But the dog, Clementine, discovered his siesta, and she was having a marvelous time picking him up by the tail and shoving him around. She barked in pretend anger, her tail wagging as she jumped from side to side.<\/p>\n This went on for a time; then I kicked the lizard under a planter and spoiled the fun. He went back to whatever cold stasis he spends his time in, while she romped off to tear a plastic pot liner into shreds. Lizards, pot liners, paper bags\u2014whatever\u2019s handy, she\u2019ll play with it.<\/p>\n Now, some killjoy would explain that this dog, well past her puppydom, is honing her hunting acumen in all this. And when she chases or gets chased, she\u2019s honing her survival skills. There\u2019s a scientific purpose to the business, and it\u2019s meant to keep her gene pool moving down the line (spayed though she is). They\u2019d also point out that the old and sick don\u2019t have time for play.<\/p>\n In a sense, that\u2019s all true. We do grow more adept by practicing for the fights and races ahead. And the pain of certain states\u2014decrepitude and disease\u2014does tend to squelch the play instinct altogether.<\/p>\n But why does Clementine play while the lizard doesn\u2019t? And out in the pasture, why does the colt kick about and the calf cavort? Monkeys are famous for their shines. Dolphins are said to be a blast. So why are these species so good at a party, while the reptilians and arachnids and mollusks just slither, sup, and sit?<\/p>\n One telling characteristic of the higher animals (yep, I privileged mammals, and I\u2019m not backing down) is in fact this very dimension of play. It\u2019s a defining aspect of being a warm blood that you just like to mess around, whether alone or in a group. Play is fun, and the pleasure it gives has been the focus of both philosophic and scientific study.<\/p>\n In a wider context, Freud and Bentham had their take on pleasure, famously focusing upon the feelings that arise from stimuli, shaping our responses and adapting our behaviors. Pleasure and its opposite, pain, are experimental feelers, ones from which we extend our snail horns or retract them, depending upon the amount of agreeability that is met. But this only takes us down the path of Pavlov\u2019s dogs, and that\u2019s always been too simple.<\/p>\n Jean Piaget, the developmental psychologist who studied child development, thought play a phenomenon difficult to fathom precisely. He spent his life studying the act, but like most men of great intellect, had the humility and decency to admit that primordial things cannot be reduced completely to formula.<\/p>\n In Homo Ludens<\/em>, the major work on play, social scientist Johan Huizinga said that play is \u201ca free activity standing quite consciously outside \u2018ordinary\u2019 life\u2026\u2018not serious,\u2019 but at the same time absorbing the player intensely\u2026It [has] no material interest, and no profit can be gained\u2026It proceeds within its own proper boundaries of time and space according to fixed rules and in an orderly manner. It promotes the formation of social groupings that tend to surround themselves with secrecy and to stress the difference from the common world by disguise or other means.\u201d<\/p>\n From that definition, it seems the mysteries of play\u2014its special garb and unique roles, arcane rules and peculiar playing fields\u2014transport us to a different plane. There, we become beings with special powers (only we<\/em> can score when we have the ball; only we<\/em> are \u201csafe\u201d when we touch the tree; only we <\/em>can move while others stand \u201cfrozen,\u201d awaiting our release). In this way, there is a kinship between play, pageantry, and ceremony\u2014new rules apply creating new states of existence and honor.<\/p>\n That idea brings us closer to the aspect of play most related to being human. While engrossed, the player experiences delight, and better yet, knows that he or she is delighted. Although there is certainly pleasure in competition\u2014i.e., the kind of \u201cplay\u201d related to sport (which in this age is often a professional exercise, profitable and serious)\u2014the delight I speak of is purposeless\u2014the pure delight of throwing and catching\u2014of spinning, balancing, capering, frolicking.<\/p>\n \u201cWhen I run, I feel God\u2019s pleasure,\u201d said the Olympic sprinter, later missionary, Eric Liddell (immortalized in the film Chariots of Fire<\/em>). Like David dancing before the Ark, play\u2019s delight brings us within the Edenic ecstasy of being what we were made to be\u2014of simply reveling in the two-handed, two-footed, hairy-headed things that we are, with tongues out, eyes flashing, and chests heaving as we go.<\/p>\n There is a Sundayness to play\u2014that day meant to bask, to rest\u2014in that play is a good in itself (honestum<\/em>, as the ancients would have it), with no means to an end, no utile<\/em> in sight. There are no talons to be sharpened, no muscles to be strengthened, no feet to be made fleeter. Oh, those things may be happening in the process, but the delight is why <\/em>we do it in the first place.<\/p>\n We eat and drink for pleasure, though they also sustain us. Most do not come to the meal as though it were a training table, with the purpose to carbo-load for a marathon. Instead, we come for the savory, the sweet, the salty\u2014that which warms and cools and seasons. We come for the delight.<\/p>\n And so it is with play. For while transfixed by its circle, we are at once beyond thought of the travail within which we are made to labor, and at once absorbed inside a being that we were made to enjoy.<\/p>\n Join in the conversation about evolution and Christian faith by visiting the <\/em>BioLogos symposium at Patheos<\/em><\/a>. Click <\/em>here<\/em><\/a> for more on Image\u2019s BioLogos colloquy.<\/em><\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n![\"\"](\"https:\/\/wp-media.patheos.com\/blogs\/sites\/162\/2015\/06\/D.G.-Harmons-dog.jpg\")
<\/a>The other day, I watched a Basset Hound playing with a lizard; to be more accurate, she was harassing him mightily, and he was doing his best to get away. It was one of those summertime lizards, striped and sleek, who\u2019d ventured from beneath the cool protection of the planters that line the terrace. He\u2019d hoped to sun himself in peace, I suppose.<\/p>\n