{"id":18979,"date":"2017-07-28T00:00:00","date_gmt":"2017-07-28T00:00:00","guid":{"rendered":"http:\/\/leithart.level2d.com\/?p=702"},"modified":"2017-07-28T00:00:00","modified_gmt":"2017-07-28T00:00:00","slug":"darcys-shirt","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/leithart\/2017\/07\/darcys-shirt\/","title":{"rendered":"Darcy&#8217;s Shirt"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span class=\"drop-cap\">C<\/span>olin Firth\u2019s dive into Pemberly\u2019s pond is either the highlight or the lowlight of the epic A&amp;E <em>P&amp;P<\/em>. For newbies, it\u2019s a a highlight; for purists, it represents a capitulation to the standards of contemporary romance and <em>it\u2019s not even in the book<\/em>!<\/p>\n<p><a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2017\/07\/who-gaze-on-the-men-in-jane-austen\/533415\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Alana Semuels presents<\/a> a lively defense of the dive and the SHIRT. It\u2019s not in the book, but, Semuels argues, it captures an essential dimension of Austen\u2019s fiction, the valorization of the female gaze and the sexual mutuality that implies:<\/p>\n<blockquote><p>By turning Darcy into a sex object, the series not only captured something essential about <em><a href=\"https:\/\/www.amazon.com\/Pride-Prejudice-Jane-Austen\/dp\/0141439513\/?tag=firstthings20-20\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Pride and Prejudice,<\/a><\/em> as literature; it also highlighted the extent to which the novel, written in the late 18th century and published in the early 19th, anticipated the pop culture of the 21st. It placed women\u2014their perspectives, their concerns, their humor, their desires, their rich inner lives\u2014at the center of the story. . . .\u00a0<em>Pride and Prejudice<\/em>, in particular, is a novel of surveillance. In it, characters\u2014through windows, across the tiny chasm of an open door, through letters and gossip and gradual revelations\u2014watch each other, reflexively and constantly.<\/p><\/blockquote>\n<p>Surveillance consisting almost entirely of women surveilling men. Semuels shows that this is a constant in Austen\u2019s novels and concludes that it points to an affectionate ideal of love and marriage: \u201cIn Austen\u2019s work, romantic union is seen not as the pragmatic abnegation of the self, but rather as the hopeful realization of it. Again and again, after all, in her stories, women gaze upon men and decide for themselves whether or not the men are worth having.\u201d<\/p>\n<p>Perhaps the most compelling, and amusing, bit of evidence is Austen\u2019s parody of the male leer of Sir Walter Elliot in <em><a href=\"https:\/\/www.amazon.com\/Persuasion-Jane-Austen\/dp\/150329031X\/?tag=firstthings20-20\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Persuasion<\/a><\/em>. Sir Walter complains:<\/p>\n<blockquote><p>The worst of Bath was the number of its plain women. He did not mean to say that there were no pretty women, but the number of the plain was out of all proportion. He had frequently observed, as he walked, that one handsome face would be followed by thirty, or five-and-thirty frights; and once, as he had stood in a shop on Bond Street, he had counted eighty-seven women go by, one after another, without there being a tolerable face among them.<\/p><\/blockquote>\n<p>Semuels comments: \u201cHere . . . is a nearly textbook example of the male gaze, presented two centuries before that term would have a name\u2014and here, too, is that perspective thoroughly mocked. And here is Austen using her sharpest weapon, the irony honed by her free indirect style, to ensure that the mocking of Sir Walter will be enacted by Sir Walter himself.\u201d<\/p>\n<p>Nearly enough to reconcile the purest purist to the SHIRT.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Colin Firth\u2019s dive into Pemberly\u2019s pond is either the highlight or the lowlight of the epic A&amp;E P&amp;P. For newbies, it\u2019s a a highlight; for purists, it represents a capitulation to the standards of contemporary romance and it\u2019s not even in the book! Alana Semuels presents a lively defense of the dive and the SHIRT. [&hellip;]<\/p>\n","protected":false},"author":3021,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1275],"tags":[],"class_list":["post-18979","post","type-post","status-publish","format-standard","hentry","category-jane-austen"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Darcy&#039;s Shirt<\/title>\n<meta name=\"description\" content=\"Colin Firth&#039;s dive into Pemberly&#039;s pond is either the highlight or the lowlight of the epic A&amp;E P&amp;P. For newbies, it&#039;s a a highlight; for purists, it\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/leithart\/2017\/07\/darcys-shirt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Darcy&#039;s Shirt\" \/>\n<meta property=\"og:description\" content=\"Colin Firth&#039;s dive into Pemberly&#039;s pond is either the highlight or the lowlight of the epic A&amp;E P&amp;P. 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