseph -- episodes twenty-three and twenty-four","og_description":"The Pharaoh's dreams have some fantastic visuals that suggest there is something snake-like about the cows and grains that represent the seven years of famine.","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/07\/prophet-joseph-episodes-twenty-three-and-twenty-four.html","og_site_name":"FilmChat","article_published_time":"2016-07-15T22:27:36+00:00","article_modified_time":"2016-10-28T05:21:31+00:00","og_image":[{"url":"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2016\/07\/prophetjoseph-23-24-1024x342.png"}],"author":"Peter T. 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Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/49183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=49183"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/49183\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=49183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=49183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=49183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}