{"id":37302,"date":"2008-07-04T22:33:55","date_gmt":"2008-07-05T05:33:55","guid":{"rendered":"http:\/\/lookingcloser.wordpress.com\/?p=3648"},"modified":"2013-03-24T15:58:38","modified_gmt":"2013-03-24T21:58:38","slug":"reader-mailstrom-64-pocorn-is-evil-cynderes-cover-art-derrickson-on-gradual-bedazzlement","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/lookingcloser\/2008\/07\/reader-mailstrom-64-pocorn-is-evil-cynderes-cover-art-derrickson-on-gradual-bedazzlement\/","title":{"rendered":"Reader Mail – 6\/4: Pocorn is evil; Cyndere’s cover art; Derrickson on gradual bedazzlement; Bob on the iTunes lecture"},"content":{"rendered":"\n<\/head>

from Julie:<\/span><\/strong><\/p>\n

What do you eat at the movies?<\/p><\/blockquote>\n

<\/p>\n

MY RESPONSE:<\/strong><\/p>\n

I try not to eat while I\u2019m watching. I don\u2019t like popcorn. It gets stuck in my teeth, and then I\u2019m annoyed throughout the movie. Plus, it\u2019s noisy. I especially don\u2019t like butter flavoring on popcorn. I usually pick up a water bottle or coffee. Water\u2019s best, as moviegoing can be dehydrating. Most of the time, I have a pen in one hand and a notebook in the other, and I\u2019m anxiously scribbling down notes in the dark.<\/p>\n

\u2013<\/span><\/span><\/p>\n

from Bruce:<\/span><\/span><\/p>\n

So\u2026 which of the covers in the Cyndere\u2019s Midnight<\/em> cover art survey<\/a> was selected? (Please be \u201cB,\u201d please be \u201cB\u201d!)<\/p><\/blockquote>\n

MY RESPONSE:<\/strong><\/p>\n

Neither was selected. The artist was still working on the cover when the survey was posted, and I know that he and others at WaterBrook found the responses to the survey interesting. So what you\u2019ll see on the cover will probably look a little different than either one of those options. But thanks for asking! Nobody\u2019s more eager to see the finished art than me, and when I have permission, I\u2019ll post it immediately.<\/p>\n

By the way, I made my final proofreading edits on Tuesday and mailed off the manuscript. So we\u2019re almost there!<\/p>\n

I should also mention that there\u2019s a Cyndere\u2019s Midnight<\/em> reading\/booksigning on the calendar: November 20 at 7 p.m. at Village Books<\/strong> in Bellingham, Washington. I\u2019ll also be happy to sign books when I speak at Northwestern College<\/strong> in Iowa on Monday, November 9.<\/p>\n

\u2013<\/p>\n

from Scott Derrickson, a message that borrows its title from my blog header\u2026 which borrows it from an Emily Dickinson poem:<\/span><\/strong><\/p>\n

\u201cIn art and faith, the truth must dazzle gradually\u201d<\/strong><\/p>\n

This quote crossed my mind today, since it sits at the top of your blog which I read at least once a week (usually more). I know it\u2019s a play on Emily Dickenson (whom I love) and I think I understand the intent of the statement \u2014 I see it as a call for Christians to more deeply understand and embrace the power of indirectness and subtlety, and that\u2019s certainly a worthy notion. But it occurred to me today that it\u2019s simply not true that in art and faith, the truth must dazzle gradually. Epiphany and revelation are found, as often as anywhere else, in art and faith, and epiphany and revelation typically mean truth received as shock treatment, not gradual as gradual discovery.<\/p>\n

I\u2019m not suggesting you lose the mantra, it\u2019s still good, but like all mantras it\u2019s an overstatement, and I thought I\u2019d pass on my thoughts about the limits of this particular one.<\/p><\/blockquote>\n

MY RESPONSE:<\/strong><\/p>\n

Oh, yes, \u201cRoad to Damascus\u201d moments do occur, of course.<\/p>\n

To me, though, the Dickinson line is about how we must be \u201ccaught off guard.\u201d If a preacher shows up on my porch, knocks on my door, and starts aggressively preaching at me, I\u2019m not likely to be open to his words. If a story unfolds in the pages of a book, or on the screen, or if a homily is offered in the context of a liturgy and worship, that\u2019s something different. I\u2019ve been opened up, prepared to receive.<\/p>\n

But I am a believer in epiphany and revelation. That was Flannery O\u2019Connor\u2019s m.o. So, I understand, and agree with, your assertion that it\u2019s an overstatement. But when read in the context of Dickinson\u2019s poem \u201cTell the Truth, but tell it slant, success in circuit lies\u2026\u201d, the line about gradual bedazzlement works for me!<\/p>\n

Derrickson replies:<\/strong><\/span><\/p>\n

Excellent words. I really love the idea of being \u201cprepared to receive\u201d.<\/p>\n

I want to shoot a short film of a Flannery O\u2019Connor short \u2014 maybe A GOOD MAN IS HARD TO FIND. I want to make a really horrific film from one of her stories.<\/p>\n

I saw THE VISITOR on your recommendation, which I truly loved. And I saw a fantastic classic samurai film, sort of an anti-samurai film, on DVD called HARAKIRI. It\u2019s fantastic.<\/p><\/blockquote>\n

\u2013<\/p>\n

an email from poet (and Looking Closer reader) Bob:<\/strong><\/span><\/p>\n

Last night I was clicking about in the SPU section of iTunes and what do I find but a lecture titled \u201cWe Gotta Get Outta Here \u2013 How Tolkien, Lewis and L\u2019Engle Help Us Hope.\u201d<\/a> [My sons and I] watched it right away. The boys were quite taken by it.<\/p>\n

I am in firm agreement with your proposition that a good story needs no didactic justification. Plato may have disagreed with that idea as it opens the door to the imagination and \u201cthere be dragons.\u201d To be captivated by story is a most human experience as much as it is to be moved by music. I believe that we were created in such a way that we respond to respond to the power of story. Since we are made in God\u2019s image, it poses an interesting idea about how He responds to a good tale. Wouldn\u2019t all of created history then be God\u2019s ultimate story?<\/p>\n

This year I was able to observe [my sons] respond to The Iliad<\/em> and The Odyssey<\/em> as [their mother] read it aloud to them. Stories 3000 years old, yet they still had the power to captivate 21st century teenagers. Now they have been raised on books and have been read to since infancy and their television consumption has been minimal so they are coming from an atypical background. However, they do \u201cget\u201d what Homer was on about. Their literary (and cinemagraphic) background allowed their imaginations engage with that material and let it come alive for them. It was a great experience.<\/p>\n

[My wife] and I have tried impart out love of good books and of story to our sons ever since we could sit them in our laps. We have tried to communicate wisdom and discernment to them regarding the fact that not all content is in our best interest and may be inappropriate based on age or the fact that it promotes lies about God\u2019s created order. Some material is just best to avoid. Yet that must not be confused with the fact that our imaginations are a gift should be nourished and a good story can be a banquet.<\/p>\n

\u2026<\/p>\n

I loved your comment about how Jesus largely communicated to the masses through story and did not readily provide the meaning. I guess I still am surprised and saddened by Christians who take a predominately utilitarian approach to the arts when they assume that there must a kind of narrow purpose to the work and it all has to be \u201cfigured out.\u201d<\/p>\n

What I do want to say is that I am so grateful for your work in the public sphere that encourages Christians to approach aesthetics thoughtfully. With our imaginations, we have been given a blessed gift from our creator that our current modern, evangelical, American subculture has largely ignored, disparaged and\/or feared. I know that you have experienced much animosity from a segment of the church as a result, but by holding firm to these principles, you help form disciples that may better see God outside of Sunday service. Thank you so much for that. You honor me with your friendship.<\/p>\n

You might like to know that after watching your lecture last night, [my son] asked to borrow my copy of Auralia\u2019s Colors<\/em> saying that he really wanted to read it.<\/p><\/blockquote>\n

MY RESPONSE:<\/strong><\/p>\n

Wow, thanks, Bob! That lecture was part of last September\u2019s \u201cDay of Common Learning\u201d at Seattle Pacific University. I was inspired by the enthusiastic reaction to it, and adapted the lecture into an essay called \u201cThe Eagles are Coming!\u201d for SPU\u2019s Response<\/em> magazine.<\/p>\n

So much of my lecture was made up of things that were said by great imaginations like L\u2019Engle, Lewis, and Tolkien, and I was just passing that treasure along. If you\u2019re interested in more insights like those, I encourage you to read (or re-read, most likely) Madeleine L\u2019Engle\u2019s Walking On Water<\/em>, and her later work The Rock That is Higher<\/em>. C.S. Lewis\u2019s collection called On Stories<\/em> is excellent too.<\/p>\n

I hope your son likes Auralia\u2019s Colors<\/em>!<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

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