{"id":10581,"date":"2009-10-24T09:26:00","date_gmt":"2009-10-24T14:26:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/voxnova\/?p=10581"},"modified":"2009-10-24T09:26:00","modified_gmt":"2009-10-24T14:26:00","slug":"j-s-bach-st-matthew-passion-opening","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/","title":{"rendered":"J.S. Bach: St. Matthew Passion (Opening)"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"http:\/\/www.youtube.com\/watch?v=M_LLFfFXaUA\">http:\/\/www.youtube.com\/watch?v=M_LLFfFXaUA<\/a>\n<\/p><p><span style=\"font-family:Arial;\">The \u201cgreat Passion\u201d\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, <em>O Lamm Gottes, unschuldig<\/em> (O\u00a0Lamb of God, unspotted), which\u00a0functions as the cantus firmus, soars above the choral and orchestral texture and responds to the dialogue <em>Seht ihn! Wie? Als wie ein Lamm!<\/em> (See him! How? Just as a lamb!)<!--more--><\/span><\/p>\n<p align=\"left\"><strong>Chorus I<\/strong><br>\nCome, ye daughters, share my mourning,<br>\nSee ye\u2014<strong>(Chorus II)<\/strong> whom?\u2014<strong>(Chorus I)<\/strong> the bridegroom there,<br>\nSee him\u2014<strong>(Chorus II)<\/strong> how?\u2014<strong>(Chorus I)<\/strong> just like a lamb!<\/p>\n<p align=\"left\"><strong>Chorale<\/strong><br>\nO Lamb of God, unspotted<br>\nUpon the cross\u2019s branch slaughtered,<br>\nSee ye,\u2014what?\u2014see him forbear,<br>\nAlway displayed in thy patience,<br>\nHow greatly wast thou despis\u00e8d.<br>\nLook\u2014where, then?\u2014upon our guilt;<br>\nAll sin hast thou born for us,<br>\nElse we had lost all courage.<br>\nSee how he with love and grace<br>\nWood as cross himself now beareth!<br>\nHave mercy on us, O Jesus!<\/p>\n<p><span style=\"font-family:Arial;\">Tom Koopman here conducts the Amsterdam Baroque Orchestra, Choir\u00a0and Soloists<\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>The \u201cgreat Passion\u201d\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O Lamm Gottes, unschuldig (O\u00a0Lamb of God, unspotted), which\u00a0functions as the cantus firmus, soars above the choral and orchestral texture and responds to the dialogue Seht ihn! Wie? Als wie ein Lamm! [&hellip;]<\/p>\n","protected":false},"author":2963,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[281,149,37,397,128],"tags":[],"class_list":["post-10581","post","type-post","status-publish","format-standard","hentry","category-art","category-beauty","category-culture","category-mark-defrancisis","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>J.S. Bach: St. Matthew Passion (Opening)<\/title>\n<meta name=\"description\" content=\"The &quot;great Passion&quot;\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"J.S. Bach: St. Matthew Passion (Opening)\" \/>\n<meta property=\"og:description\" content=\"The &quot;great Passion&quot;\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/\" \/>\n<meta property=\"og:site_name\" content=\"Vox Nova\" \/>\n<meta property=\"article:published_time\" content=\"2009-10-24T14:26:00+00:00\" \/>\n<meta name=\"author\" content=\"Mark DeFrancisis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mark DeFrancisis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/\",\"url\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/\",\"name\":\"J.S. Bach: St. Matthew Passion (Opening)\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/#website\"},\"datePublished\":\"2009-10-24T14:26:00+00:00\",\"dateModified\":\"2009-10-24T14:26:00+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/#\/schema\/person\/3881fac5e36c2ffcf696734a4491c10a\"},\"description\":\"The \\\"great Passion\\\"\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"J.S. Bach: St. Matthew Passion (Opening)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/\",\"name\":\"Vox Nova\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/#\/schema\/person\/3881fac5e36c2ffcf696734a4491c10a\",\"name\":\"Mark DeFrancisis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/91a8e2c05cb95733c76d4c0ecd3a8923?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/91a8e2c05cb95733c76d4c0ecd3a8923?s=96&d=identicon&r=g\",\"caption\":\"Mark DeFrancisis\"},\"url\":\"https:\/\/www.patheos.com\/blogs\/voxnova\/author\/markdefrancisis\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"J.S. Bach: St. Matthew Passion (Opening)","description":"The \"great Passion\"\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/","og_locale":"en_US","og_type":"article","og_title":"J.S. Bach: St. Matthew Passion (Opening)","og_description":"The \"great Passion\"\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O","og_url":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/","og_site_name":"Vox Nova","article_published_time":"2009-10-24T14:26:00+00:00","author":"Mark DeFrancisis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Mark DeFrancisis","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/","url":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/","name":"J.S. Bach: St. Matthew Passion (Opening)","isPartOf":{"@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/#website"},"datePublished":"2009-10-24T14:26:00+00:00","dateModified":"2009-10-24T14:26:00+00:00","author":{"@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/#\/schema\/person\/3881fac5e36c2ffcf696734a4491c10a"},"description":"The \"great Passion\"\u00a0opens with a large-scale chorale fantasia for double chorus, each choir with its own orchestral support. At bar 30 this chorale, O","breadcrumb":{"@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/2009\/10\/24\/j-s-bach-st-matthew-passion-opening\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.patheos.com\/blogs\/voxnova\/"},{"@type":"ListItem","position":2,"name":"J.S. Bach: St. Matthew Passion (Opening)"}]},{"@type":"WebSite","@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/#website","url":"https:\/\/www.patheos.com\/blogs\/voxnova\/","name":"Vox Nova","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.patheos.com\/blogs\/voxnova\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/#\/schema\/person\/3881fac5e36c2ffcf696734a4491c10a","name":"Mark DeFrancisis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/voxnova\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/91a8e2c05cb95733c76d4c0ecd3a8923?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/91a8e2c05cb95733c76d4c0ecd3a8923?s=96&d=identicon&r=g","caption":"Mark DeFrancisis"},"url":"https:\/\/www.patheos.com\/blogs\/voxnova\/author\/markdefrancisis\/"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/posts\/10581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/users\/2963"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/comments?post=10581"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/posts\/10581\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/media?parent=10581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/categories?post=10581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/voxnova\/wp-json\/wp\/v2\/tags?post=10581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}