{"id":29540,"date":"2023-10-04T03:00:55","date_gmt":"2023-10-04T09:00:55","guid":{"rendered":"https:\/\/www.patheos.com\/blogs\/johnbeckett\/?p=29540"},"modified":"2023-09-28T18:25:45","modified_gmt":"2023-09-29T00:25:45","slug":"streaming-revenge-the-top-10-horror-movies-i-wasnt-allowed-to-watch-as-a-kid","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/johnbeckett\/2023\/10\/streaming-revenge-the-top-10-horror-movies-i-wasnt-allowed-to-watch-as-a-kid.html","title":{"rendered":"Streaming Revenge: The Top 10 Horror Movies I Wasn\u2019t Allowed to Watch as a Kid"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>This year I\u2019ve been watching a lot of the movies I wasn\u2019t allowed to watch as a kid.<\/p>\n<p>To be fair, my parents put very few restrictions on my movie watching. The only movies I was explicitly forbidden to watch were <em>The Exorcist<\/em> (which I saw at midnight in college \u2013 what an experience!) and <em>Helter Skelter<\/em>. That one was never fully explained, but it wasn\u2019t a problem. I had no desire to watch it, and I\u2019ve still never seen it.<\/p>\n<p>But I grew up in the era of three TV channels and two duplex movie theaters \u2013 there was a lot I missed because it wasn\u2019t available. Even if a movie made it to TV it was often preceded by three terrible words: edited for television. Aggressive censors cut out profanity, violence, sex, and nudity. Especially sex and nudity. And the edgier movies never made it to TV in any form.<\/p>\n<p>Now I\u2019m an adult, living in an era of a zillion streaming services, some of which carry old and obscure movies. Revenge is mine.<\/p>\n<p>These are the Top 10 horror movies I couldn\u2019t watch as a kid. I never heard of most of them when I was growing up, but I would have enjoyed them if I had been able to see them. To fit the requirements of the title, there are two rules.<\/p>\n<p>First, the movie has to be from the 1960s or 1970s. Anything older than 1960 likely wouldn\u2019t have been censored (or rather, it was already censored by the <a href=\"https:\/\/www.npr.org\/2008\/08\/08\/93301189\/remembering-hollywoods-hays-code-40-years-on\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Hays Code<\/a>). By 1980 I was an adult and could see what I wanted, if I could find it.<\/p>\n<p>Second, it can\u2019t be a movie on my <a href=\"https:\/\/www.patheos.com\/blogs\/johnbeckett\/2016\/10\/31-movies-for-halloween.html\" class=\" decorated-link\" target=\"_blank\">2016<\/a> or <a href=\"https:\/\/www.patheos.com\/blogs\/johnbeckett\/2019\/10\/13-horror-movies-im-watching-this-october.html\" class=\" decorated-link\" target=\"_blank\">2019<\/a> Halloween movie lists. So none of Vincent Price\u2019s Edgar Allan Poe films (some which I did see on <em>Shock Theatre<\/em>), Hammer\u2019s <em>Dracula<\/em> series, or <em>The Vampire Lovers<\/em> (which I definitely did not see as a kid). There are a lot of good movies on those lists, but I don\u2019t want to duplicate them here.<\/p>\n<p>Not everything here was or would have been censored. That\u2019s not the point. The point is that I couldn\u2019t watch them then, but I can watch them now.<\/p>\n<p>All of these are good movies \u2013 some are better than others. The rankings are my subjective opinion \u2013 not how \u201cgood\u201d or \u201cinfluential\u201d they are, but simply how much I enjoyed them, all things considered. Your rankings may be different \u2013 these are mine.<\/p>\n<p>Movies come and go on streaming services \u2013 you may not be able to see them in the same places I saw them. <a href=\"https:\/\/www.imdb.com\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">IMDb<\/a> is usually \u2013 but not always \u2013 a reliable guide for what\u2019s where.<\/p>\n<figure id=\"attachment_29522\" aria-describedby=\"caption-attachment-29522\" style=\"width: 768px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/243\/2023\/09\/Streaming-Revenge-780x439-1-scaled.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29522\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/243\/2023\/09\/Streaming-Revenge-780x439-1-scaled.jpg\" alt=\"photo by John Beckett\" width=\"768\" height=\"432\"><\/a><figcaption id=\"caption-attachment-29522\" class=\"wp-caption-text\">All the movies in this picture are good (or they wouldn\u2019t be in my collection) but only two made this Top 10 list. For the others, see the 2016 and 2019 Halloween movie lists.<\/figcaption><\/figure>\n<h2>10. Terror in the Crypt (1964)<\/h2>\n<p>Also known as <em>Crypt of the Vampire<\/em>, it was made in Italy and originally titled <em>La cripta e l\u2019incubo<\/em>. It stars Christopher Lee as Count Karnstein, who is not a vampire but who fears his daughter may be possessed by the spirit of a witch his ancestors killed centuries ago.<\/p>\n<p><em>Terror in the Crypt<\/em> is loosely based on <em>Carmilla<\/em> by Sheridan Le Fanu (1872), with a dose of Mario Bava\u2019s <em>Black Sunday<\/em> (1960) mixed in. The story is good, the mystery is preserved until the end, and the supernatural elements aren\u2019t explained away. It\u2019s a good black and white gothic horror film.<\/p>\n<p>Technical note: the version for rent on Amazon Prime is an old print formatted for pre-HD TV (4:3 aspect ratio). I found a much better copy in the original widescreen on YouTube.<\/p>\n<h2>9. Season of the Witch (1972)<\/h2>\n<p>I was a 10-year-old boy in 1972, but I was a 10-year-old boy who listened and paid attention. The themes of bored suburban housewives and the need for women\u2019s empowerment in <em>Season of the Witch<\/em> were very familiar. Joan (Jan White) is abused and unappreciated \u2013 and then she discovers witchcraft. Unlike so many movies of this era, this one contains some real witchcraft.<\/p>\n<p>In her 2018 book <em>Bell, Book and Camera<\/em> (updated in 2021 as <a href=\"https:\/\/www.amazon.com\/Lights-Camera-Witchcraft-Critical-Television\/dp\/0738768537\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Lights, Camera, Witchcraft<\/em><\/a>) Heather Greene says \u201cJoan moves from a point of powerlessness to a point of power through sexual liberation and witchcraft. As such, the film is a product of its time and comes the closest to a true feminist witch narrative in any film.\u201d It\u2019s directed by George Romero, better known for <em>Night of the Living Dead<\/em>.<\/p>\n<p>This movie was originally titled <em>Jack\u2019s Wife<\/em> and then <em>Hungry Wives<\/em>. There are at least three different cuts, one running 2:10, one running 1:44, and one \u2013 the one I found on both Amazon Prime and Tubi as <em>Season of the Witch<\/em> \u2013 at 1:29. The shorter version doesn\u2019t appear to be missing anything of importance.<\/p>\n<h2>8. Castle of Blood (1964)<\/h2>\n<p>Filmed as <em>Danza Macabra<\/em> in Italian, this movie centers around a skeptical journalist interviewing Edgar Allan Poe in London. He\u2019s approached by Lord Blackwood, who bets him that he can\u2019t spend tonight \u2013 November 1<sup>st<\/sup>, the \u201cNight of the Dead\u201d \u2013 in his abandoned castle. After a few typical haunted house scares, he realizes the castle isn\u2019t abandoned and he\u2019s joined by two beautiful women\u2026 who don\u2019t seem to like each other. As the night progresses, more and more people come and go. Are they alive? Ghosts? Vampires? Will our journalist make it till dawn and win his bet?<\/p>\n<p>The opening credits say <em>Castle of Blood<\/em> was adapted from a story by Edgar Allan Poe, but while it is very Poe-like, he wrote nothing that directly corresponds to this movie. And while Poe lived in England when he was a boy, he returned to the United States at age 11 and never went back.<\/p>\n<p>This is an early 60s horror movie \u2013 despite the title, there is very little blood. However, this is the only movie on this list where I feel obligated to provide a content warning. A snake is killed on camera and it wasn\u2019t a special effect. You expect to see humans and human-like creatures treating other humans badly in horror movies. I wasn\u2019t expecting to see this.<\/p>\n<p>That aside, for atmosphere and suspense <em>Castle of Blood<\/em> is excellent.<\/p>\n<p>There are numerous cuts of this movie \u2013 some of them are quite bad. I found two versions on YouTube that are close to original, one in Italian with subtitles and one dubbed in English.<\/p>\n<h2>7. Vampire Circus (1972)<\/h2>\n<p>Count Mitterhaus drains one too many women and children, so the villagers finally storm the castle and stake him. As he\u2019s dying, he curses them. Fifteen years later, the village is struck by a deadly plague and is quarantined by armed guards. Somehow a circus gets through the roadblocks and brings a bit of joy to the town. Unbeknownst to them, the circus is full of vampires, including a relative of Count Mitterhaus intent on avenging him \u2013 and resurrecting him.<\/p>\n<p>I\u2019ve seen all nine Hammer <em>Dracula<\/em> movies, most multiple times. I\u2019ve seen their Karnstein Trilogy (which isn\u2019t really a trilogy, but the three movies are still worth watching) several times. But I never even heard of <em>Vampire Circus<\/em> until I went looking for old movies to stream. Perhaps that\u2019s because it has none of Hammer\u2019s usual stars: no Christopher Lee, no Peter Cushing, no Ingrid Pitt. It does have a young \u2013 and shirtless \u2013 David Prowse as the circus strongman.<\/p>\n<p><em>Vampire Circus<\/em> is enough like the other Hammer vampire movies to feel familiar, and it\u2019s different enough to feel unique. That makes it perfect for this quest for streaming revenge.<\/p>\n<h2>6. Eugenie (1970)<\/h2>\n<p>The first line of director Jes\u00fas Franco\u2019s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jes%C3%BAs_Franco\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Wikipedia page<\/a> says he\u2019s \u201cknown as a prolific director of low-budget exploitation and B-movies.\u201d <em>Eugenie<\/em> qualifies as all of the above. It\u2019s based on <em>La philosophie dans le boudoir<\/em> (1795) by the Marquis de Sade, about a woman and her brother who set out to corrupt a young girl (she\u2019s 15 in de Sade\u2019s story \u2013 Marie Liljedahl was 19 when she played Eugenie).<\/p>\n<p>Is it a horror movie? It\u2019s definitely psychological horror, and I found the ending to be rather frightening \u2013 and unpleasant. It has Christopher Lee in it, playing a role obviously inspired by de Sade himself. In this <a href=\"https:\/\/youtu.be\/c5tsejCXo-4\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">interview clip<\/a>, Lee said he had no idea what the movie was about until after it was finished.<\/p>\n<p>I discovered it because the band Blood Ceremony created a song about it for their new album <a href=\"https:\/\/riseaboverecords.com\/product\/the-old-ways-remain\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>The Old Ways Remain<\/em><\/a>. Even if you don\u2019t watch <em>Eugenie<\/em> the movie, check out \u201cEugenie\u201d the song.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NHZAUKp2Fdo?si=8pwHXgXUn3u9TOVY\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>5. Persona (1966)<\/h2>\n<p>Ingmar Bergman (1918-2007) is considered one of the greatest directors of all time. He wrote and directed this story of a young nurse (Liv Ullmann) caring for a famous actress who had a breakdown and has stopped speaking. At the recommendation of her doctor, they move to a summer house on the beach, where they\u2019re isolated together \u2013 the speaking nurse and the non-speaking patient. As the weeks go by, their personae begin blending together.<\/p>\n<p>This is not a straightforward movie. It contains some disturbing imagery that\u2019s open to interpretation. It had me remembering some difficult times in my life and questioning if my response was ideal, or even adequate. Definitely not a popcorn movie, but it will make you both feel and think.<\/p>\n<p><em>Persona<\/em> is in Swedish with English subtitles.<\/p>\n<h2>4. Baba Yaga (1973)<\/h2>\n<p>Fashion photographer Valentina has a seemingly-random encounter with a rich older woman who calls herself Baba Yaga. After that, Valentina starts having strange dreams, her cameras malfunction in odd ways, and people she photographs die mysteriously. There\u2019s an old house with a bottomless pit and a creepy bondage doll that comes to life. Some of what\u2019s going on is in Valentina\u2019s head and some of it is not \u2013 which is which is left for the viewer to decide.<\/p>\n<p><em>Baba Yaga<\/em> has very little to do with the witch of Russian folklore. It\u2019s based on the <em>Valentina<\/em> comics series by Guido Crepax that ran from 1965 through 1996. It\u2019s a combination of horror and <a href=\"https:\/\/www.studiobinder.com\/blog\/giallo-films-definition\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">giallo<\/a> (Is giallo a subset of horror? Open a bottle of Chianti or Nero d\u2019Avola and let\u2019s discuss it). It does an unexpectedly good job of capturing the atmosphere of Italy in the 1970s (fashionable but in decline, with talk of a revolution that never came) but mainly it\u2019s a movie that gets the mixture of sexy and scary just right for my tastes.<\/p>\n<figure id=\"attachment_29525\" aria-describedby=\"caption-attachment-29525\" style=\"width: 768px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/243\/2023\/09\/Valentina-Tarot-09.28.23-scaled.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-29525\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/243\/2023\/09\/Valentina-Tarot-09.28.23-scaled.jpg\" alt=\"photo by John Beckett\" width=\"768\" height=\"432\"><\/a><figcaption id=\"caption-attachment-29525\" class=\"wp-caption-text\">The Valentina Tarot, from the same comics series that inspired Baba Yaga.<\/figcaption><\/figure>\n<h2>3. Eye of the Devil (1966)<\/h2>\n<p>David Niven plays Philippe, a Marquis who lives happily in Paris with his wife Catherine (Deborah Kerr) and their two small children. Until he gets word that the vineyards on the estate his family has owned for a thousand years are failing for the third consecutive year. If you\u2019ve seen <em>The Wicker Man<\/em> \u2013 a movie that would not be made for seven more years \u2013 you know where this is going. Except Philippe is a knowing and willing sacrifice. <em>Eye of the Devil<\/em> presents the idea of the Sacred King much more faithfully than <em>The Wicker Man<\/em>.<\/p>\n<p>Most of the story is told from the perspective of Catherine as she attempts to figure out what\u2019s going on, and once she does, to stop it. Will she? Can she? The ending is both what I expected, and not.<\/p>\n<p>This was supposed to be the film debut of Sharon Tate, but because of post production delays, it wasn\u2019t. The opening credits still say \u201cintroducing Sharon Tate.\u201d She was very good as someone who may be a witch, and is dangerous whatever she is.<\/p>\n<p>This movie is excellent, and not just because of the \u201cname\u201d cast. The writing and the direction make for a suspenseful and entertaining movie.<\/p>\n<h2>2. The Devil Rides Out (1968)<\/h2>\n<p><em>The Devil Rides Out <\/em>is based on the 1934 novel of the same name by Dennis Wheatley. It was released in the U.S. as <em>The Devil\u2019s Bride<\/em> because Hammer Films was afraid American audiences would think it was a Western. It\u2019s set in the late 1920s and stars Christopher Lee as a duke trying to rescue the son of a friend from a group of Satanists led by Charles Gray (better known for playing Blofeld in <em>Diamonds Are Forever<\/em> and The Criminologist in <em>Rocky Horror Picture Show<\/em>).<\/p>\n<p>The Satanism is a mixture of fiction, legend, and misappropriated occultism. Gray\u2019s Mocata is clearly based on Aleister Crowley \u2013 one reviewer said that Mocata was what Crowley wished he could be. The movie is one of several from this era centered on the theme that <a href=\"https:\/\/www.patheos.com\/blogs\/johnbeckett\/2018\/11\/what-the-devil-is-going-on.html\" class=\" decorated-link\" target=\"_blank\">the devil was corrupting young people<\/a> and only strong institutions (usually the Church, but in this case the aristocracy) could save them.<\/p>\n<p>For someone with only an academic interest in magic, Lee\u2019s Duc de Richleau sure knows a lot about it. He\u2019s good at it too. Some of the ceremonial magic in the film is real \u2013 all of it looks and feels genuine. Lee called this his favorite Hammer film, and I see why.<\/p>\n<p>Full disclosure: I cheated on this one. I couldn\u2019t find <em>The Devil Rides Out <\/em>on any streaming service \u2013 free or paid \u2013 so I bought it on Blu-ray. I\u2019ve seen it on TCM before \u2013 look for it there during their Halloween horror marathons.<\/p>\n<h2>1. Daughters of Darkness (1971)<\/h2>\n<p>Stefan, a young rich Englishman, has just married Valerie, an even younger Swede. He\u2019s reluctant to take her home to meet his mother, and they end up at a Belgian seaside resort in the off-season \u2013 they\u2019re the only guests in the hotel. Until, that is, they\u2019re joined by Countess Elizabeth B\u00e1thory and her beautiful traveling companion Ilona \u2013 who never come out in the day. And then young women in the nearby town start turning up dead and drained of blood.<\/p>\n<p>This is a story of secrets, lies, and manipulation. The story is tight, the acting is excellent (especially Delphine Seyrig as the Countess), and the atmosphere is as good as you can get without setting it in a haunted castle.<\/p>\n<p>I could have listed the top three movies in any order. But unlike so many of the movies on this list \u2013 and in this genre as a whole \u2013 I liked the ending of <em>Daughters of Darkness<\/em>. And that\u2019s enough to make it #1.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Ten obscure but very good horror movies from the 60s and 70s. Starring Barbara Steele and Christopher Lee, David Niven and Sharon Tate. Directors as varied as Jes\u00fas Franco and Ingmar Bergman. I wasn\u2019t allowed to watch them as a kid, but now revenge is mine!<\/p>\n","protected":false},"author":1129,"featured_media":29522,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[260],"tags":[187,1154,4,5],"class_list":["post-29540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-myth","tag-halloween","tag-horror-movies","tag-pagan","tag-paganism"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Streaming Revenge: The Top 10 Horror Movies I Wasn\u2019t Allowed to Watch as a Kid<\/title>\n<meta name=\"description\" content=\"Ten obscure but very good horror movies from the 60s and 70s. Starring Barbara Steele and Christopher Lee, David Niven and Sharon Tate. Directors as varied as Jes\u00fas Franco and Ingmar Bergman. 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