Daniel Albright observes in his Panaesthetics that Renaissance perspective “is more unnatural, even seditious to nature, than it first appears” (49). The reason is that “Perspective is less concerned with objects than with space – it lavishes its resources on relations, not on things. In some Renaissance paintings, the thing seems arbitrary, chosen mostly for its usefulness in describing flamboyance of space” (49). He offers an example Perugino’s painting of Christ conferring the keys, in the background of which is a building... Read more