{"id":55582,"date":"2017-04-16T23:12:59","date_gmt":"2017-04-17T06:12:59","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=55582"},"modified":"2017-04-21T11:08:26","modified_gmt":"2017-04-21T18:08:26","slug":"box-office-fate-furious-breaks-records-overseas-worldwide-slips-somewhat-north-america","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/04\/box-office-fate-furious-breaks-records-overseas-worldwide-slips-somewhat-north-america.html","title":{"rendered":"Box office: <i>The Fate of the Furious<\/i> breaks records overseas and worldwide but slips somewhat in North America"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2017\/04\/fateofthefurious2-a.jpg\" rel=\"attachment wp-att-55607\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" class=\"alignnone size-large wp-image-55607\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2017\/04\/fateofthefurious2-a-1024x341.jpg\" alt=\"fateofthefurious2-a\" width=\"600\"><\/a><\/p>\n<p>The <i>Fast and the Furious<\/i> franchise set some new records at the box office this week.<\/p>\n<p><!--more--><i><b>The Fate of the Furious<\/b><\/i> \u2014 the eighth installment in the 16-year-old series \u2014 grossed an estimated $532.5 million <a href=\"http:\/\/www.boxofficemojo.com\/alltime\/world\/worldwideopenings.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">around the world<\/a> this weekend, thereby breaking the record set two years ago by <i>Star Wars: The Force Awakens<\/i> ($529 million).<\/p>\n<p>Of the new film\u2019s global haul, $432.3 million came from overseas \u2014 far surpassing the foreign record set by <i>Jurassic World<\/i> ($316.7 million) \u2014 and $100.2 million <a href=\"http:\/\/www.boxofficemojo.com\/weekend\/chart\/?view=&amp;yr=2017&amp;wknd=15&amp;p=.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">came from North America<\/a>, which is hardly a record (the film <a href=\"http:\/\/www.boxofficemojo.com\/alltime\/weekends\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">ranks 42nd<\/a> among domestic openings, well behind <i>Furious 7<\/i>\u2019s $147.2 million) but is still pretty good.<\/p>\n<p>The only other new film in the top ten this week was <i><b>Gifted<\/b><\/i>, which stars Chris Evans as a man who gets into a custody battle with his mathematically talented niece\u2019s grandmother. That film, which had a limited release last week, expanded to 1,146 theatres this week and landed in sixth place with $3 million.<\/p>\n<p>Two \u201cfaith-based\u201d films did well at the box office this Easter weekend, too.<\/p>\n<p><b><i>The Case for Christ<\/i><\/b>, which cracked the top ten when it opened in 1,174 theatres <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/04\/box-office-case-christ-cracks-top-ten.html\" class=\" decorated-link\" target=\"_blank\">last week<\/a>, had a slight expansion to 1,386 theatres this week and landed in ninth place with $2.72 million, thereby raising its domestic cume to $8.4 million.<\/p>\n<p>Meanwhile, <i><b>The Shack<\/b><\/i> landed in 14th place with $700,000 in its seventh week.<\/p>\n<p><i>The Shack<\/i> had the fourth-best <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-shack-one-biggest-openings-ever-faith-based-film.html\" class=\" decorated-link\" target=\"_blank\">first<\/a> and <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/03\/box-office-kong-king-shack-healthy-second-week-drop.html\" class=\" decorated-link\" target=\"_blank\">second weeks<\/a> of any \u201c<a href=\"http:\/\/www.boxofficemojo.com\/genres\/chart\/?id=christian.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">faith-based<\/a>\u201d film, and, if the estimates hold, this week it will have the eighth-best seventh weekend:<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $15.2 million<\/li>\n<li>2015 \u2014 <i>War Room<\/i> \u2014 $1.9 million<\/li>\n<li>2014 \u2014 <i>God\u2019s Not Dead<\/i> \u2014 $1.8 million<\/li>\n<li>2008 \u2014 <i>Fireproof<\/i> \u2014 $1.6 million<\/li>\n<li>2011 \u2014 <i>Courageous<\/i> \u2014 $1.0 million<\/li>\n<li>2011 \u2014 <i>Soul Surfer<\/i> \u2014 $930,008<\/li>\n<li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $800,872<\/li>\n<li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $700,000<\/b><\/li>\n<li>2006 \u2014 <i>Facing the Giants<\/i> \u2014 $674,945<\/li>\n<li>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $536,864<\/li>\n<\/ul>\n<p><i>The Shack<\/i> has earned $56.1 million after forty-five days, and thus still ranks seventh among \u201cfaith-based\u201d films in terms of total North American gross\u2026<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 million<\/li>\n<li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $91.4 million<\/li>\n<li>2015 \u2014 <i>War Room<\/i> \u2014 $67.8 million<\/li>\n<li>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $61.7 million<\/li>\n<li>2014 \u2014 <i>God\u2019s Not Dead<\/i> \u2014 $60.8 million<\/li>\n<li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 million<\/li>\n<li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $56.1 million<\/b><\/li>\n<li>2011 \u2014 <i>Soul Surfer<\/i> \u2014 $43.9 million<\/li>\n<li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 million<\/li>\n<li>2016 \u2014 <i>Risen<\/i> \u2014 $36.9 million<\/li>\n<\/ul>\n<p>\u2026and sixth among Bible and\/or Jesus films released in the past 40 years:<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 million<\/li>\n<li>1998 \u2014 <i>The Prince of Egypt<\/i> \u2014 $101.4 million<\/li>\n<li>2014 \u2014 <i>Noah<\/i> \u2014 $101.2 million<\/li>\n<li>2014 \u2014 <i>Exodus: Gods and Kings<\/i> \u2014 $65 million<\/li>\n<li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 million<\/li>\n<li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $56.1 million<\/b><\/li>\n<li>2009 \u2014 <i>Year One<\/i> \u2014 $43.3 million<\/li>\n<li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 million<\/li>\n<li>2016 \u2014 <i>Risen<\/i> \u2014 $36.9 million<\/li>\n<li>1981 \u2014 <i>History of the World, Part I<\/i> \u2014 $31.7 million<\/li>\n<li>2016 \u2014 <i>Hail, Caesar!<\/i> \u2014 $30.5 million<\/li>\n<li>2016 \u2014 <i>Ben-Hur<\/i> \u2014 $26.4 million<\/li>\n<li>2002 \u2014 <i>Jonah: A VeggieTales Movie<\/i> \u2014 $25.6 million<\/li>\n<li>1979 \u2014 <i>Monty Python\u2019s Life of Brian<\/i> \u2014 $20 million<\/li>\n<li>1980 \u2014 <i>Wholly Moses!<\/i> \u2014 $14.2 million<\/li>\n<li>2006 \u2014 <i>One Night with the King<\/i> \u2014 $13.4 million<\/li>\n<li>1988 \u2014 <i>The Last Temptation of Christ<\/i> \u2014 $8.4 million<\/li>\n<li>2016 \u2014 <i>The Young Messiah<\/i> \u2014 $6.5 million<\/li>\n<li>1985 \u2014 <i>King David<\/i> \u2014 $5.1 million<\/li>\n<li>2003 \u2014 <i>The Gospel of John<\/i> \u2014 $4.1 million<\/li>\n<\/ul>\n<p><i>The Shack<\/i> has earned another $12 million overseas, which is better than most \u201cfaith-based\u201d films have done.<sup>1<\/sup> The film now ranks fifth within the genre overseas\u2026<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $241.1 million<\/li>\n<li>2003 \u2014 <i>Luther<\/i> \u2014 $23.6 million<\/li>\n<li>2014 \u2014 <i>Left Behind<\/i> \u2014 $13.4 million<\/li>\n<li>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $12.2 million<\/li>\n<li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $12 million<\/b><\/li>\n<li>2014 \u2014 <i>Son of God<\/i> \u2014 $11.1 million<\/li>\n<li>2015 \u2014 <i>Little Boy<\/i> \u2014 $10.9 million<\/li>\n<li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $9.9 million<\/li>\n<li>2016 \u2014 <i>Risen<\/i> \u2014 $9.2 million<\/li>\n<li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $8.8 million<\/li>\n<\/ul>\n<p>\u2026and sixth worldwide:<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 + 241.1 = 611.9 million<\/li>\n<li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $91.4 + 9.9 = 101.3 million<\/li>\n<li>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $61.7 + 12.2 = 73.9 million<\/li>\n<li>2015 \u2014 <i>War Room<\/i> \u2014 $67.8 + 5.5 = 73.3 million<\/li>\n<li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 + 11.1 = 70.8 million<\/li>\n<li><b>2017 \u2014 <i>The Shack<\/i> \u2014 $56.1 + 12.0 = 68.1 million<\/b><\/li>\n<li>2014 \u2014 <i>God\u2019s Not Dead<\/i> \u2014 $60.8 + 3.9 = 64.7 million<\/li>\n<li>2011 \u2014 <i>Soul Surfer<\/i> \u2014 $43.9 + 3.2 = 47.1 million<\/li>\n<li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 + 8.8 = 46.4 million<\/li>\n<li>2016 \u2014 <i>Risen<\/i> \u2014 $36.9 + 9.2 = 46.1 million<\/li>\n<\/ul>\n<p>Meanwhile, in other box-office news\u2026<\/p>\n<p><i><b>The Boss Baby<\/b><\/i> earned $15.5 million and ranked second in its third week, thereby raising its domestic cume to $116.3 million. The film has earned another $122.6 million overseas, for a global total of $238.9 million.<\/p>\n<p><i><b>Beauty and the Beast<\/b><\/i> earned $13.6 million and ranked third in its fifth week, thereby raising its domestic cume to $454.6 million. The film has earned another $588.4 million overseas, for a global total of $1.043 <i>billion<\/i>.<\/p>\n<p><b><i>Smurfs: The Lost Village<\/i><\/b> earned $6.5 million and ranked fourth in its second week, thereby raising its domestic cume to $24.7 million. The film has earned another $70.3 million overseas, for a global total of $95 million.<\/p>\n<p><b><i>Going in Style<\/i><\/b> earned $6.4 million and ranked fifth in its second week, thereby raising its domestic cume to $23.4 million. The film has earned another $11.7 million overseas, for a global total of $35.1 million.<\/p>\n<p><b><i>Get Out<\/i><\/b> earned $2.92 million and ranked seventh in its eighth week, thereby raising its domestic cume to $167.5 million. The film has earned another $16 million overseas, for a global total of $183.5 million.<\/p>\n<p><b><i>Power Rangers<\/i><\/b> earned $2.85 million and ranked eighth in its fourth week, thereby raising its domestic cume to $80.6 million. The film has earned another $47.7 million overseas, for a global total of $128.3 million.<\/p>\n<p>And <i><b>Kong: Skull Island<\/b><\/i> earned $2.67 million and ranked tenth in its sixth week, thereby raising its domestic cume to $161.2 million. The film has earned another $391.1 million overseas, for a global total of $552.3 million.<\/p>\n<p>Next week brings us <i>Born in China<\/i>, <i>Free Fire<\/i>, <i>The Promise<\/i> and <i>Unforgettable<\/i>.<\/p>\n<p>\u2013<\/p>\n<p><span style=\"font-size: small;\">1. The foreign-gross figures at Box Office Mojo are incomplete and sometimes out of date. In some cases, a movie\u2019s summary page will list no foreign grosses at all, but clicking on the \u201cforeign\u201d button will produce a list of grosses from individual countries. And sometimes, when a film <i>does<\/i> have a figure that sums up the film\u2019s foreign grosses, that figure is less up-to-date than the information for the individual countries. So, I have clicked on the \u201cforeign\u201d buttons for the top 50 \u201cfaith-based\u201d films and, when the \u201cforeign\u201d figure is older than the figures for the individual countries, I have tallied the foreign figures myself. But the stats listed here all rely on figures that come from Box Office Mojo, and could thus still be incomplete.<\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Plus a look at how <i>The Shack<\/i> is doing compared to other \u201cfaith-based\u201d films overseas.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[3656,4118,19,3949,2584,4092,4133,4132,395,4102,4113,1835,4131,1732],"class_list":["post-55582","post","type-post","status-publish","format-standard","hentry","category-blog","tag-beauty-and-the-beast-2017","tag-boss-baby","tag-box-office","tag-case-for-christ","tag-fast-furious","tag-get-out-2017","tag-gifted-2017","tag-going-in-style-2017","tag-jurassic-park-iv","tag-kong-skull-island","tag-power-rangers","tag-shack","tag-smurfs","tag-star-wars-episode-vii"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Box office: The Fate of the Furious breaks records overseas and worldwide but slips somewhat in North America<\/title>\n<meta name=\"description\" content=\"Plus a look at how The Shack is doing compared to other \u201cfaith-based\u201d films overseas.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/04\/box-office-fate-furious-breaks-records-overseas-worldwide-slips-somewhat-north-america.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Box office: The Fate of the Furious breaks records overseas and worldwide but slips somewhat in North America\" \/>\n<meta property=\"og:description\" content=\"Plus a look at how The Shack is doing compared to other \u201cfaith-based\u201d films overseas.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/04\/box-office-fate-furious-breaks-records-overseas-worldwide-slips-somewhat-north-america.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2017-04-17T06:12:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-04-21T18:08:26+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2017\/04\/fateofthefurious2-a-1024x341.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. 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He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Box office: The Fate of the Furious breaks records overseas and worldwide but slips somewhat in North America","description":"Plus a look at how The Shack is doing compared to other \u201cfaith-based\u201d films overseas.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/04\/box-office-fate-furious-breaks-records-overseas-worldwide-slips-somewhat-north-america.html","og_locale":"en_US","og_type":"article","og_title":"Box office: The Fate of the Furious breaks records overseas and worldwide but slips somewhat in North America","og_description":"Plus a look at how The Shack is doing compared to other \u201cfaith-based\u201d films overseas.","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2017\/04\/box-office-fate-furious-breaks-records-overseas-worldwide-slips-somewhat-north-america.html","og_site_name":"FilmChat","article_published_time":"2017-04-17T06:12:59+00:00","article_modified_time":"2017-04-21T18:08:26+00:00","og_image":[{"url":"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2017\/04\/fateofthefurious2-a-1024x341.jpg"}],"author":"Peter T. 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Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/55582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=55582"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/55582\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=55582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=55582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=55582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}