![\"frederick](\"https:\/\/wp-media.patheos.com\/blogs\/sites\/543\/2017\/07\/frederick-douglass.jpg\")
<\/a>by Michael J. Steudeman\u00a0<\/a><\/p>\nFirst posted on Citizen Critics<\/a>.\u00a0<\/em><\/p>\n Once again, stores are stocked with miniature flags and coal for grilling. Americans are breaking out picnic blankets and American flag-themed apparel. At the same time, many Americans are buying poster-board and writing up calls to \u201cResist.\u201d In a year marked by the\u00a0largest protests<\/a>\u00a0in American history, a number of groups are\u00a0planning demonstrations and marches<\/a>\u00a0on the Independence Day holiday. For a country where refusing to stand for the national anthem can be widely renounced as unpatriotic, using the Fourth to picket and shout into megaphones will surely draw some criticism.<\/p>\n Protest anyway. Independence Day has always been a day of resistance. Signing the Declaration of Independence was, itself, an act of profound protest, a call to reject an entire system of government. In the centuries since, the holiday has been used as a foil for disgruntled citizens to express their problems with society and the government. The causes have ranged from pacifism to abolitionism to women\u2019s suffrage and beyond. Across these agendas, Americans have consistently found that the Fourth of July provides what the Greeks called\u00a0kairos:\u00a0<\/em>an opportune moment to advance an argument.<\/p>\n The first Fourth of July protest happened just a year after the Declaration was signed. As citizens of Philadelphia\u00a0gathered in 1777<\/a>\u00a0to enjoy fireworks and banners, a group of pacifists \u2014 the Society of Friends \u2014 resisted the festivities and the glorification of violence. While much of the city lit their windows with candlelight to show support for the war effort, the Friends left their\u00a0houses dark<\/a>\u00a0to condemn the ongoing Revolutionary War. An angry mob of pro-war Philadelphians shattered their windows. Then, as now, pushing back against a patriotic holiday carried a risk.<\/p>\n For the first few decades of the Republic, few people took that risk. In a young nation trying to build a sense of national identity, speakers tried not to dissent. Typically, they spoke in a way that was so ornate, so specific, and so image-driven that nothing was left to the audience\u2019s imagination. For hours, they would\u00a0vividly describe<\/a>\u00a0battles of the Revolutionary War, with sentences like, \u201cCORNWALLIS droops his crest. This petrified colossus that would bestride our land, crumbles into dust.\u201d It was eloquent stuff, but not meant to challenge how audiences thought.<\/p>\n As Fourth of July speeches became formulaic, speakers started trying to use their platform more subversively. In 1826, for instance, the idiosyncratic orator Robert Owen declared private property, \u201cirrational systems of religion,\u201d and marriage to be a \u201cTrinity of the most monstrous evils.\u201d As might be expected,\u00a0listeners were outraged<\/a>. Another example came from Boston, where each year the city\u00a0carefully selected<\/a>\u00a0a well-known citizen to deliver an official Fourth of July speech. Bucking expectations, the young politician Charles Sumner\u00a0challenged the way<\/a>\u00a0the Fourth of July celebration glamorized warfare and violence. He even had the gall to claim that George Washington should not be honored for any of his activity in war, but only as president. Blasphemy! City authorities were not pleased.<\/p>\n In time, Independence Day protests emerged as a powerful way for the disenfranchised to advance their arguments. Among abolitionists and former slaves, for example, critical gatherings were\u00a0held on the\u00a0fifth\u00a0<\/em>of July<\/a>\u00a0to draw a stark distinction from the celebrations on the Fourth. Across the 19th<\/sup>\u00a0and 20th<\/sup>\u00a0centuries, the holiday became a time for civil rights activists, antiwar demonstrators, and suffragists to pursue expanded political rights. As James R. Heintze chronicles in his\u00a0Fourth of July Encyclopedia<\/em><\/a>, these protestors form an important part of the tapestry of the holiday\u2019s history.<\/p>\n Why is the Fourth of July such an appealing time to protest? In large part, it stems from the document the holiday commemorates. Written by a slaveholder to herald the \u201cself-evident\u201d nature of human equality, the Declaration of Independence has always captured the obvious contradictions between American ideals and an imperfect reality. As Abraham Lincoln\u00a0put it<\/a>, the Declaration was written to be \u201cconstantly labored for, and even though never perfectly attained\u2026 constantly spreading and deepening its influence.\u201d Every time the Fourth of July comes around, it provides a chance to highlight that distance between the Declaration\u2019s vision and its execution.<\/p>\n But there\u2019s another, perhaps more obvious, reason why the Declaration provides such an effective basis for protest. People typically remember the first few lines of the Declaration of Independence, but most of the document is not an eloquent enumeration of natural rights. It\u2019s a\u00a0list of complaints<\/a>. King George III had obstructed justice, denied the rule of law, granted too much power to the military, cut off trade, imposed taxes, quartered troops \u2014 the list went on. What better template for protest than a list of political grievances?<\/p>\n Thanks to its format, the Declaration offers an excellent model for those aiming to express their discontent. Take, for instance, the\u00a0Declaration of Sentiments<\/a>\u00a0written by women\u2019s suffragists at the Seneca Falls Convention in 1848. Rewriting Thomas Jefferson\u2019s text to declare that \u201call men\u00a0and women\u00a0<\/em>are created equal,\u201d the authors adapted the list of grievances against King George to show how men oppressed women. Similarly, on the\u00a0Fourth of July in 1915<\/a>, suffragist Carrie Chapman Catt invoked the Declaration and followed a similar structure for her argument. Repeating the phrase \u201cwe protest\u201d to start several sentences, she challenged women\u2019s unequal treatment by government.<\/p>\n Protesting on the Fourth also creates an opportunity to highlight contrasts between those celebrating and those who, due to injustices, cannot. This is the rhetorical power of juxtaposition:\u00a0setting two images side-by-side<\/a>\u00a0and letting them speak for themselves. Frederick Douglass was well aware of this technique when he delivered his\u00a0famous Fourth of July speech<\/a>. From the outset, he made it clear that he was weary of arguing the immorality of slavery. Instead, he used juxtaposition. To the slave, he said, \u201cyour celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity.\u201d Set beside horrific scenes of slave auctions, it was utterly perverse to hear men speaking about \u201cliberty and equality.\u201d Where argument would not work, Douglass made his audience feel dissonance.<\/p>\n And so, this Fourth of July, create that dissonance. While others down hotdogs and watch fireworks, take to the streets to challenge police brutality, threats to health care, underfunded veterans\u2019 benefits, or efforts to suppress voting rights. List your grievances. Declare self-evident truths. Whatever your cause, this is the day to pronounce it loudly.<\/p>\nA History of Dissent<\/h3>\n
An Opportune Time to Resist<\/h3>\n