2017-09-06T23:41:30+06:00

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like Jeremiah is prophesying to fat Eli-Israel a replay of Shiloh. Read more

2017-09-06T23:42:08+06:00

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values which had been based on the relation of the Creator to his creature and creation, but to reformulate them within the prevailing two-term system of subject and object, ego and... Read more

2017-09-06T23:42:24+06:00

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What Hirsch’s readings of Heidegger and Gadamer may ultimately indicate is the traditional Anglo-American fear and manhandling of any sort of thought which does not work from Carestian premises.” Read more

2017-09-07T00:02:53+06:00

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through the eighteenth century and issued in the romantic reaction at the end of that century.” Read more

2017-09-06T22:46:29+06:00

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt scholar then discovered by diligent study of Liszt’s notes and manuscripts that the Etude had been mistakenly transcribed since its first publication. It was written in G major, not minor,... Read more

2017-09-06T22:45:48+06:00

Archaeologists once discovered a small fragment of Greek text in the Egyptian desert. The name “Paul” appeared at the beginning of the text, and one of the words contained what looked like the first letters of the word “apostle.” Otherwise, the text did not conform to any known texts from Saint Paul. Emendations were supplied to fill the gaps. Commentaries were written. Pauline theologies were revised in the light of this newfound evidence. In South Carolina, the revised theology led... Read more

2017-09-06T23:36:50+06:00

Gadamer points out that the Enlightenment operated on “an unshakable premise: the scheme of the conquest of mythos by logos.” For the Enlightenment, this represented a progress. Romanticism assumed the same development, but considered it a tragic lost. Romantics found “that olden times – the world of myth, unreflective life, not yet analyzed away by consciousness, in a ‘society closed to nature.’ the world of Christian chivalry – all these acquire a romantic magic, even a priority over truth.” Romanticism... Read more

2017-09-07T00:02:54+06:00

Eugene Peterson writes that the Sabbath “erects a weekly bastion against the commodification of time, against reducing time to money, reducing time to what we can get out of it, against leaving no time for God or beauty or anything that cannot be used or purchased. It is a defense against the hurry that desecrates time.” Read more

2017-09-07T00:00:07+06:00

In an essay on M. H. Abrams’s Natural Supernaturalism , Wayne Booth praises the style of the book, but more: “I must emphasize that I am not simply praising Abrams’ style. i am making what I take to be a much more risky claim: that a style that is good in the way Abrams’ style is good not only tends to carry us with him: it ought to. It carries a legitimate warrant for the author’s theses. To write well... Read more

2017-09-06T23:43:37+06:00

Gracia argues: “Consider a text of a message sent by a particular historical figure to another, and which is being examined by a historian. The historian wishes to determine exactly what the person who sent the message meant, and what the person who received the message understood by it, so that she can draw a connection among various events surrounding the message. It would do the historian no good in view of her purpose to understand the text of the... Read more

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