{"id":18727,"date":"2017-03-08T00:00:00","date_gmt":"2017-03-08T00:00:00","guid":{"rendered":"http:\/\/leithart.level2d.com\/?p=450"},"modified":"2017-03-08T00:00:00","modified_gmt":"2017-03-08T00:00:00","slug":"preject-subject-traject-object","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/leithart\/2017\/03\/preject-subject-traject-object\/","title":{"rendered":"Preject, Subject, Traject, Object"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span class=\"drop-cap\">I<\/span>n a fascinating article on \u201cthe structure of significant lives,\u201d Norman Fiering summarizes Eugen Rosenstock-Huessy\u2019s description of the development of Freud and the psychoanalytic movement. Each involves a different sort of time, and a different \u201cgrammar\u201d\u2014a different verbal mood and a different declension for Freud and his followers.<\/p>\n<p>Like other significant intellectual and cultural innovations, Freud began with an inspiration, which arose from a mentor\u2019s chance comment about the relation of neurosis to \u201cgenitals.\u201d The comment came to Freud as an imperative, and left him a \u201cpreject.\u201d <\/p>\n<p>Summarising Rosenstock\u2019s point, Fiering writes that a \u201c\u2018preject\u2019 is not a \u2018subject,\u2019 he is not an ego or an \u2018I,\u2019 nor is he an \u2018object,\u2019 a \u2018him\u2019 or an \u2018it.\u2019 At the beginning of his great accomplishment, the founder of Psychoanalysis rather than willing something into existence is initially passive, a patient not an agent, a receptor, intrigued by what he has heard and captivated by it. The ego does not come first; the imperative, the call to action, precedes it.\u201d <\/p>\n<p>At this stage, Freud and other innovators experience an absolute certainty, a sense of being guided by something beyond them; the certainty arises from a sense that some power is carrying them along. As Fiering says, \u201cWe are precipitated from above. Man being the animal that changes his environment, the phase of inspiration is that phase in which sufficient strength accrues to the individual so that he feels empowered to change the environment for the group. Inspiration does no more than that. It dislocates and places us. We cease to be part of the environment, we are made the center of a new environment which, in our inspiration, is envisaged and anticipated by us.\u201d <\/p>\n<p>If the creative insight is going to persist, it has to be followed by a more suspenseful, anxious and angsty time. Freud \u201cstrives to make his case, with no certain outcome.\u201d Instead of a \u201cpreject\u201d thrown ahead into a new environment by a compelling imperative, he becomes \u201ca subject with a will, an ego that is driven to communicate. In this subjective time of suspense, the subject asks himself: Will I be able to communicate what I have discovered? Do I have the strength to carry out the commission that has overwhelmed me?\u201d The creative imperative yields to a \u201csubjunctive\u201d mood of contingency and conditionality. This is often a period of opposition, of intellectual martyrdom, when the innovator becomes an outcast from the old world that no longer can contain him. <\/p>\n<p>Rosenstock-Huessy claimed that this was followed by a third stage, a third experience of time and grammar, which he describes as \u201cimmortalization\u201d or \u201ceternalization.\u201d This is the stage at which the creative insight of the founder becomes a movement. The lone reformer or innovator, the ego subject, becomes a plural \u201cwe.\u201d The creative insight of the founder can be perpetuated because the crusader has become a tribe. At this point, the founder becomes a \u201ctraject,\u201d not propelled into the future, but looking back to the past. Fiering notes, \u201cIn the third stage, the literary form is personal narrative, the autobiographical recounting of what \u2018we\u2019 have done.\u201d<\/p>\n<p>Finally, the movement turns into an object of analysis. It and its founder can be viewed from a distance, as objects. In this last stage, \u201cPsychoanalysis is perceived in detachment, as a development in the past that occupied a particular \u2018space of time\u2019 with an objective chronology. Time at this juncture lacks the urgent \u2018now or never\u2019 of the moment of inspiration, lacks the anxiety of hope and expectation that may go on for years and years, and it is not the entrance into the eternity of recurrent new life by the formation of an intellectual movement.\u201d Rather, historians can tell the \u201cobjective history of Psychoanalysis, Freud and his creation as existing in space, a space of time, as \u2018object\u2019\u2014in grammar \u2018it\u2019 or \u2018they\u2019 or \u2018he.\u2019\u201d<\/p>\n<p>Rosenstock often criticized the way scientific models of objectivity had invaded the social sciences, with the result that the final, objective, distanced mode of analysis is taken as the only truly scientific one. On the contrary, by the time a system of ideas or a movement can be analyzed, the creative energies have settled into regular patterns.<\/p>\n<p>Rosenstock does not despise analysis, but wishes that analysts would understand their place: \u201cIf only the objectivists, critics, and analysts were willing to admit they are supplementary latecomers! They could then become useful members of the human race again. As retrospective contributors they are always welcome. But they have wanted to pretend to us that their experience of time as retrospective is the first and only true and scientific one.\u201d<\/p>\n<p>(Fiering, \u201cThe Structure of Significant Lives,\u201d <em>The European Legacy<\/em> [2017]: 1-21.)<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>In a fascinating article on \u201cthe structure of significant lives,\u201d Norman Fiering summarizes Eugen Rosenstock-Huessy\u2019s description of the development of Freud and the psychoanalytic movement. Each involves a different sort of time, and a different \u201cgrammar\u201d\u2014a different verbal mood and a different declension for Freud and his followers. Like other significant intellectual and cultural innovations, [&hellip;]<\/p>\n","protected":false},"author":3021,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1805,125,1788,726,138],"tags":[],"class_list":["post-18727","post","type-post","status-publish","format-standard","hentry","category-biography","category-freud","category-grammar","category-rosenstock-huessy","category-time"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Preject, Subject, Traject, Object<\/title>\n<meta name=\"description\" content=\"In a fascinating article on \u201cthe structure of significant lives,\u201d Norman Fiering summarizes Eugen Rosenstock-Huessy&#039;s description of the development of\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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