{"id":720,"date":"2010-12-23T14:32:00","date_gmt":"2010-12-23T14:32:00","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/labmind\/2010\/12\/mexican-baroque-manuel-de-sumaya.html"},"modified":"2016-03-25T15:37:35","modified_gmt":"2016-03-25T20:37:35","slug":"mexican-baroque-manuel-de-sumaya","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/labmind\/2010\/12\/mexican-baroque-manuel-de-sumaya.html","title":{"rendered":"Mexican Baroque: Manuel de Sumaya"},"content":{"rendered":"\n<\/head>
\"\"<\/a><\/div>\n

\u00a0<\/p>\n

<\/div>\n
Very few people are aware today of Latin American sacred music, particularly the baroque music which was widespread in colonial times. One of the baroque masters of Mexico was Manuel de Sumaya, a contemporary of Bach and Handel, who became the chapel master of the Cathedral of Mexico City in 1715. The majestic organ of the cathedral was completed in 1736 (pictured above) and was heavily used along with other favorite baroque instruments. In 1738 Sumaya left for the Cathedral of Oaxaca and was replaced by Ignacio de Jerusalem, another prolific composer. Sumaya died in 1755 in Oaxaca leaving behind a beautiful repertoire for future generations to enjoy. This is a link to my favorite work by Sumaya, Angelicias Milicias. The text in Spanish and English (my personal translation) is below the link.<\/div>\n

Click here to listen to Angelicas Milicias<\/a><\/p>\n\n\n\n\n\n\n\n
Ang\u00e9licas Milicias, celestiales escuadras,
\nque del Monarca del Imperio Sacro
\nguard\u00e1is el divino soberano alc\u00e1zar.<\/span><\/td>\n		\n
Angelic Armies, celestial squadrons,<\/div>\n
who guard the divine and sovereign citadel<\/div>\n
of the Sacred Empire\u2019s Monarch.<\/div>\n<\/td>\n<\/tr>\n
\u00a1A las armas, a las armas!,
\nque la mas hermosa y pura,
\nReina triunfante a la altura
\nsube a coronarse grata.<\/span><\/td>\n		\n
To arms, to arms!<\/div>\n
For the most beautiful and pure<\/div>\n
triumphant Queen, to the heavens<\/div>\n
rises to be pleasingly crowned.<\/div>\n<\/td>\n<\/tr>\n
Y as\u00ed cada cuerda, y el eco sonoro
\nde clar\u00edn y caja, aplaude a sus glorias
\ncon dulces estruendos de b\u00e9licas salvas.<\/span><\/td>\n		\n
And so every string and resounding echo<\/div>\n
of bugle and drum, applaud her glories<\/div>\n
with a sweet warring round of thunder.<\/div>\n<\/td>\n<\/tr>\n
Hoy que la divina Reina
\nde las jerarqu\u00edas altas
\nsube a poseer la corona
\ndel Imperio de la Gracia.<\/span><\/td>\n		\n
Today the divine Queen<\/div>\n
of the high hierarchies<\/div>\n
rises to possess the crown<\/div>\n
of the Empire of Grace.<\/div>\n<\/td>\n<\/tr>\n
Hoy que por Madre y Se\u00f1ora
\nel siempre Eterno Monarca
\ndel Celestial Sacro Trono
\ngloriosamente la aclama.<\/span><\/td>\n		\n
Today for being Mother and Lady,<\/div>\n
the always Eternal Monarch<\/div>\n
from the Celestial Sacred Throne<\/div>\n
gloriously acclaims her.<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

All these pictures are mine, all rights reserved<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Very few people are aware today of Latin American sacred music, particularly the baroque music which was widespread in colonial times. One of the baroque masters of Mexico was Manuel de Sumaya, a contemporary of Bach and Handel, who became the chapel master of the Cathedral of Mexico City in 1715. The majestic organ […]<\/p>\n","protected":false},"author":2533,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-720","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nMexican Baroque: Manuel de Sumaya<\/title>\n<meta name=\"description\" content=\"  Very few people are aware today of Latin American sacred music, particularly the baroque music which was widespread in colonial times. 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