{"id":19914,"date":"2014-09-01T04:06:47","date_gmt":"2014-09-01T08:06:47","guid":{"rendered":"http:\/\/yankeegospelgirl.com\/?p=19914"},"modified":"2018-08-17T18:36:02","modified_gmt":"2018-08-17T22:36:02","slug":"dancing-in-the-rain-the-donald-oconnor-story-part-i","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/youngfogey\/2014\/09\/dancing-in-the-rain-the-donald-oconnor-story-part-i\/","title":{"rendered":"Dancing in the Rain: The Donald O&#8217;Connor Story (Part I of III)"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/1057\/2014\/08\/donald-oconnor-side-leap-still.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-26781\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/1057\/2018\/06\/donald-oconnor-wikimedia-image.jpg\" alt=\"Donald O'Connor, Wikimedia image\" width=\"611\" height=\"782\"><\/a><br>\n<a href=\"https:\/\/www.patheos.com\/blogs\/youngfogey\/2014\/09\/dancing-in-the-rain-the-donald-oconnor-story-part-ii\/\" class=\" decorated-link\" target=\"_blank\">Part II here<\/a><br>\n<a href=\"https:\/\/www.patheos.com\/blogs\/youngfogey\/2014\/09\/dancing-in-the-rain-the-donald-oconnor-story-part-iii-of-iii\/\" class=\" decorated-link\" target=\"_blank\">Part III here<\/a><\/p>\n<p>Quickly: Who\u2019s the most talented entertainer you can name? For many, it would be the man who just took his own life last month. An older generation\u00a0might name\u00a0Dick Van Dyke. Yet another generation might reach still further into the past, to silent film stars like Charlie Chaplin or Buster Keaton.\u00a0What\u00a0do legends like these all share in common? Answer: They all had an extraordinary gift for making\u00a0anyone\u00a0happy, except themselves.<\/p>\n<p>To that remarkable\u00a0list,\u00a0I would add another\u00a0name. I would add the name of the man who immortalized laughter <a href=\"https:\/\/www.youtube.com\/watch?v=SND3v0i9uhE\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">in three short minutes<\/a> of pure genius on film. I would add the name of Donald O\u2019Connor.<\/p>\n<p>Perhaps Paramount exec A. C. Lyles said it best: \u201cDonald O\u2019Connor\u2019s name, spelled backwards, would be talent.\u201d Gene Kelly simply dubbed him \u201cThe O\u2019Connor.\u201d But his story sounds too painfully familiar: a lightning-fast comic wit, a master of improv, full of explosive energy and beloved by fans, yet privately haunted by divorce, addiction and depression. Except that his story does not end like so many other sad, sad stories. No, my friends.\u00a0This is a story that ends with hope.<!--more--><br>\nIt begins on the morning of August 28th, 1925, when his mother woke from exhausted slumber to hear, \u201cHe\u2019s a fine boy. And his name is Donald O\u2019Connor.\u201d The voice belonged to the woman who had found Effie O\u2019Connor beginning labor in a hotel room, while the rest of the O\u2019Connors\u00a0carried on\u00a0the family vaudeville act. She had taken her\u00a0to the hospital\u00a0and kept watch\u00a0all night. \u201cWho said so?\u201d whispered Effie. \u201cMe,\u201d the woman replied matter-of-factly. \u201cI\u2019ve always liked the name Donald.\u201d<\/p>\n<p>Effie was a bareback rider, a childhood runaway from Decatur, Illinois. Her husband, John O\u2019Connor, was a strong-man. He too had run away from his home across the sea in County Cork, Ireland, hitching\u00a0his fortunes to a wagon show bound for America. They met in the circus and married when she was 14. Donald was the youngest of seven, three of whom had already died in childbirth.<\/p>\n<p>The world of show business was a world of tradeoffs. Donald was at once another mouth to feed and another $25 for the tight-knit family troupe\u2014that is, as soon as he could be semi-balanced on a stage. Like gypsies, they traveled the country in their REO Speedwagon, plying their wares of laughter. But death\u2019s pale horse was never far behind.\u00a0In the same month that Donald earned his first paycheck, at the ripe old age of 1, his 6-year-old sister ran across the street and was killed instantly by a Ford. Had she not left little Donald\u2019s stroller on the sidewalk to make the run, he might have shared her fate.\u00a0Mere months later, John O\u2019Connor collapsed of a heart attack.\u00a0His death would haunt\u00a0Donald\u00a0for decades to come. He came to know\u00a0his father only through others\u2019 recollections of him\u2014this man they called \u201cthe Nijinsky of acrobats,\u201d who could leap to impossible heights and hold a team of elephants together with his bare hands.<\/p>\n<p>Still, the show went on, and Donald quickly grew into his role. In his words, \u201cYou learned to be great real fast. You went out there and caught the audience\u2019s attention in the first 25 seconds or you ruined it for the family. If you heard laughter you knew it was working.\u201d Meanwhile, he learned his first dance steps by pure osmosis on the streets, in the corner drug stores. Nobody ever put a name to any of it for him. He\u00a0knew only\u00a0that he loved it, and that\u00a0show business was the only life he would ever want. The O\u2019Connors shared the stage with everyone\u00a0from the Marx Brothers, to Abbot &amp; Costello, to Jimmy Durante, to Al Jolson. No chance to watch the masters at work was lost on the sharply observant lad.<\/p>\n<p>Donald\u2019s stoicism under intense duress developed at an early age. Handstand tricks made broken arms a constant risk for him and his brothers. When Donald\u2019s turn came, he kept silent and repeated the trick on the broken arm for four shows in a row. At another show, his finger was accidentally slammed in a door at the exact moment of his stage cue. Although he was less than ten, he had the showman\u2019s instinct\u00a0to yell \u201cVamp! Vamp!\u201d to the pianist as he struggled to free himself. The finger was later confirmed broken.<\/p>\n<p>By age\u00a0eleven, he was already slaying them in the aisles.\u00a0His first big film break was\u00a0due as much to\u00a0luck as to talent, when a\u00a0Paramount scout\u00a0caught the family act at the right benefit dinner and pounced: \u201cGet that kid!\u201d The next thing Donald knew, he was playing\u00a0Bing Crosby\u2019s kid brother and\u00a0learning how to speak softly for the camera. Bing took the boy under his wing and gave him valuable professional guidance, privately asking, \u201cIsn\u2019t there anything he <em>can\u2019t\u00a0<\/em>do?\u201d The picture was a hit. A\u00a0trio number with Bing, Donald and\u00a0Fred MacMurray, in which Donald sang harmony, played accordion, and strutted a few moves, showcased his\u00a0already considerable\u00a0gifts. Watch two other clips\u00a0of his very early work <a href=\"https:\/\/www.youtube.com\/watch?v=7adMr7PFIQU&amp;\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">here<\/a> and\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=ocDnxdxyCwk\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">here.<\/a><\/p>\n<p>Young Donald mingled easily with his new peers, promptly developing a crush on the young Judy Garland. (They became lifelong friends.) In the next year, he churned out roughly one film per month, playing kid brothers, cute sons, and boyish pals. Financially, it was a godsend to his family, but Donald\u2019s mature reflections on child stardom were not so favorable. In a 1960 interview, he said that \u201cThey [child stars] are exposed to failure and money at the wrong times.\u201d Of his own career, he recalled that so many people had a stake in his success, the only person he could ultimately count on \u201cfor honest, objective advice\u201d was himself. Behind the scenes, he struggled with his mother\u2019s almost obsessive domination of him. Traumatized by his sister\u2019s death, Effie\u00a0wouldn\u2019t\u00a0let him\u00a0cross the street until he was 13. Judy\u00a0Garland recalled the day they forgot and ran across one together, for which Donald was punished with\u00a0a slap across the face.<\/p>\n<figure id=\"attachment_20138\" aria-describedby=\"caption-attachment-20138\" style=\"width: 328px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/1057\/2014\/08\/tom-sawyer-detective-shot.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-20138 \" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/1057\/2014\/08\/tom-sawyer-detective-shot.jpg\" alt=\"Tom Sawyer Detective shot\" width=\"328\" height=\"386\"><\/a><figcaption id=\"caption-attachment-20138\" class=\"wp-caption-text\">Donald playing Huckleberry Finn in Tom Sawyer: Detective<\/figcaption><\/figure>\n<p>In true show biz style, Donald was unceremoniously dropped from Paramount\u2019s roster\u00a0as soon as he began outgrowing his\u00a0juvenile wardrobe. It was a bitter pill, but he took the news\u00a0on the chin, with a glint of rebellion: \u201cSo what! I\u2019ll play this circuit again.\u201d There was nowhere to go but back to the family act. Then\u00a0another cruel twist of the knife came in the death of his older brother Billy, from scarlet fever. Speaking to the BBC decades later, Donald would recall that Billy was \u201cthe most magnificent\u201d comedic talent\u00a0of them all.<\/p>\n<p>In 1941, Donald\u00a0got a second break when Universal Pictures invited him to join an elite\u00a0group of teenage dancers called The Jivin\u2019 Jacks and Jills. With no formal training, he was a calculated risk, one\u00a0the studio almost regretted when\u00a0he was initially pronounced \u201cunteachable.\u201d Under the guidance of choreographer Louis Da Pron, he spent the\u00a0group\u2019s\u00a0first couple pictures sweating to catch up in the background while the prodigies around him took the spotlight. He was ruthlessly self-deprecatory when recalling this baptism by fire in later years, telling the BBC, \u201cI\u2019m a klutz\u2026.It takes me twice, three times as\u00a0long as anyone else to learn anything.\u201d Under\u00a0grueling budget and time constraints, the young dancers\u00a0managed to produce excellent work that remains fresh and alive today. (Other notable members included future choreographer Bob Fosse and ballet star Tommy Rall, who played Frankincense in\u00a0<em>Seven Brides for Seven Brothers.<\/em>)<\/p>\n<p>Donald would break through to become the group\u2019s star player, stealing the show with his equally charismatic partner Peggy Ryan. Their B musicals\u00a0kept young people packing the theaters and boosted morale for wounded American GIs. (One would tell O\u2019Connor years later, \u201cYou and Peggy Ryan were always coming over the horizon.\u201d)\u00a0Together, the\u00a0dancing pair created a brilliant fusion of skill and slapstick. One number required Ryan to land a precisely controlled high kick mere inches away from O\u2019Connor\u2019s chin, while still appearing\u00a0to make contact. This montage shows his chemistry with both Ryan and fellow co-star Gloria Jean (who shared some priceless stories about Donald in her autobiography, reviewed <a href=\"http:\/\/yankeegospelgirl.com\/2014\/08\/15\/a-book-a-week-gloria-jean-a-little-bit-of-heaven\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">here<\/a>):<\/p>\n<p><iframe loading=\"lazy\" title=\"Donald O'Connor, Peggy Ryan and Gloria Jean: So In Love With Two\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Cg6JXoTUhFQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>O\u2019Connor\u00a0was working all hours to bring in money by the fistful for Universal, but he personally saw\u00a0<span style=\"line-height: 1.7;\">only a fraction of it. \u201cI never knew how important I was. If I had, I would have asked for more money!\u201d Meanwhile, he had his eye on a girl\u2014Gwen Carter, a would-be actress whose brother Ed would go on to play bass\/guitar for the Beach Boys. They eloped to Mexico after a whirlwind courtship and said their vows just before Donald was drafted in 1944, to entertain the troops. But childhood friend and colleague Gloria DeHaven already saw warning clouds on the horizon. \u201cGwen was a bit like his mother, to be honest. She was possessive\u2026 extremely possessive of him. But he loved her.\u201d They had a child right away, a little girl named Donna. The choice to marry may have seemed like a product of youthful haste (they were 18 and 17), yet this 1949 interview with O\u2019Connor\u00a0tells a different story: <\/span><\/p>\n<blockquote><p><span style=\"line-height: 1.7;\">It\u2019s a wonder to me now, looking back on everything, that I had enough good solid sense to consider marriage.\u00a0And it\u2019s even more surprising that Gwen and I were as realistic about it as we were.\u00a0We knew tying the knot was not a hit or miss proposition and that we would want a family some day. We even went so far as to discuss the future. Oh, we were very profound for a couple of young kids. <\/span><\/p><\/blockquote>\n<p><span style=\"line-height: 1.7;\">It was in the army that Donald got his first taste of what would become a lifelong demon: alcohol.<br>\n<\/span><br>\nWork became\u00a0scarce after the war, but a modest\u00a0burst of film opportunities\u00a0towards the end of the decade put food on the table and\u00a0gave O\u2019Connor a handful of stellar set pieces. Bits\u00a0of some of them would later be incorporated into his crowning achievement: \u201cMake \u2018Em Laugh.\u201d Among these early works, I\u2019m especially partial to his turn\u00a0in <em>Are You With It<\/em>,\u00a0as a math whiz with a hidden talent for hoofing it on two tables at once. He\u2019s joined here by his trainer Louis Da Pron (1:45, in the bow tie):<\/p>\n<p><iframe loading=\"lazy\" title=\"Applied Mathematics - Donald O'Connor Solo Tap and Acrobatic Dance\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/4pTxqb7nQEY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>O\u2019Connor\u2019s great gift\u00a0was balancing\u00a0effortless grace with calculated clumsiness. Watching his razor-fine tapping in this clip, it\u2019s easy to forget that he spent much of his career disguising his athleticism under pratfalls and slapstick. In fact, he was an expert at all the things he pretended to be inept at. Like his father before him, he could master any sport that \u201cdidn\u2019t take too long to learn,\u201d from baseball, to swimming, to tennis, to boxing. He had picked up the gloves\u00a0as a child when he was bullied for the wardrobe and hair length required in the family\u00a0vaudeville act. The ring would later become an escape outlet\u00a0for his coiled up energy as his marriage slowly\u00a0crumbled.<\/p>\n<p>In 1950, O\u2019Connor unintentionally spawned a cult phenomenon\u00a0when he was cast as a bumbling GI opposite a talking mule named Francis. The first picture was a fluke smash, and\u00a0the ensuing parade\u00a0of potboiler sequels would hang\u00a0like an albatross around\u00a0O\u2019Connor\u2019s neck for the next decade. The conceit of the series is amusing, but it\u00a0wore thin over multiple re-hashings of the same basic plot. (O\u2019Connor famously joked that he eventually decided to\u00a0quit when the mule began getting more fan mail than he did.)<\/p>\n<p>Fortunately, a worthier shot at immortality was waiting for him just around the corner, when he got the call from dancer\/choreographer Gene Kelly to play his sidekick in <em>Singin\u2019 In the Rain<\/em>.\u00a0Kelly was already an established force in Hollywood, with ground-breaking work like\u00a0<em>Anchors Aweigh\u00a0<\/em>and\u00a0<em>American in Paris<\/em>\u00a0to his name. He had been watching O\u2019Connor\u2019s career\u00a0closely, becoming frustrated as a good break failed to present itself to the talented young performer. He wanted to give this kid a shot at the recognition he deserved. The part of Cosmo Brown was originally going to be written for\u00a0a non-dancer, but Kelly\u00a0insisted\u00a0that it be a physical role where his partner\u00a0would match him stride for stride. Universal reluctantly agreed\u00a0to let MGM borrow their prize player. This time, O\u2019Connor made sure the check was coming to\u00a0<em>his<\/em> mailbox.<\/p>\n<p><strong>(<em>This concludes Part I. The Donald O\u2019Connor story will continue with Singin\u2019 In the Rain and more tomorrow in\u00a0Part II!<\/em>)<\/strong><br>\n<a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/1057\/2014\/08\/singin-in-the-rain-vaudeville-still-cropped.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-20067\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/1057\/2014\/08\/singin-in-the-rain-vaudeville-still-cropped.jpg\" alt=\"Singin' in the Rain vaudeville still, cropped\" width=\"473\" height=\"360\"><\/a><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Part II here Part III here Quickly: Who\u2019s the most talented entertainer you can name? For many, it would be the man who just took his own life last month. An older generation\u00a0might name\u00a0Dick Van Dyke. Yet another generation might reach still further into the past, to silent film stars like Charlie Chaplin or Buster [&hellip;]<\/p>\n","protected":false},"author":3595,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,22,37,49],"tags":[406,328],"class_list":["post-19914","post","type-post","status-publish","format-standard","hentry","category-faith-and-culture","category-history","category-movies","category-old-stuff","tag-history","tag-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dancing in the Rain: The Donald O&#039;Connor Story (Part I of III)<\/title>\n<meta name=\"description\" content=\"Part II here Part III here Quickly: Who&#039;s the most talented entertainer you can name? 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I seek to understand what is good and what is sad and what is true. When I\u2019m not mathing or teaching, I enjoy writing about faith and culture, researching film and music history, reading great literature and philosophy, pretending to play the piano like Bruce Hornsby, writing the occasional poem, and editing the occasional film project. My interest in Pop Culture Things tends to be inversely proportional to the level of interest they generate among other people of my generation. I am, after all, a Young Fogey. I occasionally write theological reflections too\u2014in a bad Anglican, high-Church Baptist sort of vein. You\u2019ve all been warned. My opinions can be curiously strong, but I am always learning how to express them better. Though I retain little patience for post-modernists. Thanks for reading. You can find my freelance social commentary at The Stream and The Federalist, or sample some of my film criticism at Tyler Smith\u2019s More Than One Lesson. 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I seek to understand what is good and what is sad and what is true. When I\u2019m not mathing or teaching, I enjoy writing about faith and culture, researching film and music history, reading great literature and philosophy, pretending to play the piano like Bruce Hornsby, writing the occasional poem, and editing the occasional film project. My interest in Pop Culture Things tends to be inversely proportional to the level of interest they generate among other people of my generation. I am, after all, a Young Fogey. I occasionally write theological reflections too\u2014in a bad Anglican, high-Church Baptist sort of vein. You\u2019ve all been warned. My opinions can be curiously strong, but I am always learning how to express them better. Though I retain little patience for post-modernists. Thanks for reading. You can find my freelance social commentary at The Stream and The Federalist, or sample some of my film criticism at Tyler Smith\u2019s More Than One Lesson. Follow me on Facebook or Twitter, @EstherOfReilly. 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