Amalar of Metz’s On the Liturgy, recently published in a handsome two-volume Latin-English edition in the Dumbarton Oaks Medieval Library, represents the kind of “mysteriological” piety against which modern liturgical scholars like Bouyer and Schmemann fulminated. For Amalar, every moment and movement of the liturgy symbolizes some event of biblical history. Liturgy becomes re-enactment, rather than a journey to the kingdom coming. Bouyer, Schmemann and the others are right. But what Amalar lacks in sophistication, he makes up in good old Carolingian... Read more