Author’s Note: Today marks the 40th Anniversary of the military coup in Chile which overthrew the democratic socialist regmine of President Salvador Allende. The coup ushered in over 15 years of autocratic military rule. I wrote the following reflection on Roberto Bolaño’s By Night in Chile back in 2008.
In the immediate aftermath of the coup, thousands of leftists and others where murdered by the military regime. 40 years later, I honor and remember them.
By Night in Chile by Roberto Bolaño is not so much about Chile and its troubled past, as it is about Chile’s intellectual elite. While the focus of the stories is on the literary elite of Chile, the message of the book is not just about the intellectual elite of Chile, but intellectual elites in general and their response to the world around them.
This short book is narrated by Sebastian Urrutia Lacroix, an elderly Catholic priest. Sebastian’s life is presented as the rambling thoughts of an old man who cannot sleep. While his thoughts cover the entirety of his life, these thoughts appear in the narrative as they pop into his mind during the night. Stories from his life interweave with each other throughout the book. This book has two paragraphs with the second paragraph consisting of one line on the last page. While this style takes some getting used to, it does give one the sense of his thoughts and who he is as a character.
Sebastian is from a poor Chilean family, though he is quite proud of his European roots. He describes practices that are Chilean as lowly and common. He enters the seminary at the age of 15, despite the misgivings of his father. His father appears throughout the night as a shadow in Sebastian’s memories.
In the seminary, Sebastian finds his life’s love. However, it is not a woman, or even the ministry but instead poetry. His poetic pursuits lead him to fall within the sphere of influence of an influential literary critic, Farewell, who encourages Sebastian to venture into literary criticism as a career. While he continues to write and teach poetry, it is a critic that Sebastian becomes a notable member of the literary community of Chile.
While he likes literature, Sebastian is most enamored with the literary life-style. First, he enjoys the status and celebrity that he has enjoyed. Secondly, he enjoys the social life which comes with it. He enjoys the late-night literary discussions, with the accompanying meals and cognac, that he is a regular partaker of.
Sebastian’s desire for the intellectual life style is one that I am sympathetic with. My master’s advisor was a major political theorist with a budget that allowed him to invite well known scholars to Utah. I would sometimes be invited to attend social gatherings at his house following lectures on campus. Good food and great conversation, the type of conversation that you could only have with a group of people who cared about liberal political philosophy the way that only we did. These events were intoxicating. I also vividly recall the feeling of not being invited. As an awkward outsider who got a taste of these gatherings, I could relate to the young Sebastian.
For a story about a priest, religion does not play a huge role in Sebastian’s life as he reflects upon it. The priesthood was more a path to the comfortable life, which would not have been otherwise possible for a poor Chilean boy. While it is unlikely that this was the reason for entering the seminary, his life as a clergyman is very peripheral as he reminisces about his life.
The matter of being a priest seems to come up most often when he thinks back to those times when he was conflicted about whether to dress as a priest when going to certain events. In his first excursion to Farewell’s country vacation home, his first formal entry into elite literary circles, Sebastian is not sure whether to go as a priest or merely as a friend of Farewell. While he dressed as a priest, he is unsure of his choice. There is little pride in the priesthood and an apparent desire to be a strictly a poet and critic who is part of the literary elite. Being a priest is at times an embarrassment.
The one time that Sebastian seems actively proud about his role as a priest is when he travels by ship to Europe. The European trip is connected to his Opus Dei membership, and the purpose of the trip is to investigate the preservation of old churches in Europe. While traveling, he leads mass and gives counsel to fellow travelers. Here he is the proud priest because in this setting, being the priest allowed him to be the center of the social attention.
By portraying Sebastian as somewhat disconnected from his religious role, I interpret this as not an omission by Bolano but as a statement. Those in the Church who sustain the status quo did not do so for theological reasons but because they were more worried about maintaining their place in society. This is why Sebastian trip to Europe is focused on the attempt to protect old church from the damage of pigeon droppings. The concern is not for people, or even theology, but preserving old buildings…no matter the cost.
Knowing beforehand that the main character was a member of Opus Dei, I had expected to find something sensational about such a membership. However, there is no Davinci Code here. For Sebastian, Opus Dei is merely a matter of prestige.
Yet, it is because of his Opus Dei membership that he is first sent to Europe and then is pushed into lecturing Augusto Pinochet and other military leaders about Karl Marx. He wears the priest garb to these meetings as a means of protecting himself against association with Marxists. He soon finds out that these meetings are being used as propaganda. The regime wants to show that the generals are intellectuals who are also interested in Marx. For the first time, Sebastian is aware that those in power are using him for political ends. Yet, he is able to move on.
Classics and Politics
The events surrounding the rise and fall of the Salvador Allende administration in Chile, are one of the things that most interest me about South America. My interest in this issue also led me to seek out this book. However, we learn little more about these events in Bolaño’s book because it is of little notice to Sebastian, though it is very much an inconvenience to Farewell whose country cottage is taken by the state.
As the events of the Allende years play out, Sebastian notes that they occur but with little interest. Instead, he turns to the classics: Aesop, Herodotus,Thucydides, Aristotle, and Plato. Most of all, he is relieved when it is over. My thoughts turned to the Straussians who argue that such classics are all one needs to be educated. The problem with their argument (amongst over things) is that it avoids the actual conditions of the world. Sebastian similarly ignors the nation around him. No need to read anything that would undermine the social order. For Sebastian, there is a general disinterest in other human beings and their well-being. His own comfort and life-style is all that he worries about and this literature, particularly the classics, helps him maintain that focus.
While Sebastian’s actions and attitude as disturbing, they are not that much different from intellectual elites of other stripes. Am I responsive to real social problems or am I just off in my own theoretical world?
The heart of Bolano’s critique of literary elites is the contention that they are aloof and uninterested in the situation of everyday people. This is not because of a political ideology, but because of a twisted and shallow self-interest. As long as they are able to enjoy their cognac and social atmosphere, little else matters. Now many other people may be like this as well, but these intellectuals give the aura of being above such pettiness. They are not.
Maria and her house
During the Pinochet years, much of Sebastian’s social life centers around the home of Maria Canales. She is a popular socialite and writer. While her writing has been recognized with awards, her status in the eye of Sebastian comes from the way in which she and her house have become the center of the literary scene in Santiago and a refuge from the turmoil of the day. Without saying as much, he is quite smitten with her.
It turns out that Maria’s North American husband is an official with the defense intelligence agency. He is actively involved in the atrocities of the Pinochet regime. It even turns out that he has been routinely interrogating and torturing political dissenters in their home by day while he joined Maria and her friends at their literary gatherings by night. From their house, prisoners are sent off into the system of political prisons.
Maria and her house symbolize the horror that not only took place around them in Chile but the horrors that took place under their very noses. Did they know about it? Well, one drunk guest did claim to have come across a bound person on a metal table while aimlessly wondering through Maria’s house. But it made no sense. Sadly, it turned out to make too much sense.
These elites only cared about their lifestyle. Yet, that life was a life which was not far from the atrocities of the Chilean military regime. It took place right below them. Did they not see it or did they choose not to see it?
Are they to be blamed? They did not torture anyone. But, are they to be blamed? Not in a legal sense, but in a moral sense? Yes, they are to be blamed. They lived in a place of horror, but stayed in their place of comfort and pleasure. They did nothing that would threaten their own position, not for any principled reason, just vanity.
Are we any different? Could not the same be said of intellectual elites everywhere in light of the suffering and human rights violations that take place in our world? Studying these events through fiction, in this case through haunting historical literature, allows us to think beyond the specific events of the text and apply the implications of these critiques to our day and time.
When Farewell, the prominent literary critic of a prior generation died, no one really cared or noticed. Sebastian knows that the same fate awaits him. This is why he cannot sleep. Does the same fate await me?
Bolaño, Roberto, and Chris Andrews. By Night in Chile. New York: New Directions Books, 2003.