Opening The Old Testament
You Are a God Who Hides Yourself: Reflections on Exodus 3:1-15
August 31, 2014
Each time the lectionary offers to us this pivotal text, rather than its words popping into my mind, I admit that "that movie" runs there first. Yes, I mean of course the Cecil B. DeMille 1956 four-hour epic, The Ten Commandments. Each year, especially around Easter (for reasons I cannot quite fathom), this film is shown on multiple cable channels multiple times. Even before the advent of cable TV, one of the major networks (in the olden days) would without fail screen the picture for viewers who could not seem to get their fill of Charlton Heston, at his stentorian best as Moses; Yul Brynner, bald and beautiful as Pharaoh Ramses; and Yvonne De Carlo, vamping as only she could, wooing the reluctant hero who has bigger fish to fry than the rich life of an Egyptian prince. I admit to finding the movie more hokey than heroic, more lackluster than laudable. Still, Edward G. Robinson does make a hilarious Aaron!
Why does that film haunt the mind? It was one of the very first big-budget biblical movies. I am old enough to have seen it on the big screen, with intermission, not long after it appeared. Did you know it won only one Academy Award, and that for special effects? With what can be done now with CGI, all things computer, those effects look somewhat laughable. The great event of the parting of the sea (still worth seeing nonetheless) was performed by using Jello! Yes, Jello! And when Moses confronts the burning bush, its unquenchable flame does not wholly convince, however grandly the voice of God/angel booms from the fire. Because we live in a hugely visual culture, with all things media crowding our eyes, I think it fair to say that many more folks have seen the movie than have read the book, or perhaps better said, more remember the movie than remember the book.
And that is sad and dangerous in so many ways. Movies assault the senses, grab us in their grasp and will not let us go. Books offer themselves to us, luring us to read and engage, but we may not be lured and may not engage. I suggest that fewer and fewer people over the past three generations or so have been lured and engaged in the Bible's story. Hence, many are left with Heston as Moses, the hero figure set in the mind's concrete as very tall, extremely handsome, big-chested, blessed with a voice for the ages. Brynner is forever Ramses II, resistant to follow the increasing demands of Moses, and shouting his repeated command, "So let it be written; so let it be done!" And De Carlo, madly in love with the fabled prophet, that has no biblical basis whatever.
The Bible simply goes in none of these directions. It focuses on a thoroughly reluctant Moses, not reluctant to give in to the blandishments of the stunning De Carlo, but reluctant to do what the burning bush demands that he do. And it focuses on YHWH, who is also reluctant, reluctant to be fully revealing of who YHWH is and who hides God's essence behind the incendiary bush and the thickets of Hebrew syntax.
As it has long been noted, the Bible's Moses employs five increasingly lame excuses why he of all people should not go back to Egypt to effect the release of the Israelites from slavery. He questions himself (Ex. 3:11), his God (Ex. 3:13), his lack of tricks among the very trick-filled Egyptians (Ex. 4:1-9), his supposed poor elocution (Ex. 4:10-12), and finally, and most truthfully, he asks God to choose someone else (Ex. 4:13), something he apparently has thought from the very minute the bush started talking. Here is no big-chested, grandly-haired, man of power, but a little weasel, conniving to get out of the call of God. I always imagine that such a figure should be played by Woody Allen or Ben Stiller, or even Jim Carrey in his less manic mode.
John C. Holbert is the Lois Craddock Perkins Professor Emeritus of Homiletics at Perkins School of Theology in Dallas, TX.