{"id":1490,"date":"2008-05-14T08:00:00","date_gmt":"2008-05-14T12:00:00","guid":{"rendered":"http:\/\/tmatt\/2008\/05\/14\/losing-faith-in-narnia-part-i\/"},"modified":"2013-01-30T16:33:25","modified_gmt":"2013-01-30T21:33:25","slug":"losing-faith-in-narnia-part-i","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/","title":{"rendered":"Losing faith in Narnia, Part I"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>While there are no cars in Narnia, screenwriter Stephen McFeely rolled out an automotive image to express the message at the heart of the second film drawn from the seven-book fantasy series by C.S. Lewis.<\/p>\n\n<p>At its heart, he said, \u201cThe Chronicles of Narnia: Prince Caspian\u201d describes what happens \u201cwhen people lose faith, when you don\u2019t keep Aslan in your windshield and he\u2019s in your rear-view mirror.\u201d<\/p>\n\n<p>But if the most important thing to do during a life-shaking crisis is to keep one\u2019s eyes on a character named Aslan, then it\u2019s crucial to know who Aslan is and why following him is so important.<\/p>\n\n<p>Yet dealing with the Aslan question has been the greatest challenge facing the Narnia team from Disney and Walden Media, which saw the first movie in this franchise \u2014 based on \u201cThe Lion, the Witch and the Wardrobe\u201d \u2014 gross $748 million at the global box office, a total that soared over $1 billion with the DVD sales.<\/p>\n\n<p>The bottom line: Aslan means different things to different readers. This is an awesome equation to ponder since sales of the Chronicles have topped 100 million, while being translated into more than 35 languages.<\/p>\n\n<p>On one level, Aslan \u2014 which means \u201clion\u201d in Turkish \u2014 is a magical beast who created Narnia and all of the talking beasts, spirits and people who inhabit it. Period.<\/p>\n\n<p>Yet if he created this world then it would be logical to call him Narnia\u2019s Creator, with a large \u201cC.\u201d Thus, many readers see Aslan as a powerful, yet vague, deity.<\/p>\n\n<p>Then again, it\u2019s a fact that Lewis \u2014 an outspoken Christian apologist \u2014 stated that this series offered a sweeping parable of creation, fall, redemption and, ultimately, apocalypse. While the novels can be enjoyed on many levels, the Oxford University don provided a precise description of Aslan\u2019s identity in the first Narnia novel.<\/p>\n\n<p>\u201cI tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea,\u201d says a talking beaver who helps Peter, Susan, Edmund and Lucy Pevensie after the children arrive from the world of Adam and Eve. \u201cDon\u2019t you know who is the King of Beasts?\u201d<\/p>\n\n<p>Thus, Aslan is the son of the ultimate ruler of Narnia and, in the most famous sequence in \u201cThe Lion, the Witch and the Wardrobe,\u201d he allows himself to be sacrificed to pay for the sins of a traitor. Then, at dawn, the stone altar is empty and Aslan is raised from the dead.<\/p>\n\n<p>That\u2019s a rather obvious metaphor, noted William Moseley, who plays Peter, the oldest Pevensie, who becomes the high king in Narnia\u2019s golden age.<\/p>\n\n<p>\u201cI don\u2019t want to go into the \u2026 Christian analogy, but it\u2019s obviously there,\u201d said Moseley, during recent New York press events for \u201cPrince Caspian,\u201d which reaches theaters this weekend. \u201cAslan represents God. People say every day, \u2018Why can\u2019t I see God? If he\u2019s there, why can\u2019t I see him?\u2019 \u201c<\/p>\n\n<p>Questions about the absence of Aslan loom over the action in the second movie. When the plot begins, the children have been back in England for a year. Then they are magically recalled to the land they once ruled, only to find that 1,300 years have passed. Narnia is controlled by the evil tyrant Miraz, who has stolen the throne from his nephew Prince Caspian.<\/p>\n\n<p>It\u2019s a time of doubt, corruption and cynicism, in large part because Aslan has not been seen since the time of the four young rulers. The land the children knew is gone and they are tempted to lose faith, in Aslan and in their own mission.<\/p>\n\n<p>The big problem is that when Aslan finally appears, only Lucy can see him and her visions are mysterious and highly personal.<\/p>\n\n<p>The youngest queen faces a frustrating paradox that is at the heart of the book\u2019s message. As she grows older, Aslan will grow in stature and power, yet it also requires more faith to see and follow him.<\/p>\n\n<p>\u201cThe thing is, Narnia isn\u2019t a game\u201d for the children, said Georgie Henley, the 12-year-old actress who plays Lucy. In the context of Lewis\u2019 parable, \u201cIt\u2019s a real world. Although Aslan fades for a while, when he comes back he\u2019s stronger than ever and he\u2019s bigger than ever.<\/p>\n\n<p>\u201cI love that saying, you know: \u2018As long as you grow, so shall I.\u2019 \u201c<\/p>\n\n<p>NEXT WEEK: Douglas Gresham, on turning his stepfather\u2019s novel into a movie.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>While there are no cars in Narnia, screenwriter Stephen McFeely rolled out an automotive image to express the message at the heart of the second film drawn from the seven-book fantasy series by C.S. Lewis. At its heart, he said, \u201cThe Chronicles of Narnia: Prince Caspian\u201d describes what happens \u201cwhen people lose faith, when you [&hellip;]<\/p>\n","protected":false},"author":610,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[149,409,431,1542,583,912],"class_list":["post-1490","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-cs-lewis","tag-gresham","tag-hollywood","tag-movies","tag-narnia","tag-walden"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Losing faith in Narnia, Part I<\/title>\n<meta name=\"description\" content=\"While there are no cars in Narnia, screenwriter Stephen McFeely rolled out an automotive image to express the message at the heart of the second film\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Losing faith in Narnia, Part I\" \/>\n<meta property=\"og:description\" content=\"While there are no cars in Narnia, screenwriter Stephen McFeely rolled out an automotive image to express the message at the heart of the second film\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/\" \/>\n<meta property=\"og:site_name\" content=\"Terry Mattingly\" \/>\n<meta property=\"article:published_time\" content=\"2008-05-14T12:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-01-30T21:33:25+00:00\" \/>\n<meta name=\"author\" content=\"tmatt\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"tmatt\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/\",\"url\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/\",\"name\":\"Losing faith in Narnia, Part I\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/#website\"},\"datePublished\":\"2008-05-14T12:00:00+00:00\",\"dateModified\":\"2013-01-30T21:33:25+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/#\/schema\/person\/76ce2260a572ff41a28fb285de9350f1\"},\"description\":\"While there are no cars in Narnia, screenwriter Stephen McFeely rolled out an automotive image to express the message at the heart of the second film\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/2008\/05\/losing-faith-in-narnia-part-i\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Losing faith in Narnia, Part I\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/\",\"name\":\"Terry Mattingly\",\"description\":\"On Religion\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/tmatt\/#\/schema\/person\/76ce2260a572ff41a28fb285de9350f1\",\"name\":\"tmatt\",\"description\":\"Terry Mattingly directs the Washington Journalism Center at the Council for Christian Colleges and Universities. 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