Over at Grantland, Wesley Morris traces the shift in romantic comedy in the 1980s to the politicization of the genre: “By the 1980s, romantic comedy had started to turn inward, away from fights between two equals. Women took center stage — unless the movie was Tootsie, in which Hoffman wore a wig and a dress. This was how we got from romantic comedy to rom-com: politics. Tootsie was part of a series of workplace comedies in which the romance was essentially, unapologetically... Read more