According to Fintan O’Toole’s NYRB review, James Shapiro’s The Year of Lear helps to unravel some of the mysteries of that most haunting of Shakespeare’s tragedies. O’Toole nicely captures why the play is so haunting: “King Lear is not apocalyptic, it is far worse. Instead of deserved damnation and merited salvation, there is merely the big fat O, the nothing that haunts the play, the ‘O, O, O, O!’ with which Lear expires. Even Shakespeare seems to have thought twice about this utter... Read more