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{"id":78804,"date":"2012-03-07T12:29:14","date_gmt":"2012-03-07T19:29:14","guid":{"rendered":"http:\/\/lookingcloser.org\/?p=78804"},"modified":"2012-09-30T16:33:34","modified_gmt":"2012-09-30T22:33:34","slug":"you-never-know-who-might-be-sitting-next-to-you-at-the-glen-workshop-2","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/lookingcloser\/2012\/03\/you-never-know-who-might-be-sitting-next-to-you-at-the-glen-workshop-2\/","title":{"rendered":"You never know who might be sitting next to you at The Glen Workshop"},"content":{"rendered":"\n<\/head>

In 2010, I had the privilege of leading the\u00a0Film Seminar at the Glen Workshop<\/a>\u00a0in Santa Fe, New Mexico. I was a student posing as an instructor, a film enthusiast more interested in learning about movies from classroom discussion than in expounding upon my own movie-going experience.<\/p>\n

Still, it caught me by surprise to learn that the \u201cworkshopper\u201d with the most cinematic expertise was enrolled not in my seminar, but in the songwriting workshop. \u2026\u00a0<\/p>\n

During the Glen\u2019s lunch break, he quietly listened in on a conversation among my film-seminar friends. I noticed his close attention. I introduced myself.<\/p>\n

I learned, to my astonishment, that Pete Horner wasn\u2019t just interested in movies. He makes movies. Or better, he is a gifted collaborator, a sound designer, who, in his work at Zoetrope and Skywalker Ranch, has helped create the enthralling soundscapes of major motion pictures like\u00a0Jarhead, Rio,<\/em>\u00a0and one of my favorites\u2014Francis Ford Coppola\u2019s\u00a0Apocalypse Now Redux.<\/em><\/p>\n

To read this two-part conversation with sound designer Pete Horner, visit Image\u2019s Good Letters blog. (Part One<\/a> \u2013 Part Two<\/a>)<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"