{"id":17946,"date":"2014-02-11T05:45:51","date_gmt":"2014-02-11T10:45:51","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/geneveith\/?p=17946"},"modified":"2014-02-10T20:42:28","modified_gmt":"2014-02-11T01:42:28","slug":"ugliness-and-civilization","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/geneveith\/2014\/02\/ugliness-and-civilization\/","title":{"rendered":"Ugliness and Civilization"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span class=\"author-article\"> Have you noticed how ugly most of our communities are, all the strip malls, concrete boxes, offices, and even churches, void of aesthetic touches?\u00a0 There is certainly \u201cart,\u201d but it tends to be walled away in museums, rather than being part of a living community (as many of the pieces in museums once were).\u00a0 Have you noticed that this is a relatively new phenomenon?\u00a0 In the cover story for the latest <a href=\"https:\/\/www.nationalreview.com\/nrd\/articles\/370494\/age-ugly\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">National Review,<\/a> Michael Knox Beran writes about why that is and what the decline of beauty and the rise of ugliness tell us about our civilization.<\/span><!--more--><\/p>\n<p>From <a href=\"https:\/\/www.nationalreview.com\/nrd\/articles\/370494\/age-ugly\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><span class=\"author-article\"> Michael Knox Beran <\/span>The Age of the Ugly | National Review Online<\/a>:<\/p>\n<blockquote><p>Compare a modern shopping center to, say, the marketplace of Arles in Provence \u2014 it is now called the Place de la R\u00e9publique \u2014 and the falling-off is incontestable. Where the Old Western man created beautiful forms instinctively, as a matter of course, we New Westerners as reflexively create ungainly ones. The Old Western man, the historian Johan Huizinga observed, insisted on having artistic beauty \u201cin the midst of life\u201d; the New Western man has \u201cset art apart from life.\u201d<\/p>\n<div id=\"premium-content\">\n<p>Huizinga had a point. There is more artistic power in the fa\u00e7ade of the church of Santa Maria \u2014 once the Temple of Minerva \u2014 in the heart of old Assisi than there is in some American states, if the sequestered art of museums and private collections is excluded from the calculation. We New Westerners build up our museums artistically; the Old Western man built up his communities artistically. Taking to heart Plato\u2019s conviction that we are strung together by God \u201con a thread of song and dance,\u201d he used music and poetry, and what is musical in architecture and sculpture, to organize his common life ritually and symbolically; artistic beauty, for him, was a begetter of civil harmony.<\/p>\n<p>The New Western man, by contrast, looks upon art as a superfluous luxury: He shuts it up in little mausoleums of dead culture, in museums and concert halls, remote from his daily preoccupations. The rise, in the last few centuries, of institutions devoted to embalming the remains of displaced art is characteristic of a civilization in which beauty is ceasing to be a living force; labor that would once have been bestowed on new creation is devoted instead to sanctifying the relics.<\/p>\n<p>If the New Western man delights to heap up, in his art mortuaries, fragments of Old Western plastic art \u2014 scraps of frieze and pediment, fl\u00e8che and portico \u2014 he does not emulate his forebears by introducing this spatial poetry into his own everyday life; his schools, offices, and shopping centers are inartistic. Nor is he keener to resurrect the Old Western time-poetry, its festival and ritual infrastructure. Such rubrics as the Athenian calendar of sacrifices, the Roman fasti, and the Christian missal brought choral and dramatic arts (Attic tragedy, medieval mystery plays, the drama of creation embodied in the church year) into the heart of the common life of the community. A glance at The Procession of Saint Gregory in the Tr\u00e8s Riches Heures of the Duc de Berry, or The Piazza San Marco at Carnival Time, by Heintz the Younger, reveals how prosaic, by comparison, is the artistry of our own holiday culture. \u201cThe festival requires style,\u201d Huizinga said. \u201cIf those of modern times have lost their cultural value, it is because they have lost style.\u201d . . .<\/p>\n<p>[Marcel] Proust [whom Mr. Boran discusses in the article]\u00a0 helps us to see that the Old Western man suffused his ordinary life with works of artistic beauty not only to endow it with wholeness and coherence, but also that he might apprehend, however faintly and imperfectly, the undiscovered country that lies on the other side of its frontiers. And indeed the classic works of art that did so much to order the life of the Old Western community \u2014 the sculpture, the columns, the music, the liturgies and the poetries \u2014 have in common with Proust\u2019s art the power to illuminate our passage through nature to eternity.<\/p>\n<p><a href=\"https:\/\/www.nationalreview.com\/nrd\/articles\/370494\/age-ugly\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">[Continue reading. . . ]<\/a>*<\/p>\n<p>*Behind a paywall, but it will only cost you 25 cents!<\/p>\n<p>HT:\u00a0 David H. Bergquist<\/p><\/div>\n<\/blockquote><\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Have you noticed how ugly most of our communities are, all the strip malls, concrete boxes, offices, and even churches, void of aesthetic touches?\u00a0 There is certainly \u201cart,\u201d but it tends to be walled away in museums, rather than being part of a living community (as many of the pieces in museums once were).\u00a0 Have [&hellip;]<\/p>\n","protected":false},"author":1281,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[96,276,3006],"class_list":["post-17946","post","type-post","status-publish","format-standard","hentry","category-art","tag-aesthetics","tag-beauty","tag-ugliness"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ugliness and Civilization<\/title>\n<meta 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\/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/cranachblog\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-02-11T10:45:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-02-11T01:42:28+00:00\" \/>\n<meta name=\"author\" content=\"Gene Veith\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gene Veith\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/geneveith\/2014\/02\/ugliness-and-civilization\/\",\"url\":\"https:\/\/www.patheos.com\/blogs\/geneveith\/2014\/02\/ugliness-and-civilization\/\",\"name\":\"Ugliness and 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