{"id":356,"date":"2009-04-09T09:31:00","date_gmt":"2009-04-09T09:31:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains\/"},"modified":"2009-04-09T09:31:00","modified_gmt":"2009-04-09T09:31:00","slug":"the-zazen-of-mountains","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html","title":{"rendered":"The Zazen of Mountains"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/4.bp.blogspot.com\/_0uPSljNE9f4\/Sd4HAXcK4_I\/AAAAAAAAAWk\/jacioUv_wac\/s1600-h\/101_0624.JPG\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><img decoding=\"async\" style=\"margin: 0pt 10px 10px 0pt;float: left;cursor: pointer;width: 320px;height: 240px\" src=\"https:\/\/4.bp.blogspot.com\/_0uPSljNE9f4\/Sd4HAXcK4_I\/AAAAAAAAAWk\/jacioUv_wac\/s320\/101_0624.JPG\" alt=\"\" border=\"0\"><\/a><\/p>\n<div><span class=\"Apple-style-span\" style=\"font-size:13\"><br><\/span>\n<p><span class=\"Apple-style-span\" style=\"font-size:medium\"><br>At the Empty Hand workshop on <\/span><a href=\"http:\/\/hcbss.stanford.edu\/research\/projects\/sztp\/translations\/shobogenzo\/translations\/zazenshin\/zazenshin.translation.html\" class=\" decorated-link\" target=\"_blank\"><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">Zazenshin<\/span><\/span><\/a><span class=\"Apple-style-span\" style=\"font-size:medium\"> we worked with the third section \u2013 Hongzhi\u2019s poem, Dogen\u2019s comments and then his expression of the precept of zazen. This section is important because it clearly distinguishes shikantaza from silent illumination zazen. I\u2019ve written about that in this blog previously, though, so that\u2019s not the point of today\u2019s post.<\/span><\/p>\n<p>I had hoped to provide context for our Empty Hand discussion with a different view on thinking\/not-thinking\/non-thinking but didn\u2019t find a way to work it in. That\u2019s what I want to present today. It goes to the essential art of zazen, as D-z puts it.<\/p>\n<p><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">Zazenshin<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">, the lancet, acupuncture needle or precept (all of these work for <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">shin<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">) of zazen begins by focussing on the following koan:<\/span><\/p>\n<p><span><span class=\"Apple-style-span\" style=\"font-size:medium\">Once, when the Great Master Hongdao               of Yueshan was sitting zazen, a monk asked him, \u201cWhat               are you thinking of so fixedly?\u201d<br>        The master answered, \u201cI\u2019m thinking of not thinking.\u201d<br>        The monk asked, \u201cHow do you think of not thinking?\u201d<br>        The Master answered, \u201cNonthinking.\u201d<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\"><\/span><\/p>\n<p>A few points. First, Yueshan\u2019s full name could be rendered as Medicine Mountain Majestic Consideration \u2013 an important detail for what follows. It is significant too that Yueshan had a similar exchange with this teacher, Shitou (which I\u2019ll come back to in a future post) where he was sitting zazen and Shitou approached. Yueshan is still sitting zazen and a student approaches.<\/p>\n<p>Second, the word that is translated as <span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">fixedly <\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">or<\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\"> <\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">in other versions as <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">immobile, steadfast sitting<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">, or <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">still, still state<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">, is <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">kotsu kotsu chi<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">. <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">Kotsu <\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">is something high and level; lofty, bald, dangerous. The word is used twice for emphasis.<\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\"> Chi <\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">is earth, land, ground, space, position or foundation. Nishijima and Cross note that it therefore \u201c\u2026suggests a table mountain, and hence something imposing and balanced.\u201d<\/span><\/p>\n<p>Here\u2019s the view from the top of Table Mountian in South Africa:<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Capetown_Pano1.jpg\" class=\"image decorated-link\" title=\"Panorama from the top of Table Mountain. From left to right are visible Lion's Head, Signal Hill, Robben Island, the Cape Town city centre, Table Bay, and Devil's Peak.\" target=\"_blank\" rel=\"nofollow\"><span class=\"Apple-style-span\" style=\"font-size:medium\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/9\/90\/Capetown_Pano1.jpg\/700px-Capetown_Pano1.jpg\" class=\"thumbimage\" border=\"0\" height=\"188\" width=\"700\"><\/span><\/a><span class=\"Apple-style-span\" style=\"font-size:medium\"><br>Yueshan\u2019s zazen is \u201cfixedly\u201d in this way \u2013 high and level; lofty, bald, dangerous, arising as and grounded with the great earth. After all, \u201cI together with all beings and the great earth attain the Way,\u201d was the Buddha\u2019s enlightenment utterance.<\/span><\/p>\n<p>Third, here\u2019s <a href=\"http:\/\/hcbss.stanford.edu\/research\/projects\/sztp\/translations\/shobogenzo\/translations\/zazenshin\/zazenshin.supplemental.html#anchorNote1\" class=\" decorated-link\" target=\"_blank\"><span class=\"Apple-style-span\" style=\"font-size:medium\">another way of understanding<\/span><\/a><span class=\"Apple-style-span\" style=\"font-size:medium\"> of the grammar of the above koan (from Kishizaza Ian\u2019s commentary on <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">Zazenshin <\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">\u2013 if anybody out there in blogland has this translated, I\u2019d be delighted! to see it<\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">)<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">:<\/span><\/p>\n<p>Monk: \u201cThinking in fixed sitting is \u2018what.'\u201d<br>Yueshan: \u201cThinking is not thinking.\u201d<br>Monk: \u201cNot thinking is \u2018how\u2019 thinking.\u201d<br>Yueshan: \u201cIt is thinking \u2018negation\u2019 (hi).\u201d<\/p>\n<p>Steady, lofty thinking is What! Such thinking is free of itself. Free-of-itself thinking is How\u2019s! thinking, as in the question in <span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">Keep Me in Your Heart Awhile<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">, \u201cHOW do you DO it?\u201d Such thinking <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">it<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\"> is also \u201cnegation\u201d or <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">hi <\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">or its synonym, <\/span><span style=\"font-style: italic\"><span class=\"Apple-style-span\" style=\"font-size:medium\">mu<\/span><\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">.<\/span><\/p><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-size:medium\"><br><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-size:medium\">Our zazen, then, to be the Medicine-Mountain-Majestic-Consideration zazen that is the essential art, the precept, and the healing point (i.e., acupuncture needle) is ungraspability contemplating ungraspability. Or as our Rinzai and Harada Daiun descended friends like to say, <\/span><span class=\"Apple-style-span\" style=\"font-size:large\">Muu<\/span><span class=\"Apple-style-span\" style=\"font-size:medium\">uuuu<\/span><span class=\"Apple-style-span\" style=\"font-size:small\">uuuuuuuuuuu<\/span><span class=\"Apple-style-span\" style=\"font-size:x-small\">uuuuuuuuuuuuuuu<\/span>. <\/div>\n<div class=\"blogger-post-footer\"><img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/blogger.googleusercontent.com\/tracker\/4330911338438640912-8573277345133601885?l=wildfoxzen.blogspot.com\" alt=\"\"><\/div>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>At the Empty Hand workshop on Zazenshin we worked with the third section \u2013 Hongzhi\u2019s poem, Dogen\u2019s comments and then his expression of the precept of zazen. This section is important because it clearly distinguishes shikantaza from silent illumination zazen. I\u2019ve written about that in this blog previously, though, so that\u2019s not the point of [&hellip;]<\/p>\n","protected":false},"author":182,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-356","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Zazen of Mountains<\/title>\n<meta name=\"description\" content=\"At the Empty Hand workshop on Zazenshin we worked with the third section - Hongzhi&#039;s poem, Dogen&#039;s comments and then his expression of the precept of\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Zazen of Mountains\" \/>\n<meta property=\"og:description\" content=\"At the Empty Hand workshop on Zazenshin we worked with the third section - Hongzhi&#039;s poem, Dogen&#039;s comments and then his expression of the precept of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html\" \/>\n<meta property=\"og:site_name\" content=\"Wild Fox Zen\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/dosho.port\" \/>\n<meta property=\"article:published_time\" content=\"2009-04-09T09:31:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/4.bp.blogspot.com\/_0uPSljNE9f4\/Sd4HAXcK4_I\/AAAAAAAAAWk\/jacioUv_wac\/s320\/101_0624.JPG\" \/>\n<meta name=\"author\" content=\"Dosho Port\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dosho Port\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html\",\"name\":\"The Zazen of Mountains\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/#website\"},\"datePublished\":\"2009-04-09T09:31:00+00:00\",\"dateModified\":\"2009-04-09T09:31:00+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/#\/schema\/person\/45224391b7690e99673782337bd0eabd\"},\"description\":\"At the Empty Hand workshop on Zazenshin we worked with the third section - Hongzhi's poem, Dogen's comments and then his expression of the precept of\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/2009\/04\/the-zazen-of-mountains.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Zazen of Mountains\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/\",\"name\":\"Wild Fox Zen\",\"description\":\"Living the Dream\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/#\/schema\/person\/45224391b7690e99673782337bd0eabd\",\"name\":\"Dosho Port\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/wildfoxzen\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/7b9712e98924dea6c08d55890403352f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/7b9712e98924dea6c08d55890403352f?s=96&d=mm&r=g\",\"caption\":\"Dosho Port\"},\"description\":\"Dosho Port began practicing Zen in 1977 and now co-teachers with his wife, Tetsugan Zummach, with the Vine of Obstacles Zen. 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