{"id":56545,"date":"2019-01-11T05:11:32","date_gmt":"2019-01-11T10:11:32","guid":{"rendered":"https:\/\/admin.patheos.com\/blogs\/religionprof\/?p=56545"},"modified":"2019-01-10T20:50:02","modified_gmt":"2019-01-11T01:50:02","slug":"queen-progressive-rock-and-theology","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/religionprof\/2019\/01\/queen-progressive-rock-and-theology.html","title":{"rendered":"Queen, Progressive Rock, and Theology"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>I wanted to preface my review of the movie Bohemiah Rhapsody (which I posted yesterday) with some of the thoughts and interest I brought with me to the movie. But I soon saw that those would make much more sense in a separate post, and so I am including them here. I\u2019ve begun working on a project about progressive rock and theology, and I was rather stunned when I read where\u00a0Jerry Ewing, in his book\u00a0<a href=\"https:\/\/amzn.to\/2SJJOmT\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Wonderous Stories<\/em><\/a> \u201cWhile no one would ever call Queen a prog band, early albums such as <a href=\"https:\/\/amzn.to\/2LXRlvC\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Queen<\/em><\/a> (1973) and more specifically <a href=\"https:\/\/amzn.to\/2SHHSv1\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Queen II<\/em><\/a> (1974) displayed a proggy art rock tendency\u2026\u201d (p.122). Unless one defines prog in specific narrow terms that beg the question, then the experimental character of Queen\u2019s music is clear throughout their activity, and this comes through in the movie. We see them putting object on drums and in pianos, swinging speakers from a rope, as well as explicitly talking about being experimental and transgressing boundaries.<\/p>\n<p>If it seems as though I am eager to include Queen in the book, I am. The album <a href=\"https:\/\/amzn.to\/2C51F08\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Made in Heaven<\/em><\/a> (released after Freddie Mercury died) includes the songs with religious themes: Made in Heaven, My Life Has Been Saved, and Heaven for Everyone. And it seems to me that the long instrumental ending on A Beautiful Day (Reprise) makes Queen\u2019s prog character, or at least influences and experimentation, clear, if eclectic drawing on opera and other genres, tempo changes, and use of recorded sounds do not do so. The album\u00a0<a href=\"https:\/\/amzn.to\/2LWmJuk\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Innuendo<\/em><\/a> similarly includes the songs Innuendo and All God\u2019s People with religious themes. Bijou on that album once again seems to clearly fall in the prog category. And of course, <em><a href=\"https:\/\/amzn.to\/2VFdwLm\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">A Night at the Opera<\/a><\/em> which includes the song that gives the title to the movie that this post is about.\u00a0If the case can be made to include Queen in the book I hope to write (together with a colleague in music), then I\u2019ll want to explore more about the religious themes in their music, which go all the way back to <a href=\"https:\/\/amzn.to\/2SIW32Z\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">the song \u201cJesus\u201d on their very first album<\/a>.<\/p>\n<p>Does the above make Queen \u201cprog\u201d? And why has a Zoroastrian been singing about Jesus from the start? I want to explore the story, and dig behind the scenes as much as I can. Indeed, I\u2019ve been thinking about which musical artists I might want to interview for the book, perhaps also doing a podcast in the process.<\/p>\n<p>But at any rate, Queen is as much religiously transgressive as it is musically, not falling neatly into one category \u2013 even that of prog, which is defined (when it is defined at all) in terms of transgression of boundaries. The lack of clarity about whether the label fits makes it seem all the more important to discuss them in that context.<\/p>\n<p>What are your thoughts on the topic? Is Queen more radically different from King Crimson, Yes, Genesis, ELP, Jethro Tull, Van det Graaf Generator, and Gentle Giant than each of those is from one another? Should Queen be included in a volume on progressive rock and theology?<\/p>\n<p>Of related interest, check out <a href=\"https:\/\/lareviewofbooks.org\/article\/magic-carpet-rides-rock-music-and-the-fantastic\/\" rel=\"nofollow\" target=\"_blank\" class=\" decorated-link\">this article on the connections between rock and science fiction<\/a>. I think my first album-length connection with the band Queen was the <a href=\"https:\/\/amzn.to\/2D2WG1Q\" rel=\"nofollow\" target=\"_blank\" class=\" decorated-link\">Flash Gordon soundtrack<\/a>\u2026<\/p>\n<p>\u00a0<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>I wanted to preface my review of the movie Bohemiah Rhapsody (which I posted yesterday) with some of the thoughts and interest I brought with me to the movie. But I soon saw that those would make much more sense in a separate post, and so I am including them here. I\u2019ve begun working on [&hellip;]<\/p>\n","protected":false},"author":136,"featured_media":56560,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,63],"tags":[1296,7755,9600,9827,14082],"class_list":["post-56545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-music","tag-bohemian-rhapsody","tag-movie","tag-progressive-rock","tag-queen","tag-zoroastrianism"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Queen, Progressive Rock, and Theology<\/title>\n<meta name=\"description\" content=\"I wanted to preface my review of the movie Bohemiah Rhapsody (which I posted yesterday) with some of the thoughts and interest I brought with me to the\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/religionprof\/2019\/01\/queen-progressive-rock-and-theology.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Queen, Progressive Rock, and Theology\" \/>\n<meta property=\"og:description\" content=\"I wanted to preface my review of the movie Bohemiah Rhapsody (which I posted yesterday) with some of the thoughts and interest I brought with me to the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/religionprof\/2019\/01\/queen-progressive-rock-and-theology.html\" \/>\n<meta property=\"og:site_name\" content=\"Religion Prof: The Blog of James F. 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