Quoting Quiverfull: Is “Brave” Brave?

Quoting Quiverfull: Is “Brave” Brave? November 26, 2012

QUOTING QUIVERFULL is a regular feature of NLQ – we present the actual words of noted Quiverfull leaders and ask our readers: What do you think? Agree? Disagree? This is the place to state your opinion. Please, let’s keep it respectful – but at the same time, we encourage readers to examine the ideas of Quiverfull honestly and thoughtfully.

From Anna Sofia and Elizabeth Botkin’s blog Visionary Daughters July 10, 2012

 

As mentioned, this film has several elements of grim reality to it, but one of the most profoundly truthful is this: Whenever you see crude boy-men like King Fergus and the clansmen, you’re going to see women like Queen Elinor and Princess Merida right next to them – dragging them around by the ears, doing all their talking for them, beating them at their own game, making their decisions for them, treating them like four-year-olds, and scolding them when they act like males.

“Brave” is a very accurate snapshot of the symbiotic relationship between feminists and perpetual frat-boys, and why it’s in both of their “best” (and worst) interests to keep the cycle going. For as long as the men keep playing, the women can keep running things… and as long as the women keep running things, the men can keep playing.

This might sound hopeless, but should actually give us hope – and the answer to the problem of “no” real men leading in the world. When there aren’t many real men in the world, that means that there aren’t many real women in the world either. It means that most of us have been, in small ways or large, part of the problem. And it means we can now be part of the solution. We can become the women that the men around us need us to be – not the men we wish they were.

 

Comments open below

NLQ Recommended Reading …

Breaking Their Will: Shedding Light on Religious Child Maltreatment‘ by Janet Heimlich

Quivering Daughters‘ by Hillary McFarland

Quiverfull: Inside the Christian Patriarchy Movement‘ by Kathryn Joyce

 

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