{"id":5690,"date":"2013-12-11T12:00:37","date_gmt":"2013-12-11T18:00:37","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/markdroberts\/?p=5690"},"modified":"2015-03-13T15:27:25","modified_gmt":"2015-03-13T20:27:25","slug":"giving-witness-with-the-messiah","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/markdroberts\/2013\/12\/11\/giving-witness-with-the-messiah\/","title":{"rendered":"Giving Witness (with the Messiah)"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>I (like many of you, I\u2019m sure) love Handel\u2019s\u00a0<em>Messiah<\/em>, ever since I spent years as a teenager participating in a choir that performed the oratorio every Christmas and Easter. But I thought this piece on the recent performance at Trinity Wall Street (which, incidentally, is two blocks from my office) was interesting:<\/p>\n<p style=\"padding-left: 30px\">But before the first note of Handel was heard, the noble interior of Trinity Church filled with the soaring harmonies of \u201cNkosi Sikelel\u2019 iAfrika\u201d (\u201cGod Bless Africa\u201d), the hymn embedded in today\u2019s\u00a0South African national\u00a0<a title=\"the choirs performance\" href=\"http:\/\/www.trinitywallstreet.org\/file\/nkosi-sikeleli-africa-120713\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">anthem<\/a>, which the singers performed in honor of Nelson Mandela, the former South African president, who died on Thursday at 95.<\/p>\n<div style=\"padding-left: 30px\">\n<p>It was a graceful gesture and one that, perhaps only incidentally, reinforced the special nature of Mr. Wachner\u2019s Trinity \u201cMessiah,\u201d which is fast becoming one of the more meaningful musical traditions of the holiday season. It wasn\u2019t just that the first words, \u201cComfort Ye,\u201d sung by the tenor Stephen Sands, took on a special poignancy. Among national anthems, the South African one is unusual in reflecting the great choral tradition of its people, where communal singing is part of the social fabric. At Trinity, Handel\u2019s \u201cMessiah,\u201d too, becomes an act of communal affirmation. The recitatives and arias are sung by members of the choir, who take turns slipping out of the ranks to walk to the front of the orchestra for their solos. The effect is that of a church gathering where congregants struck by the spirit jump to their feet to give witness.<\/p>\n<\/div>\n<p><a href=\"http:\/\/www.nytimes.com\/2013\/12\/09\/arts\/music\/handels-messiah-at-trinity-church.html?partner=rss&amp;emc=rss\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Read the whole thing here<\/a>.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>I (like many of you, I\u2019m sure) love Handel\u2019s\u00a0Messiah, ever since I spent years as a teenager participating in a choir that performed the oratorio every Christmas and Easter. But I thought this piece on the recent performance at Trinity Wall Street (which, incidentally, is two blocks from my office) was interesting: But before the [&hellip;]<\/p>\n","protected":false},"author":1478,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17457],"tags":[5299,884,4899,17619],"class_list":["post-5690","post","type-post","status-publish","format-standard","hentry","category-art-and-faith","tag-handel","tag-messiah","tag-new-york-times","tag-trinity-wall-street"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Giving Witness (with the Messiah)<\/title>\n<meta name=\"description\" content=\"I (like many of you, I&#039;m sure) love Handel&#039;s\u00a0Messiah, ever since I spent years as a teenager participating in a choir that performed the oratorio every\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/markdroberts\/2013\/12\/11\/giving-witness-with-the-messiah\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Giving Witness (with the Messiah)\" \/>\n<meta property=\"og:description\" content=\"I (like many of you, I&#039;m sure) love Handel&#039;s\u00a0Messiah, ever since I spent years as a teenager participating in a choir that performed the oratorio every\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/markdroberts\/2013\/12\/11\/giving-witness-with-the-messiah\/\" \/>\n<meta property=\"og:site_name\" content=\"Mark D. 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