For Mother and Father, In Equal Measure

For Mother and Father, In Equal Measure June 3, 2013

Patrick Stewart magnificently describes his efforts in combatting (and his childhood experience of witnessing) violence against women. Watch the whole thing, and then read on for some thoughts.

Perhaps most moving to me is his discovery of what had moved his father to be violent toward his mother: PTSD brought on by his time in World War II. It is this revelation that brings him to a new milestone in his own campaign for the cause, wherein he gives his time both to Refuge, a nonprofit that provides safe houses to women, and Combat Stress, a group that works with those suffering from PTSD:

So, I work for Refuge for my mother, and I work for Combat Stress for my father, in equal measure.

As I have written here before, I suffer from PTSD myself, not from combat of course, but from the combination of a violent assault near my home when I lived in Washington, DC, and many years of relentless mockery and bullying from my middle and high school years. Obviously, the scenarios are starkly different, because my experience had almost nothing to do with any expectation that I be the aggressor, as it is for soldiers. But it does cause me to behave in ways that I would not otherwise, taking over my rational brain and my empathy when a threat is detected. It makes me understand how trauma can cause a person to act in such a way that they themselves might not recognize. It does not excuse it by any means, but it helps to explain it, and provides a point of potential repair so that it stops.

And one more note: I found myself watching Stewart’s body language, and it told its own story. Note how early in his answer, he hugs himself, tightly. This is classic defensiveness — as an actor, I’m well aware of the unconscious tendency for folks feeling insecure in front of an audience to brace or hug themselves to provide a bit of armor from imaginary danger. For Patrick Freaking Stewart to do that tells you something about how raw this issue is for him. Later, of course, he opens up very wide, his arms far out, exposing his face and chest, telling me he there finds his ground, finds his purpose, and it carries him to a courageous state. He is no longer defending, he is affirmatively acting. Not theatrically, but acting as in doing something.

(Hat tip to Kylie for the video.)

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