{"id":55379,"date":"2017-03-12T18:31:40","date_gmt":"2017-03-13T01:31:40","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=55379"},"modified":"2017-03-12T18:37:57","modified_gmt":"2017-03-13T01:37:57","slug":"box-office-kong-king-shack-healthy-second-week-drop","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html","title":{"rendered":"Box office: <i>Kong<\/i> is king, while <i>The Shack<\/i> has a healthy second-week drop"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2017\/03\/kongskullisland-2a.jpg\" rel=\"attachment wp-att-55391\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2017\/03\/kongskullisland-2a.jpg\" alt=\"kongskullisland-2a\" width=\"600\" class=\"alignnone size-full wp-image-55391\"><\/a><\/p>\n<p>Kong was king again at the box office this weekend.<\/p>\n<p><!--more--><i><b>Kong: Skull Island<\/b><\/i> \u2014 the third major reboot of the 1930s franchise about a giant ape living on an island with similarly large creatures in the middle of the Indian Ocean \u2014 grossed an estimated $61 million <a href=\"http:\/\/www.boxofficemojo.com\/weekend\/chart\/?view=&amp;yr=2017&amp;wknd=10&amp;p=.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">between Thursday and Sunday nights<\/a>.<\/p>\n<p>That was the best opening ever for a <a href=\"http:\/\/www.boxofficemojo.com\/franchises\/chart\/?view=main&amp;id=kingkong.htm&amp;sort=opengross&amp;order=DESC&amp;p=.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">film about Kong<\/a>, beating the $50.1 million that <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/12\/king-kong-a-few-belated-comments.html\" class=\" decorated-link\" target=\"_blank\">Peter Jackson\u2019s <i>King Kong<\/i><\/a> opened to in 2005, but it fell well behind the $93.2 million that Gareth Edwards\u2019 <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/godzilla-2014\" class=\" decorated-link\" target=\"_blank\">Godzilla<\/a><\/i> opened to in 2014. (<i>Kong: Skull Island<\/i> and Gareth Edwards\u2019 <i>Godzilla<\/i> take place in <a href=\"http:\/\/www.boxofficemojo.com\/showdowns\/chart\/?view=weekend&amp;id=konggod.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">the same cinematic universe<\/a>.)<\/p>\n<p>Meanwhile, <i><b>The Shack<\/b><\/i> landed in fourth place with $10.1 million, which represented a drop of only 37.9% since the film\u2019s opening <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-shack-one-biggest-openings-ever-faith-based-film.html\" class=\" decorated-link\" target=\"_blank\">last week<\/a>.<\/p>\n<p>That is comparable to the second-week drops for other popular \u201cfaith-based\u201d films such as <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/resurrection-aiello\" class=\" decorated-link\" target=\"_blank\">Risen<\/a><\/i> (42.3%), <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/passion-of-the-christ\" class=\" decorated-link\" target=\"_blank\">The Passion of the Christ<\/a><\/i> (36.5%), <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/heaven-is-for-real\" class=\" decorated-link\" target=\"_blank\">Heaven Is for Real<\/a><\/i> (36.3%) and <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/miracles-from-heaven\" class=\" decorated-link\" target=\"_blank\">Miracles from Heaven<\/a><\/i> (34.6%), and it is considerably better than the second-week drops for other successful films like, say, <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/son-of-god\" class=\" decorated-link\" target=\"_blank\">Son of God<\/a><\/i> (59.5%).<\/p>\n<p><i>The Shack<\/i> had the fourth-best opening of any \u201cfaith-based\u201d film last week, and this week it had the fourth-best second weekend as well:<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $53.2 million\n<\/li><li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $14.4 million\n<\/li><li>2014 \u2014 <i>Son of God<\/i> \u2014 $10.4 million\n<\/li><li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $10.1 million<\/b>\n<\/li><li>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $9.7 million\n<\/li><li>2015 \u2014 <i>War Room<\/i> \u2014 $9.5 million\n<\/li><li>2014 \u2014 <i>God\u2019s Not Dead<\/i> \u2014 $8.8 million\n<\/li><li>2011 \u2014 <i>Soul Surfer<\/i> \u2014 $7.3 million\n<\/li><li>2016 \u2014 <i>Risen<\/i> \u2014 $6.8 million\n<\/li><li>2014 \u2014 <i>When the Game Stands Tall<\/i> \u2014 $6 million<\/li><\/ul>\n<p><i>The Shack<\/i> has earned $32.3 million in total after just ten days, and it thus now ranks 12th among <a href=\"http:\/\/www.boxofficemojo.com\/genres\/chart\/?id=christian.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">\u201cfaith-based\u201d films<\/a> in terms of total North American gross\u2026<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 million\n<\/li><li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $91.4 million\n<\/li><li>2015 \u2014 <i>War Room<\/i> \u2014 $67.8 million\n<\/li><li>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $61.7 million\n<\/li><li>2014 \u2014 <i>God\u2019s Not Dead<\/i> \u2014 $60.8 million\n<\/li><li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 million\n<\/li><li>2011 \u2014 <i>Soul Surfer<\/i> \u2014 $43.9 million\n<\/li><li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 million\n<\/li><li>2016 \u2014 <i>Risen<\/i> \u2014 $36.9 million\n<\/li><li>2011 \u2014 <i>Courageous<\/i> \u2014 $34.5 million\n<\/li><li>2008 \u2014 <i>Fireproof<\/i> \u2014 $33.5 million\n<\/li><li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $32.3 million<\/b>\n<\/li><li>2014 \u2014 <i>When the Game Stands Tall<\/i> \u2014 $30.1 million\n<\/li><li>2016 \u2014 <i>Ben-Hur<\/i> \u2014 $26.4 million<\/li><\/ul>\n<p>\u2026and ninth among Bible-themed films (broadly defined \u2014 in this case because one of the film\u2019s characters, Jesus, is from the Bible) released in the past 40 years:<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 million\n<\/li><li>1998 \u2014 <i>The Prince of Egypt<\/i> \u2014 $101.4 million\n<\/li><li>2014 \u2014 <i>Noah<\/i> \u2014 $101.2 million\n<\/li><li>2014 \u2014 <i>Exodus: Gods and Kings<\/i> \u2014 $65 million\n<\/li><li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 million\n<\/li><li>2009 \u2014 <i>Year One<\/i> \u2014 $43.3 million\n<\/li><li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 million\n<\/li><li>2016 \u2014 <i>Risen<\/i> \u2014 $36.9 million\n<\/li><li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $32.3 million<\/b>\n<\/li><li>1981 \u2014 <i>History of the World, Part I<\/i> \u2014 $31.7 million\n<\/li><li>2016 \u2014 <i>Hail, Caesar!<\/i> \u2014 $30.5 million\n<\/li><li>2016 \u2014 <i>Ben-Hur<\/i> \u2014 $26.4 million\n<\/li><li>2002 \u2014 <i>Jonah: A VeggieTales Movie<\/i> \u2014 $25.6 million\n<\/li><li>1979 \u2014 <i>Monty Python\u2019s Life of Brian<\/i> \u2014 $20 million\n<\/li><li>1980 \u2014 <i>Wholly Moses!<\/i> \u2014 $14.2 million\n<\/li><li>2006 \u2014 <i>One Night with the King<\/i> \u2014 $13.4 million\n<\/li><li>1988 \u2014 <i>The Last Temptation of Christ<\/i> \u2014 $8.4 million\n<\/li><li>2016 \u2014 <i>The Young Messiah<\/i> \u2014 $6.5 million\n<\/li><li>1985 \u2014 <i>King David<\/i> \u2014 $5.1 million\n<\/li><li>2003 \u2014 <i>The Gospel of John<\/i> \u2014 $4.1 million<\/li><\/ul>\n<p>Meanwhile, in other box-office news\u2026<\/p>\n<p><b><i>Logan<\/i><\/b> earned $37.9 million and ranked second in its second week, thereby raising its domestic cume to $152.7 million. The film has earned another $285.6 million overseas, for a global total of $438.3 million.<\/p>\n<p><b><i>Get Out<\/i><\/b> earned $21.1 million and ranked third in its third week, thereby raising its domestic cume to $111.1 million. The film does not appear to have been released overseas yet.<\/p>\n<p><b><i>The Lego Batman Movie<\/i><\/b> earned $7.8 million and ranked fifth in its fifth week, thereby raising its domestic cume to $159 million. The film has earned another $116.5 million overseas, for a global total of $275.5 million.<\/p>\n<p><b><i>Before I Fall<\/i><\/b> earned $3.1 million and ranked sixth in its second week, thereby raising its domestic cume to $9 million. The film does not appear to have had a significant release overseas yet.<\/p>\n<p><b><i>Hidden Figures<\/i><\/b> earned $2.8 million and ranked seventh in its twelfth week, thereby raising its domestic cume to $162.9 million. The film has earned another $43.2 million overseas, for a global total of $206.1 million.<\/p>\n<p><b><i>John Wick: Chapter 2<\/i><\/b> earned $2.7 million and ranked eighth in its fifth week, thereby raising its domestic cume to $87.4 million. The film has earned another $65.6 million overseas, for a global total of $153 million.<\/p>\n<p><b><i>La La Land<\/i><\/b> earned $1.8 million and ranked ninth in its fourteenth week, thereby raising its domestic cume to $148.4 million. The film has earned another $268.4 million overseas, for a global total of $416.8 million.<\/p>\n<p>And <b><i>Fifty Shades Darker<\/i><\/b> earned $1.6 million and ranked tenth in its fifth week, thereby raising its domestic cume to $112.9 million. The film has earned another $255.9 million overseas, for a global total of $368.8 million.<\/p>\n<p>Next week brings us <i>Beauty and the Beast<\/i> and <i>The Belko Experiment<\/i>.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p><i>The Shack<\/i> is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[4094,19,4098,4092,2334,4029,4096,4103,4102,4016,4095,4093,1835],"class_list":["post-55379","post","type-post","status-publish","format-standard","hentry","category-blog","tag-before-i-fall","tag-box-office","tag-fifty-shades-darker","tag-get-out-2017","tag-godzilla-2014","tag-hidden-figures","tag-john-wick","tag-king-kong","tag-kong-skull-island","tag-la-la-land-2016","tag-lego-batman-movie","tag-logan-2017","tag-shack"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Box office: Kong is king, while The Shack has a healthy second-week drop<\/title>\n<meta name=\"description\" content=\"The Shack is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Box office: Kong is king, while The Shack has a healthy second-week drop\" \/>\n<meta property=\"og:description\" content=\"The Shack is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2017-03-13T01:31:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-03-13T01:37:57+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2017\/03\/kongskullisland-2a.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. Chattaway\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter T. Chattaway\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html\",\"name\":\"Box office: Kong is king, while The Shack has a healthy second-week drop\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\"},\"datePublished\":\"2017-03-13T01:31:40+00:00\",\"dateModified\":\"2017-03-13T01:37:57+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\"},\"description\":\"The Shack is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/filmchat\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Box office: Kong is king, while The Shack has a healthy second-week drop\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/\",\"name\":\"FilmChat\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\",\"name\":\"Peter T. Chattaway\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"caption\":\"Peter T. Chattaway\"},\"description\":\"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Box office: Kong is king, while The Shack has a healthy second-week drop","description":"The Shack is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html","og_locale":"en_US","og_type":"article","og_title":"Box office: Kong is king, while The Shack has a healthy second-week drop","og_description":"The Shack is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html","og_site_name":"FilmChat","article_published_time":"2017-03-13T01:31:40+00:00","article_modified_time":"2017-03-13T01:37:57+00:00","og_image":[{"url":"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2017\/03\/kongskullisland-2a.jpg"}],"author":"Peter T. Chattaway","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Peter T. Chattaway","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html","name":"Box office: Kong is king, while The Shack has a healthy second-week drop","isPartOf":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website"},"datePublished":"2017-03-13T01:31:40+00:00","dateModified":"2017-03-13T01:37:57+00:00","author":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde"},"description":"The Shack is now the 12th-highest-grossing \u201cfaith-based\u201d film ever in North America.","breadcrumb":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.patheos.com\/blogs\/filmchat"},{"@type":"ListItem","position":2,"name":"Box office: Kong is king, while The Shack has a healthy second-week drop"}]},{"@type":"WebSite","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/","name":"FilmChat","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde","name":"Peter T. Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/55379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=55379"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/55379\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=55379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=55379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=55379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}