Reviewing the abundance of articles written about the 1995 classic, Gangster’s Paradise by Coolio, there is more attention given to the production, the sample, the history and evolution of Coolio’s career, and the reference to gangster rap. With the opening lyrics quoting Psalm 23:4, it would be an obvious turn to critique the work from a theomusicological perspective. Yet, there is little written with this attention. Following the theomusicological work of Jon Michael Spencer, I propose to offer what... Read more















