{"id":16678,"date":"2014-10-08T00:00:00","date_gmt":"2014-10-08T00:00:00","guid":{"rendered":"http:\/\/leithart.level2d.com\/?p=1537"},"modified":"2014-10-08T00:00:00","modified_gmt":"2014-10-08T00:00:00","slug":"the-genesis-flood","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/leithart\/2014\/10\/the-genesis-flood\/","title":{"rendered":"The Genesis Flood"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">\n<\/head><body><p><a href=\"http:\/\/www.gorgiaspress.com\/bookshop\/p-59807-opening-heavens-floodgatesbredited-by-jason-m-silvermanbrbiblical-intersections-12.aspx\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Opening Heaven\u2019s Floodgates<\/a>, edited by Jason Silverman, is a wide-ranging collection of essays about the \u201cGenesis flood narrative, its context, and reception.\u201d\u00a0<\/p>\n<p>The book includes detailed essays on the differing chronologies of the flood narrative in various ancient versions; comparative studies of Mesopotamian and Iranian myths; the use of the flood narrative in Jewish apocalyptic literature; the reception of the flood story in popular ark replicas, in nineteenth-century music, and in apocalyptic film; and the implications of the flood narrative for our understanding of the image of God and environmental ethics.\u00a0<\/p>\n<p>The essays assume that the Genesis flood narrative is myth, which Silverman defines as \u201can attempt to understand and impart meaning to reality in narrative and symbolic form without regard to empiricist concerns.\u201d Myth is defined by function \u2013 \u201cthe teller is not concerned with the evidence <em>per se<\/em> but with how it explains and imparts meaning to reality\u201d \u2013 as it raises and attempts to answer the big questions about the world (5-6, 8). The writers take the text seriously, and recognize relationships between the Genesis account and other ancient flood stories. None take the narrative as history in any of the usual senses of the word.\u00a0<\/p>\n<p>For my purposes, the two most interesting essays were Elizabeth Harper\u2019s close literary reading of the flood story and Murray Watson\u2019s analysis of Andre Chouraqui\u2019s translation of the text.<\/p>\n<p>Harper asks more questions than she answers as she follows the twists and turns of the narrative as it is overshadowed by Lamech\u2019s hope that his son would bring \u201ccomfort\u201d from the \u201cground which Yahweh cursed\u201d (Genesis 5:29). She notes a tension between Noah\u2019s actual name (<em>noach<\/em>, \u201crest\u201d) and Lamech\u2019s statement (hope for comfort, <em>nacham<\/em>), noting accurately that in the Bible \u201ccomfort\u201d \u201cchanges things\u201d rather than merely soothing suffering (35).<\/p>\n<p>Harper follows a cascade of wordplays coming from that opening verse. Noah finds favor (<em>chen<\/em>) in the eyes of Yahweh, and the word for \u201cfavor\u201d is \u201ca palindrome of Noah\u201d (38-39). Genesis 5:32 begins with the three letters of the word \u201ccomfort\u201d; Noah found favor begins, in Hebrew, as <em>nchm<\/em>. Things take a discouraging twist as chapter 6 opens to disclose a world filled with violence (<em>chamas<\/em>) a word that echoes the name of one of Noah\u2019s sons, <em>cham<\/em>, who will later do some violence to Noah. The names Noah and Ham together form <em>nacham<\/em>, but the reference to comfort is still \u201cequivocal.\u201d She finds wordplay in the instructions for the ark, which is to be made of gopher wood, a term that rhymes with kopher, \u201cto cover,\u201d which is what Noah is supposed to do to the ark. She disputes the translation of kopher as \u201cpitch,\u201d arguing that it refers instead to \u201ca \u2018ransom\u2019 to redeem life\u201d (40). At the end of the narrative, Noah finally makes good on his name, offering a sacrifice that produces a \u201crestful\u201d (<em>nychch<\/em>) scent that soothes Yahweh (49) and drinking wine that induces sleep. It seems, perhaps, that Lamech\u2019s hope has been fulfilled, though Harper is still uncertain enough to pose the point as a question: \u201cIn washing the adamah of its corruption did the flood also purify this accursed status, or at least ameliorate the curse in some way?\u201d (51).<\/p>\n<p><em>La Bible Chouraqui<\/em>, published in the 1970s, was a translation in the tradition of Buber, Rosenzweig, and more recently Everett Fox. (Derrida devoted at least one essay to Chouraqui\u2019s Bible late in his life.) Andre Chouraqui, a polymathic Algerian-French-Israeli diplomat, attempted to defamiliarize the Bible by sticking with Hebrew idioms and syntax. He refuses the normal translation of <em>teba\u2019<\/em> by \u201carche,\u201d choosing to call it a \u201ccaisse\u201d (\u201ca chest or rigid sort of box made from a solid material\u201d). This is distinguished from his translation of the Mosaic <em>\u2018aron<\/em>, which he renders as \u201ccoffre.\u201d The translation choice makes it clear that there are different Hebrew terms behind \u201cNoah\u2019s ark\u201d and \u201cark of the covenant\u201d (351).<\/p>\n<p>When the Hebrew doubles using a verb and object from the same root, Chouraqui doubles too: \u201casphalte-le . . . avec l\u2019asphalte\u201d (Genesis 6:14). He not only catches the link between the verb <em>\u2018alah<\/em> and the offering, <em>\u2018olah<\/em>, but translates in a way that captures the notion of ascent: \u201cil fait monter dse montees sur l\u2019autel\u201d (8:20). Yahweh makes clouds cloud the earth, and Chouraqui translates, \u201cquand je ferai nuer la nuee dur la terre\u201d (9:14). Mountains do not have peaks covered but water; they have \u201ctetes.\u201d Watson raises some of the standard objections against this approach, but the effect of this mode of translation is just right: \u201chis wordings often draw the unsuspecting reader up short, provoking puzzlement and (sometimes secondarily) appreciation and insight of the subtleties of Chouraqui\u2019s word-choices\u201d (357).<\/p>\n<p>Many the other essays in Silverman\u2019s substantial volume will also stimulate and delight, testimony to the skill of the contributors and, more fundamentally, to the cryptic, teasing depths of the flood narrative itself.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Opening Heaven\u2019s Floodgates, edited by Jason Silverman, is a wide-ranging collection of essays about the \u201cGenesis flood narrative, its context, and reception.\u201d\u00a0 The book includes detailed essays on the differing chronologies of the flood narrative in various ancient versions; comparative studies of Mesopotamian and Iranian myths; the use of the flood narrative in Jewish apocalyptic [&hellip;]<\/p>\n","protected":false},"author":3021,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,949],"tags":[],"class_list":["post-16678","post","type-post","status-publish","format-standard","hentry","category-bible-ot-genesis","category-flood-myths"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Genesis Flood<\/title>\n<meta name=\"description\" content=\"Opening Heaven&rsquo;s Floodgates, edited by Jason Silverman, is a wide-ranging collection of essays about the &ldquo;Genesis flood narrative, its\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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