Ditto early twentieth century Irish writer James Joyce’s sacramental modernism. Joyce publicly renounced Catholicism, a shift autobiographically fictionalized in the Stephen Dedalus character in A Portrait of the Artist as a Young Man, yet in a letter to his brother, Joyce writes:
Don’t you think there is a certain resemblance between the mystery of the Mass and what I am trying to do?…To give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of everyday life into something that has a permanent artistic life of its own.