{"id":4301,"date":"2016-04-11T08:41:22","date_gmt":"2016-04-11T14:41:22","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/janetheactuary\/?p=4301"},"modified":"2016-04-11T08:58:01","modified_gmt":"2016-04-11T14:58:01","slug":"from-the-library-generation-war","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/janetheactuary\/2016\/04\/from-the-library-generation-war.html","title":{"rendered":"From the library:  Generation War"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>Lots of spoilers here, so click away if you were thinking of checking this movie out from your local library \u2014 though, let\u2019s face it, there are not too many people who browse the German movies section for 4 1\/2 hour long TV miniseries for their weekend (and stay up way past their bedtime to watch it).<\/p>\n<p>The basic premise of the miniseries, which aired on German TV in 2013, is this: \u00a0five twentysomething friends meet in Berlin in the summer of 1941, before taking separate paths, with the plan to meet again at Christmastime. \u00a0Two of the friends, Wilhelm and Friedhelm, are brothers, the older, an experienced officer, and the younger a bookish enlisted man, off to war in the East in the same unit. \u00a0The third, Charlotte or Charly, has just passed her nurse\u2019s exam and is about to join a military field hospital, near Wilhem, with whom she is secretly in love. \u00a0The fourth, Greta, dreams of a singing career, and the fifth, Greta\u2019s boyfriend, Viktor, is a tailor, and Jewish. \u00a0Their paths diverge but continue to cross over the course of the movie.<\/p>\n<p>Wilhelm is pragmatic and has experienced battle already, but he becomes cynical after watching his superiors shoot civilians, and later, after Stalingrad, is obliged to lead his men into a battle with no strategic significance and great loss of life. \u00a0After this battle, the unit retreats but he is left behind and makes his way to a cabin in the woods, until he\u2019s found by German troops, almost executed, and sent to a \u201cpunishment\u201d group instead, where, in the closing days of the war, he kills his brutal commanding officer.<\/p>\n<p>Friedhelm is initially fearful and hesitates to shoot, but ultimately becomes hardened. \u00a0Along the way, in the same pointless battle that leads his brother to desert, he is shot near the heart, and is brought to the field hospital where Charly works; he is initially triaged as hopeless until Charly begs the doctor to save him, and he lives. \u00a0He is sent home, but returns to the battle (not out of patriotism, but, the film suggests, because he can\u2019t fit in at home any longer), is placed in a unit fighting partisans, during which time he is involved in an execution of civilian hostages, but also later kills his commanding officer to save Victor,<\/p>\n<p>who, just before the DVD froze up, was given a false passport to leave Germany, and, at the first scene of the next chapter the DVD would let me watch, was on a train headed east, which he and a Polish woman managed to escape, whereupon they join the partisans, and participate in their operations, until, just before the unit is discovered and destroyed by the Germans, they conveniently kick him out for being Jewish, and he, too, in the last days of the war, makes his way to Berlin.<\/p>\n<p>In the meantime, Greta has an affair with a Gestapo officer, who advances her career, but subsequently, when she threatens his marriage, arranges for a \u201ctour\u201d on the front lines, where she is briefly reunited with her friends, and has a closer encounter with the war than she planned for when the battle comes too close, her plane leaves without her, and she is briefly compelled to help in the hospital with Charly. \u00a0She returns home, makes some defeatist comments on the war, and threatens to expose the Gestapo officer\u2019s affair to his wife, so she is imprisoned.<\/p>\n<p>All in all, I thought the movie was well-done, although the interesctions of its characters required a fair amount of suspension of disbelief, as well as the improbable ways their lives were saved (with two of them, in the end, to die in somewhat arbitrary ways at the end of the war) throughout the course of the movie.<\/p>\n<p>After I watched it, I looked at what <a href=\"https:\/\/en.wikipedia.org\/wiki\/Generation_War\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Wikipedia had to say<\/a>, to get an answer to how Viktor ended up in the train (turned out, he was betrayed by the Gestapo officer), and I was surprised at how critical the reviews were, according to its summaries of those reviews. \u00a0The movie received criticism for what it didn\u2019t show, mostly.<\/p>\n<p>Critics complained that it didn\u2019t show the Holocaust \u2014 which seems a bit unfair; <em>must<\/em> every (German) film about World War II depict the Holocaust? \u00a0Of course, they could have sent Viktor to Auschwicz rather than allowing him to escape the train, but that was the moviemaker\u2019s choice. \u00a0Wikipedia reports that they had originally intended for Viktor to make it to New York, then return as a soldier in the U.S. army, but that budget constraints inspired a script re-write. \u00a0I can only imagine how much more an Auschwitz subplot would have added to the cost. \u00a0In fact, I half expected Greta to be sent to Ravensbruck, rather than stay in the prison, but, in hindsight, a prison cell is a much cheaper scene to film than a concentration camp.<\/p>\n<p>The Poles were angry that the partisan unit it depicted was antisemitic, as they pointed out that there was even a unit of the partisan underground army devoted to rescuing Jews. \u00a0Is this fair? \u00a0So far as I understand, the Poles were a mixed bag, with heroes and villians. \u00a0Falling in with an antisemitic group worked with the plot, because each of the five characters were\u00a0portrayed as on their own, rather than having comrades, and Viktor experiences this through the partisan unit not trusting him as a German with no ready explanation of why he\u2019s in Poland; it also worked as a device to have him expelled just before the attack on the unit.<\/p>\n<p>And the larger criticism is that it shows these five characters as victims, rather than as willing participants in Hitler\u2019s schemes. \u00a0That\u2019s not entirely correct, as Charly the nurse is initially shown very enthusiastically ready to do her patriotic duty, agreeing with the cause of <em>Lebensraum<\/em>, and turns in the local civilian nurse after she learns she\u2019s Jewish, though she regrets this afterwards.<\/p>\n<p>But consider this review from the <a href=\"http:\/\/www.spectator.co.uk\/2014\/05\/generation-war-has-done-that-very-ungerman-thing-and-bottled-it\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Spectator<\/a>, about the BBC airing.<\/p>\n<blockquote><p>If you\u2019re going to take on a subject as big and harrowing as the Eastern Front, you owe it to history not to cheat or pull your punches. Sure, we see the Wehrmacht committing atrocities \u2014 using Russian civilians as human minesweepers; shooting captured NKVD commissars in the back of head; rounding up Jews. But all too often, it\u2019s as if the sensitivities of the German viewer are being salved with glib let-outs \u2014 in the case of the prisoner shooting, for example, by showing how much Wilhelm loathes having to do it; and in the case of the five heroes by making one of them a nice Jewish chap whom they all like. (Openly. In 1941. Right.)<\/p>\n<p>Surely the key point about being a German in the second world war was this: regardless of whether you were good or bad, rampantly philo-Semitic or violently Nazi, you were chewed up by Hitler\u2019s machine all the same. It was acquiesce or die. Often, acquiesce and die. No German serving on the Eastern Front, for example, would have been allowed the moral freedoms with which the scriptwriter has indulged the character of Friedhelm: he\u2019s a 21st-century German parachuted into a period where he wouldn\u2019t have survived more than a few seconds.<\/p>\n<p>The brave and true thing for Generation War to have said is that within every one of us \u2014 given the right circumstances \u2014 lies the capacity to behave as the Germans did in the second world war. Very few of us would have taken a principled, Stauffenberg-style stand because most people just don\u2019t. But even now, 70 years after the war\u2019s end, the Germans are still so mired in guilt and self-hatred that they can\u2019t admit it. If you believe, as I do, that failing to understand your past condemns you to repeat it, this is not an encouraging sign.<\/p><\/blockquote>\n<p>Now, was it unrealistic that the fifth friend was Jewish? \u00a0Yes, but no more unrealistic than plenty of other ways in which movies establish premises to hook their viewers. \u00a0I\u2019m also not sure what the reviewer means by Friedhelm\u2019s \u201cmoral freedoms\u201d \u2014 he\u2019s not shown as a principled \u201cobjector\u201d so much as simply fearful of the battles.<\/p>\n<p>And it kind of misses the point of moviegoing \u2014 a movie about five unlikeable automatons, blindly enthusing about Hitler for four and a half hours, would be unwatchable. \u00a0A movie of unrelenting horror, likewise, wouldn\u2019t be suited for a general TV-watching audience. \u00a0And this reviewer seems to want to deal in extremes \u2014 because the film doesn\u2019t show any of its main characters as dedicated Nazis, it\u2019s not acceptable.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Lots of spoilers here, so click away if you were thinking of checking this movie out from your local library \u2014 though, let\u2019s face it, there are not too many people who browse the German movies section for 4 1\/2 hour long TV miniseries for their weekend (and stay up way past their bedtime to [&hellip;]<\/p>\n","protected":false},"author":2209,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[10,17,369],"class_list":["post-4301","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-from-the-library","tag-germany","tag-world-war-ii"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>From the library: Generation War<\/title>\n<meta name=\"description\" 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