{"id":569,"date":"2014-06-27T19:02:00","date_gmt":"2014-06-27T19:02:00","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/rhetoricraceandreligion\/2014\/06\/womanist-and-black-feminist-responses-to-tyler-perrys-productions.html"},"modified":"2014-06-27T19:02:00","modified_gmt":"2014-06-27T19:02:00","slug":"womanist-and-black-feminist-responses-to-tyler-perrys-productions","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/rhetoricraceandreligion\/2014\/06\/womanist-and-black-feminist-responses-to-tyler-perrys-productions.html","title":{"rendered":"Womanist and Black Feminist Responses to Tyler Perry&#8217;s Productions"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><div class=\"separator\" style=\"clear: both;text-align: center\"><\/div>\n<div class=\"separator\" style=\"clear: both;text-align: center\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/543\/4.bp.blogspot.com\/-R9k6pG5Itds\/U64EK3TesCI\/AAAAAAAAA28\/frku_BhHoHw\/s1600\/womanist+reponses.jpg\" style=\"clear: left;float: left;margin-bottom: 1em;margin-right: 1em\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/543\/4.bp.blogspot.com\/-R9k6pG5Itds\/U64EK3TesCI\/AAAAAAAAA28\/frku_BhHoHw\/s1600\/womanist+reponses.jpg\" height=\"320\" width=\"213\"><\/a><\/div>\n<p><span style=\"background-color: white;line-height: 22.399999618530273px\"><span style=\"font-family: Georgia, Times New Roman, serif\">African American playwright, actor, television producer and filmmaker Tyler Perry is an American cultural phenomenon. Perry has made over half a billion dollars through the development of films, plays, and television series that center storylines about black women, black communities and black religion. The success of a Tyler Perry Production, coupled with Perry\u2019s participation in a range of media and in multiple roles as creator and actor, position him as a significant site of black religious and cultural expression, and thus critical inquiry and reflection. Womanist and Black Feminist Responses to Tyler Perry\u2019s Productions examines Perry\u2019s works from interdisciplinary perspectives and provides a necessary response to Perry\u2019s current prominence regarding black representation, black religion and black cultural production.<\/span><\/span><br><span style=\"background-color: white;line-height: 22.399999618530273px\"><b><span style=\"font-family: Georgia, Times New Roman, serif\"><br><\/span><\/b><\/span><\/p>\n<div style=\"text-align: center\"><span style=\"background-color: white;line-height: 22.399999618530273px\"><b><span style=\"font-family: Georgia, Times New Roman, serif\">Table of Contents<\/span><\/b><\/span><\/div>\n<p><span style=\"background-color: white;line-height: 22.399999618530273px\"><span style=\"font-family: Georgia, Times New Roman, serif\"><br><\/span><\/span><span style=\"font-family: Georgia, Times New Roman, serif\"><span style=\"background-color: white\">Foreword; Emilie M. Townes<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">Introduction; LeRhonda S. Manigault-Bryant, Tamura Lomax, and Carol B. Duncan<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">PART I: FILMOGRAPHY<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">PART II: THEOLOGY, SPIRITUALITY, AND BLACK POPULAR RELIGIOUS IMAGINATIONS<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">1. Tyler Perry Reads Scripture; Nyasha Junior\u00a0<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">2. Signifying Love and Embodied Relationality: Towards a Womanist Theological Anthropology; Cheryl A. Kirk-Duggan<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">3. Jesus Will Fix It, After While: The Purpose and Role of Gospel Music in Tyler Perry Productions; Lisa Allen-McLaurin<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">4. Screening God; Andrea C. White<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">PART III: THEORIZING INTERSECTING IDENTITIES AND (RE)ENVISIONING BLACK WOMANHOOD<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">5. \u2018A People That Would Take Care of Ourselves\u2019: Tyler Perry\u2019s Vision of Community and Gender Relations; Yolande M.S. Tomlinson<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">6. \u2018It aint where you comin\u2019 from, honey:\u2019 Class, Social Mobility and Marriage in Tyler Perry\u2019s Madea\u2019s Family Reunion; Carol B. Duncan\u00a0<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">7. Mad Black Bitches and Lady-like Saints: Representations of African American Women in Tyler Perry Films; Tamura A. Lomax<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">8. (Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism and the Politics of Appropriation; Whitney Peoples<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">PART IV: THE POLITICS OF PERFORMANCE<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">9. Pause, Auntie Momma!: Reading Religion in Tyler Perry\u2019s Fat Drag; LeRhonda S. Manigault-Bryant<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">10. Madea vs. Medea: Agape, and the Militarist or Murderous Maternal; Joy James\u00a0<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">PART V: BLACK WOMEN AS RELIGIO-CULTURAL CAPITAL<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">11. Tyler Perry and the (Mis)Representation of Religious Morality; Terrion L. Williamson<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">12. Talking Back and Taking My \u2018Amens\u2019 with Me: Tyler Perry and the Narrative Colonization of Black Women\u2019s Stories; Brittney Cooper<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">13. Do You Want to Be Well?: The Gospel Play, Womanist Theology, and Tyler Perry\u2019s Artistic Project; Robert J. Patterson<\/span><br style=\"background-color: white;margin: 0px;padding: 0px\"><br style=\"background-color: white;margin: 0px;padding: 0px\"><span style=\"background-color: white\">Afterword; T. Denean Sharpley-Whiting<\/span><\/span><br><span style=\"background-color: white;color: #333333;font-family: Arial, sans-serif;font-size: 14px;line-height: 22.399999618530273px\"><br><\/span><span style=\"background-color: white;line-height: 22.399999618530273px\"><span style=\"font-family: Georgia, Times New Roman, serif\">Read more <a href=\"http:\/\/us.macmillan.com\/book.aspx?name=womanistandblackfeministresponsestotylerperrysproductions&amp;author=LeRhondaSManigaultBryant\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">here<\/a><\/span><\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>African American playwright, actor, television producer and filmmaker Tyler Perry is an American cultural phenomenon. Perry has made over half a billion dollars through the development of films, plays, and television series that center storylines about black women, black communities and black religion. The success of a Tyler Perry Production, coupled with Perry\u2019s participation in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-569","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Womanist and Black Feminist Responses to Tyler Perry&#039;s Productions<\/title>\n<meta name=\"description\" content=\"African American playwright, actor, television producer and filmmaker Tyler Perry is an American cultural phenomenon. 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