{"id":833,"date":"2004-08-26T17:08:59","date_gmt":"2004-08-26T17:08:59","guid":{"rendered":"http:\/\/leithart.level2d.com\/?p=833"},"modified":"2017-09-06T22:45:57","modified_gmt":"2017-09-06T16:45:57","slug":"african-polyphony","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/leithart\/2004\/08\/african-polyphony\/","title":{"rendered":"African Polyphony"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">\n<\/head><body><p><\/p><p> In a brief article in the August 6  <i> TLS <\/i> , Stephen Brown reflects on the influence of African music on the music of America and Europe.  Until WWI, he writes, African music had little impact on the wider musical scene, but after the war \u201cthere was no popular music in the United State ?Ewith the possible exception of Jeannette MacDonald and Nelson Eddy ?Ethat did not bear witness to the transformation wrought by black musical culture.\u201d  He compares the African impact on American music to the influence of Florentine and Baroque painting styles in teh Renaissance and the 17th century respectively.  It is not merely that jazz and blues became more popular but \u201cthere was a new vocabulary, a new syntax, a new grammar.\u201d  In particular, it was a new rhythm: \u201cRhythm in African music is a composite of simultaneously occurring layers; polyphonic textures of rhythmic patterns . . .  . African polyphony requires that different rhythmic layers should maintain their independence, should be heard as distinct, and yet in combination should create a rhythmic whole greater than its parts.\u201d  Gershwin\u2019s \u201cSummertime\u201d provides an example; in the Louis Armstrong\/Ella Fitzgerald version, \u201cthe rhythm of the accompaniment (actually consisting of at least three rhythmic strands) plays with an independent consistency, while the trumpet and then the vocal lines play freely above it.\u201d   <\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>In a brief article in the August 6 TLS , Stephen Brown reflects on the influence of African music on the music of America and Europe. Until WWI, he writes, African music had little impact on the wider musical scene, but after the war \u201cthere was no popular music in the United State ?Ewith the [&hellip;]<\/p>\n","protected":false},"author":3021,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43],"tags":[],"class_list":["post-833","post","type-post","status-publish","format-standard","hentry","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>African Polyphony<\/title>\n<meta name=\"description\" content=\"In a brief article in the August 6 TLS , Stephen Brown reflects on the influence of African music on the music of America and Europe. Until WWI, he\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/leithart\/2004\/08\/african-polyphony\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"African Polyphony\" \/>\n<meta property=\"og:description\" content=\"In a brief article in the August 6 TLS , Stephen Brown reflects on the influence of African music on the music of America and Europe. 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