First, Star Trek into Darkness<\/i>. It was no real surprise when the film finally came out and the Benedict Cumberbatch character revealed that his real name was Khan. Given that Khan was originally played by the Latino actor Ricardo Montalban, pretty much everyone had assumed that the villain of this film would be Khan when it was revealed two years ago that J.J. Abrams wanted Benicio Del Toro for the part; when the deal with Del Toro fell through, Abrams then considered a few other Spanish or Latino actors<\/a> before finally \u2014 and quite surprisingly \u2014 settling on the very English Cumberbatch.<\/p>\n The interesting thing here is that Khan himself is neither English nor Latino but vaguely Asian; his full name, Khan Noonien Singh, has Muslim and Sikh associations, and in the episode that introduced him back in 1967, he was described as both \u201cprobably a Sikh\u201d and as \u201cabsolute ruler of more than a quarter of your world, from Asia through the Middle East.\u201d Also, the superhuman beings who followed Khan were a fairly multicultural group; in one scene from that episode, Khan tries in vain to make contact with followers named Rodriguez, Ling and McPherson.<\/p>\n As Charlie Jane Anders wrote at i09<\/a> last year, when reports that Cumberbatch really was<\/i> playing Khan began to make the rounds:<\/p>\n Making the ultimate representation of eugenics into a vaguely Asian villain played by a Latino was an oddly clever choice \u2014 it divorces his claims of genetic superiority from the real-life advocates of eugenics, and forces you to see the issue in a new light. For most of its history, eugenics was synoymous with \u201cwhite superiority\u201d \u2014 but Khan flies in the face of that, by giving us a eugenics experiment in which race is apparently not a factor. . . .<\/p>\n A color-blind eugenics program gets past the \u201cwhite supremacy\u201d aspects of eugenics to reach for the heart of why eugenics is so terrible \u2014 the very notion of one group of humans being innately better than another devalues us all. It dehumanizes all people, even the allegedly superior ones, by assigning to us a value based on arbitrary characteristics. It\u2019s one more step into making us like cattle, who can be bred for certain characteristics. Or more like things, really.<\/p><\/blockquote>\n So what happens when Khan is played by an indisputably white actor (with blue eyes<\/a>, even)? And what happens when the new Star Trek<\/i> film characterizes Khan not as someone who ruled over multiple racial groups with the help of an equally multi-racial band of accomplices but as someone who, in the young Spock\u2019s words, committed \u201cmass genocide\u201d? You arguably lose the whole point<\/i> of the character, and you undo the cleverness of the original episode by turning the villain into just another British bad guy. As Anders wrote last year, \u201cIt\u2019s a little on the nose.\u201d<\/p>\n Interestingly, the India-based website Firstpost Bollywood<\/a> also devoted an entire post recently to the fact that Khan, \u201ca superhuman from India\u201d, was played by \u201cthe thoroughly Caucasian Benedict Cumberbatch\u201d and not by one of the \u201cmany brown actors in the world at large and in Bollywood in particular\u201d.<\/p>\n The post concludes by noting that, while the actor<\/i> might not feed into current ethnic stereotypes, the character<\/i>, as depicted in this film, might still do that:<\/p>\n Here\u2019s what\u2019s interesting about the choice that Abrams made: the man named Khan who reduces skyscrapers to rubble and terrorises Americans is a white man and not a bearded chap with an olive complexion who may be considered suspicious by airport security personnel in large parts of the world. He is, as Cumberbatch said in an interview, a \u201chome-grown terrorist\u201d. He doesn\u2019t seem foreign, he\u2019s doesn\u2019t look like \u2018the other\u2019; in fact, he looks no different from the others who make up the American majority. But his name is Khan and he is here to wreak terror.<\/p><\/blockquote>\n Then there is Baz Luhrman\u2019s adaptation of The Great Gatsby<\/a><\/i>. And the fascinating thing about this film appearing so close to the release of Star Trek into Darkness<\/i> is that, where Abrams cast an English actor as a South Asian \u2014 possibly to avoid negative stereotyping of South Asians \u2014 Luhrman cast a South Asian actor, Amitabh Bachchan, as a Jewish gangster to avoid negative stereotyping of Jews.<\/p>\n As Danielle Berrin<\/a> notes at JewishJournal.com, Luhrman himself has said that he cast a non-Jewish actor as Meyer Wolfsheim \u2014 a fictitious gangster modeled after real-life gangster Arnold Rothstein<\/a> \u2014 because he wanted to avoid the \u201cbroad, anti-Semitic\u201d depiction of Wolfsheim in the original novel. Berrin goes on to ask:<\/p>\n Was there no way to portray Fitzgerald\u2019s Jew as a Jew without the seamy stereotypes? In casting an Indian actor, Luhrmann effectively usurped the Jewishness of the character and managed to avoid it entirely. Save for his name, Luhrmann\u2019s Wolfsheim is not identifiable as a Jew in any meaningful way.<\/p>\n On some level, this constitutes a denial of historical truth on the part of the director, even as it ethnically (and perhaps creatively) reimagines the role. Is Luhrmann trying to tell us ethnicities are interchangeable? That because Fitzgerald\u2019s character was portrayed in anti-Semitic strokes he should not be portrayed as a Jew? Perhaps some see in this betrayal of the character\u2019s essence a triumph against stereotype. But it seems more accurate to suggest that it illustrates the director\u2019s own confusion and lack of imagination (which is actually quite stunning considering how brilliantly fresh the rest of the film is).<\/p><\/blockquote>\n Berrin also notes that the decision to cast a non-Jew as the gangster makes little sense because other characters in the film actually talk about the character\u2019s Jewishness when he isn\u2019t onscreen, and she asks if Luhrman could have found a more successful way through this minefield by casting a \u201cvery talented and very conspicuously Jewish actor\u201d in the part \u2014 someone like, say, Adrien Brody.<\/p>\n Be all that as it may, it is striking to see this issue come up in two very different films released so close together \u2014 and it is especially striking to see how one film declined to let an Indian be the bad guy when the character was actually Indian (or at least South Asian), while the other film was quite willing to let an Indian be the bad guy (or at least the somewhat dodgy guy) when the character was quite explicitly not<\/i> Indian.<\/p>\n![\"\"](\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2013\/05\/greatgatsby-wolfsheim-300x200.jpg\" "\\"greatgatsby-wolfsheim\\"")
<\/a>Two films in theatres right now feature significant characters who happen to be (1) villainous, or at the very least somewhat shady, and (2) members of an ethnic group that has sometimes been subject to stereotyping. In both films, the characters in question are played by members of an entirely different ethnic group \u2014 and this has puzzled some observers, who have asked if the films could have found a more creative but authentic way to navigate the issues raised by their source material.<\/p>\n