On my first reading of this poem, I felt disoriented by all the non sequiturs, all the disconnected images leaping here and there. But then I thought: isn’t this how my own attention works (or doesn’t work)? The poem skips in a breath from winter snow to the red line train to the speaker’s sins “of digression.” Later the speaker moves—in the space of a period—from the mirror in which “I cannot recollect / my face” to an artichoke and... Read more