
Rembrandt (1634)
Wikimedia Commons public domain
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The first recording of Do You Hear What I Hear? was made by the Harry Simeone Chorale shortly after Thanksgiving 1962, and sold so well during that Christmas season that Bing Crosby eventually recorded it also — making it, by means of his star power, a mega-hit.
Here is that very first choral recording:
https://www.youtube.com/watch?v=JmYIbKqH45A
The song had been composed only a month or so before, during the thirteen days of the Cuban missile crisis of October 1962, when — and I still have vivid childhood memories of this — the world seemed to be within hours of a nuclear war between John F. Kennedy’s United States and Nikita Krushchev’s Soviet Union. It was written as a plea for peace, and that can clearly be heard in the words.
The lyrics of the song are constructed somewhat like a game of “telephone,” with the news of Christ’s birth being related by the night wind to a lamb, by the lamb to a shepherd boy, by the shepherd boy to a king, and by the king to people everywhere. At each level, the nature of the message changes somewhat, becoming more specifically focused on Christ.