Review of Thor: The Dark World, Directed by Alan Taylor
As the Avengers films become more intertwined with one another, they are becoming both more self-referential and more confident in the type of action drama they are trying to cultivate. At the same time, these films are increasingly mainstream with very few surprises.
The first question about most sequels is: how does it compare to the first? Thor: The Dark World is decisively better. The action sequences, the graphic effects, and the production value are all bigger and better than in the first installment. But the plot remained very similar in terms of a clearly evil bad guy with plans to harness some near-omnipotent power that could destroy the universe. No doubt, Loki adds some uncertainty to the movie, but if the surprises have become expected surprises, do they still count?
Thor: The Dark World reunites Thor (Chris Hemsworth) and Jane Foster (Natalie Portman) after two years apart, during which Thor is bringing order to the nine realms. The Convergence, a cosmological aligning of the nine realms, provides an opportunity for the Dark Elves to harness something called the Aether to plunge the whole universe into darkness. Sounds familiar doesn’t it? It’s like The Avengers—two worlds (well, nine in this case) being drawn together and an alien invasion of Earth.
The Avengers films at first had an aura of expectation and audiences were easily satisfied with seeing how the filmmakers decided to portray this Marvel universe on the big screen. Characters from the comic books now had real faces and voices and even audiences who had not read the comics were happy to be introduced to a new world. But as this aura fades and the movie characters and their worlds become familiar, the films seem to be headed toward a land of clichés that they themselves have made. Thor: The Dark World is representative of this trend.