Bach’s little Minuet in G ends, not surprisingly, on G, while the bass plays a descending series of notes that are part of the G-major chord: G, D, and G. With the G, and the fragments of the chord, the Minuet comes to rest. The next to last note in the melody of the hymn “Come Thou Almighty King,” is also a G, but the G here does not bring rest and resolution, but sounds incomplete without the following F.... Read more