
You may have heard of “word prints” as a way of trying to deal with the issue of Book of Mormon authorship.
Here’s a really interesting “word-print” approach to answering the question whether a disputed centuries-old play entitled Double Falsehood should be considered a long-lost part of the Shakespearean canon:
http://www.newyorker.com/tech/elements/the-shakespeare-algorithm?intcid=mod-latest