{"id":16700,"date":"2014-10-13T00:00:00","date_gmt":"2014-10-13T00:00:00","guid":{"rendered":"http:\/\/leithart.level2d.com\/?p=1549"},"modified":"2014-10-13T00:00:00","modified_gmt":"2014-10-13T00:00:00","slug":"green-2","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/leithart\/2014\/10\/green-2\/","title":{"rendered":"Green: A History"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">\n<\/head><body><p>A young Jane Fonda stares at you from the cover of\u00a0Michel Pastoureau\u2019s latest,\u00a0<a href=\"http:\/\/www.amazon.com\/Green-History-Color-Michel-Pastoureau\/dp\/069115936X\/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1413041607&amp;sr=1-2&amp;keywords=green+history%20tag=leithartcom-20\" style=\"font-family: inherit; font-size: inherit; letter-spacing: 0.01em;\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Green: The History of a Color<\/a>. She wears a dull brown-and-green tartan dress and leans back against the arm of a green sofa, large green-covered books discarded to one side. She\u2019s smoking, but she\u2019s taken a break to fix her green eyes on the camera.<\/p>\n<p>Green, you may have noticed, is the theme.<\/p>\n<p>From the cover to the last page, where the Fonda photo is repeated, <em>Green <\/em>is sumptuous, to the eye and to the mind. In deft summaries, Pastoureau picks out the technical, artistic, literary, political, aesthetic aspects of the color\u2019s history.<\/p>\n<p>He asks whether the Greeks were capable of seeing greens and blues; he discusses the teams of the Roman hippodrome, identified by their \u201cloud, garish, and vulgar\u201d colors (35); he notes that the color green is rare in the Bible and hence rare in the church fathers.<\/p>\n<p>Green was elevated during the twelfth century when Cardinal Lothar, the future Innocent III, declared green to be the color of eternal life and a \u201cmiddle color between white, red and black\u201d (quoted, 42). After that, \u201cgreen became de facto the color most often called upon throughout the liturgical year\u201d (42).<\/p>\n<p>During the later middle ages, green became associated (naturally enough) with youth and springtime, with love, and with the youthful vices of \u201cimpatience of the flesh, and inconstancy of heart. It was very often a changeable color, fickle and frivolous, in the image of youth itself\u201d (71). Associated with dragons and with Satan, it took on more threatening hues. Pastoureau spends a chapter talking about green knights, especially <em>the <\/em>Greek Knight, whom he links with \u201cthe goddess Fortune, often represented in late medieval images wearing a green or striped dress. By accepting the challenge proposed by the Green Knight, Gawain wagers not only his reputation but also his life. It is probably the green of fate that is presented here, a risky and capricious green that can reverse any individual\u2019s destiny for better or for worse\u201d (105).<\/p>\n<p>Green declined in popularity in the later middle ages, and was scoured from the churches during what Pastoureau calls the Reformation\u2019s \u201cchromoclasm\u201d (138). Protestant suspicion about green had an mpact for centuries. Green remained a subordinate color during the Enlightenment, and Pastoureau argues that the Protestant roots of those who launched the earliest mass products limited the palette of everyday good: \u201cit was as if the palette of vivid colors, perfectly authorized by the chemical industry, was forbidden by the civic moral code\u201d (206).\u00a0<\/p>\n<p>Inevitably a book that covers everything from Homer\u2019s blindness to Jane Fonda\u2019s green eyes sometimes verges on an annotated list. Pastoureau makes even his lists absorbing, and when you get tired of reading there are beautiful pictures to look at.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>A young Jane Fonda stares at you from the cover of\u00a0Michel Pastoureau\u2019s latest,\u00a0Green: The History of a Color. She wears a dull brown-and-green tartan dress and leans back against the arm of a green sofa, large green-covered books discarded to one side. She\u2019s smoking, but she\u2019s taken a break to fix her green eyes on [&hellip;]<\/p>\n","protected":false},"author":3021,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[854,12],"tags":[],"class_list":["post-16700","post","type-post","status-publish","format-standard","hentry","category-color","category-history"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Green: A History<\/title>\n<meta name=\"description\" content=\"A young Jane Fonda stares at you from the cover of&nbsp;Michel Pastoureau&rsquo;s latest,&nbsp;Green: The History of a Color. She wears a dull\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/leithart\/2014\/10\/green-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Green: A History\" \/>\n<meta property=\"og:description\" content=\"A young Jane Fonda stares at you from the cover of&nbsp;Michel Pastoureau&rsquo;s latest,&nbsp;Green: The History of a Color. 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