Gadamer traces the development of the notion of symbol and the corresponding, and contemporaneous, devaluation of allegory. Allegory came to be identified with “non-art” as experiential-expressive notions of art and poetry developed in post-Kantian romanticism. Along the way, he notes the importance that allegory played in the formation of Western civilization. An aesthetics rooted in genius (as was the aesthetic theory of romanticism) cannot give a prominent role to allegory, which “rests on firm traditions, and always has a fixed,... Read more