{"id":1339,"date":"2009-05-15T10:50:22","date_gmt":"2009-05-15T00:50:22","guid":{"rendered":"http:\/\/sisterrose.wordpress.com\/?p=1339"},"modified":"2009-05-15T10:50:22","modified_gmt":"2009-05-15T00:50:22","slug":"angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/2009\/05\/angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay\/","title":{"rendered":"Angels &amp; Demons: Halos and pitchforks clash in the sequel to &#8220;The Da Vinci Code&#8221; Film Essay"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p style=\"text-align:center\"><a rel=\"nofollow\" href=\"http:\/\/sisterrose.wordpress.com\/2009\/05\/15\/angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay\/angels-demons-poster_m-2\/\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1341\" src=\"https:\/\/sisterrose.files.wordpress.com\/2009\/05\/angels-demons-poster_m1.jpg\" alt=\"angels-demons-poster_m\" width=\"460\" height=\"231\"><\/a><a rel=\"nofollow\" href=\"http:\/\/sisterrose.wordpress.com\/2009\/05\/15\/angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay\/angels-demons-poster_m\/\" class=\" decorated-link\" target=\"_blank\"><\/a><\/p>\n<p>When director Ron Howard\u2019s new film <em>Angels &amp; Demons<\/em> marches into theaters on May 15 some people may be expecting the same controversy that accompanied his 2006 film <em>The Da Vinci Code<\/em>. Alas, I am sorry to be a killjoy but audiences just may be inspired instead. I know I was.<\/p>\n<p><strong>The Story<\/strong><\/p>\n<p>Some time has passed since Dr. Robert Langdon (Tom Hanks), a Harvard University \u201csymbologist\u201d attempted to solve a mystery that seemed to indicate that Leonardo Da Vinci had hidden in his Last Supper masterpiece not only that Jesus had fathered a daughter with Mary Magdalene, but that she was divine. Langdon, who was not a believer, incurred the ingratitude of the Catholic Church for his efforts. This completely fictitious controversial story was told in best-selling author Dan Brown\u2019s 2003 book <em>The Da Vinci Code<\/em> and Ron Howard\u2019s 2006 film of the same title.<\/p>\n<p>Now in <em>Angels &amp; Demons<\/em> (based on Dan Brown\u2019s 2000 novel that actually preceded <em>The Da Vinci Code<\/em>) Langdon is back at Harvard, working out in the pool early one morning when a Vatican official approaches him with a paper. One word is printed on it in gothic type: <em>Illuminati<\/em>. The official explains that the Vatican has received threats from this secret society, thought to be long extinct. Indeed, the pope has died and four of the cardinals most favored to be elected the next pope, the \u201cpreferiti\u201d or \u201cpapabile\u201d, have been kidnapped. The official wants Langdon to accompany him to the Vatican to help interpret the symbols and clues left by the Illuminati. The conclave is about to begin. Langdon is surprised, given his strained relationship with the Church, but agrees.<\/p>\n<p>Meanwhile, another Illuminati threat appears. A canister with a particle of extremely volatile \u201canti-matter\u201d has been stolen. The priest-scientist who discovered the process that has the potential to recreate the moment of creation, become a weapon of mass destruction, or become an inexpensive source of energy, was murdered. The canister is somewhere in the Vatican and timed to explode when the last of the four cardinals is killed.<\/p>\n<p>Langdon is joined by a beautiful scientist who understands the mechanisms of the canister, Vittoria Vetra (Ayelet Zurer, <em>Munich<\/em>), and a host of Vatican and Roman police and Papal Guards, in a race is to save the cardinals and the Vatican before midnight. Complicating matters are the deceased pope\u2019s camerlengo, the angelic Father Patrick McKenna (Ewan McGregor, <em>Moulin Rouge<\/em>), and the aging, traditional, and ambitious Cardinal Strauss (Armin Mueller-Stahl; <em>Shine<\/em>)in a rather devil\u2019s advocate role. Not all is as it seems, and not everyone is who he appears to be.<\/p>\n<p><strong>Critique<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0 <\/strong><em>Angels &amp; Demons <\/em>is a very different film from <em>The Da Vinci Code<\/em>. It takes place in the Vatican and Rome with a side trip to Switzerland. The movie was filmed on a set that was constructed not far from Sony Studios in Culver City, CA where I live. The Vatican and the City of Rome refused most requests to film there apparently because of the fall-out from <em>The Da Vinci Code<\/em> and the cautions circulating about this film. The Catholic Church of <em>Angels &amp; Demons<\/em> is very male. No mention is made of the \u201cdivine feminine\u201d and other points that caused so much doctrinal distress in <em>The Da Vinci Code<\/em>. In fact, God is hardly mentioned in <em>Angels &amp; Demons<\/em>. The film is very violent, however, despite the PG-13 rating.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0 The pageantry in the film contrasts with the good guys chasing those who seem to be many bad guys \u2013 and therein lies the plot. Things are not what they seem.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0 One of the major plot points in the film is the relationship between the Catholic Church and science. According to the film, the Illuminati began as a secret society that resisted the Church\u2019s persecution of scientists beginning with Galileo (1564-1642) and now they are emerging again because of scientific developments that interest the Church. (In actuality, a group calling itself Illuminati were formed in Germany in the 1700\u2019s and lasted for about ten years.)<\/p>\n<p><strong>Controversy<\/strong><\/p>\n<p>Dan Brown\u2019s books as well as the films based on them are fiction. I was in second or third grade when I learned the difference between fiction and non-fiction and admittedly much older when I started asking questions about books, film and television.<\/p>\n<p>There are inaccuracies in <em>Angels &amp; Demons<\/em> about history and Catholic practice such as who can be elected Pope and how. For example, \u201cacclamation\u201d was one of the valid forms of papal election before 1996, but in the film they call it \u201celection by adoration\u201d which really irritated by Catholic ears.<\/p>\n<p>Despite these annoying elements, I did not find anything controversial in the film, nor did I find the film <em>Angels &amp; Demons<\/em> anti-Catholic. It is more about action than theology, unlike <em>The Da Vinci Code<\/em> that attempted to dismantle Christianity. I interpret the worldview of <em>Angels &amp; Demons<\/em> as commercialism struggling to become art.<strong><\/strong><\/p>\n<p><strong>Ted Baehr of Movieguide, a Christian organization that reviews films, without having seen the film, had this to say in a fundraising letter\u00a0on April 29, 2009 about <em>Angels &amp; Demons<\/em>:<\/strong><\/p>\n<p>\u201cA\u00a0clear anti-Christian message that not only are Christians evil and murderers but also that science has proven faith in Jesus Christ to be outdated! In the end, it is the highest echelon of the Catholic Church who is the villain!\u201d<\/p>\n<p>However, t<strong>he official Vatican newspaper review on May 5, 2009 of <em>Angels &amp; Demons<\/em> states that the film is <\/strong>\u201cTwo hours of harmless entertainment, which hardly affects the genius and mystery of Christianity.\u201d<\/p>\n<p>As hard as some people have tried, <em>Angels &amp; Demons<\/em> is not controversial. It is a Hollywood movie made with great skill. As the Vatican also noted, the filmmakers masterfully recreated the Vatican and various pieces of art for the film. The film is engaging and entertaining, contains scenes of peril and intense violence, and is about twenty minutes too long.<\/p>\n<p><em>Should you decide to see it, <\/em><em>Angels &amp; Demons<\/em><em> is an intense thriller with a surprising, satisfying, moving, and even<\/em><em><strong> <\/strong><\/em><em>inspiring,\u00a0finale.\u00a0 <\/em><\/p>\n<p style=\"text-align:center\"><a rel=\"nofollow\" href=\"http:\/\/sisterrose.wordpress.com\/2009\/05\/15\/angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay\/angels-demons-vatican\/\" class=\" decorated-link\" target=\"_blank\"><\/a><\/p>\n<figure id=\"attachment_1343\" aria-describedby=\"caption-attachment-1343\" style=\"width: 460px\" class=\"wp-caption aligncenter\"><a rel=\"nofollow\" href=\"http:\/\/sisterrose.wordpress.com\/2009\/05\/15\/angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay\/angels-demons-vatican-2\/\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1343\" src=\"https:\/\/sisterrose.files.wordpress.com\/2009\/05\/angels-demons-vatican1.jpg\" alt=\"One of my favorite scenes in the film is when the Cardinals have to turn in their cell phones before they enter the Sistine Chapel for the conclave; it was just like what happens to film critics before they enter a screening for a new movie so they cannot sneak any photos out (I had to laugh).\" width=\"460\" height=\"306\"><\/a><figcaption id=\"caption-attachment-1343\" class=\"wp-caption-text\">One of my favorite scenes in the film is when the Cardinals have to turn in their cell phones before they enter the Sistine Chapel for the conclave; it was just like what happens to film critics before they enter a screening for a new movie so they cannot sneak any photos out (I had to laugh).<\/figcaption><\/figure>\n<p style=\"text-align:center\">\u00a0<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>When director Ron Howard\u2019s new film Angels &amp; Demons marches into theaters on May 15 some people may be expecting the same controversy that accompanied his 2006 film The Da Vinci Code. Alas, I am sorry to be a killjoy but audiences just may be inspired instead. I know I was. The Story Some time [&hellip;]<\/p>\n","protected":false},"author":1122,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[174,180,183,184,645,649,1324],"class_list":["post-1339","post","type-post","status-publish","format-standard","hentry","category-film-reviews","tag-angels-demons","tag-angels-demons-the-movie","tag-angels-and-demons","tag-angels-and-demons-movie","tag-film-and-the-catholic-church","tag-film-essay","tag-rose-pacatte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Angels &amp; Demons: Halos and pitchforks clash in the sequel to &quot;The Da Vinci Code&quot; Film Essay<\/title>\n<meta name=\"description\" content=\"When director Ron Howard\u2019s new film Angels &amp; Demons marches into theaters on May 15 some people may be expecting the same controversy that accompanied\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/2009\/05\/angels-demons-halos-and-pitchforks-clash-in-the-sequel-to-the-da-vinci-code-film-essay\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Angels &amp; 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I have an MEd in Media Studies and am a media literacy education specialist. In 2018 I earned a D.Min. in Pastoral Communications. I review films for St. Anthony Messenger and film, television and popular culture for the National Catholic Reporter. Visit my Amazon page for most of my books. I am available for speaking and seminars on media literacy education, film retreats, catechesis and media, Lenten film retreats.","sameAs":["http:\/\/SisterRoseReviews.net","https:\/\/www.facebook.com\/SisterRoseGoesToTheMovies","http:\/\/instagram.com\/rosepacatte","https:\/\/www.linkedin.com\/in\/rosepacatte","https:\/\/twitter.com\/SrRoseMovies","https:\/\/en.wikipedia.org\/wiki\/Rose_Pacatte"],"url":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/author\/sisterrose\/"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/posts\/1339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/users\/1122"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/comments?post=1339"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/posts\/1339\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/media?parent=1339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/categories?post=1339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/wp-json\/wp\/v2\/tags?post=1339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}