{"id":5166,"date":"2013-05-02T16:49:29","date_gmt":"2013-05-02T22:49:29","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/sisterrosemovies\/?p=5166"},"modified":"2013-05-02T16:49:29","modified_gmt":"2013-05-02T22:49:29","slug":"theres-something-in-the-air-apres-mai","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/sisterrosemovies\/2013\/05\/theres-something-in-the-air-apres-mai\/","title":{"rendered":"There’s Something in the Air (“Apr\u00e8s mai”)"},"content":{"rendered":"\n<\/head>

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This French film won Best Screenplay at the 2012 Venice Film Festival, but I am not quite sure why. It tells the personal story of the filmmaker Olivier Assayas, a kind of semi-autobiography. It starts off well enough in a high school classroom in Paris 1971, when a teacher reads from Blaise Pascal: \u201cBetween us and Heaven or Hell there is only life, which is the frailest thing in the world.\u201d<\/p>\n

From then on, the film follows the main character, Gilles (Cl\u00e9ment M\u00e9tayer), an aspiring artist who wants to make films, through the student-led demonstrations about politics and the general drug-haze idealism of the flower-child times in France. Gilles and his friends and acquaintances get through it, and the audience is not quite sure why it was all so important except as a moment of cultural history. Perhaps it is the filmmaker\u2019s belief that art can change, and maybe even save, the world. Whether this is the film to express that or not will be up to audiences. With English subtitles.<\/p>\n