2013-03-28T15:33:31+06:00

Isaiah 55:7-13 is lovely poetry. It’s also a theologically rich passage. It starts with an exhortation to the wicked to abandon his own ways and thoughts, his conduct, goals, and plans (v. 7). If he does so, he can find pardon. Penitence is the only path to pardon. “Thoughts” and “ways” are hook words that lead into the following verse. The reason that the wicked man has to forsake his own ways and plans is that the Lord’s own ways... Read more

2013-03-28T11:29:29+06:00

Isaiah 55:1 is an invitation to a food market, opened in the restored Zion. Like Lady Wisdom of Proverbs, she offers food and drink. The verse is chiastically organized: A. come to waters and drink B. without silver C. come, buy D. eat C’. come, buy B’. without silver or price A’. wine and milk Two observations: One, that food is the central offer. And, second, that the initial invitation to drink water gets transformed by the end of the... Read more

2013-03-28T10:29:41+06:00

Diseased and wounded Zion (Isaiah 1:5-6) finally the makeover she has wanted (Isaiah 54:11-12). She is a bride, adorned with jewels. She is a city whose foundations, gates, and border fences sparkle. She is dressed as a priest, gem stones on her breastplate. She is adorned like the firmament, a foundation of sapphire (cf. Exodus 24:10) and a “sun” (shemesh) like agate. Read more

2013-03-28T10:03:05+06:00

When Yahweh returns to abandoned Zion, she breaks into song. He breaks into poetry (Isaiah 54). He describes Zion as a “woman forsaken and grieved in Spirit, a wife of youth refused” (v. 6). “Forsaken” translates ‘azuvah , and “grieved” translates ‘atzuvat , and the assonance in Hebrew continues, though less pronounced, with the word “youth,” ne’uriym . He explains, “With little wrath I hid my face from you for a moment” (v. 8). “Little wrath” is shetzef qetzef .... Read more

2013-03-28T09:55:27+06:00

Isaiah sees Zion as a grieving “widow” (Isaiah 54:4). But Yahweh is her husband. Yahweh must have died if she is left in her widowhood. Then he comes back as her ba’al (54:5), her lord and husband, making her a Lady, a be’ulah (54:1). This isn’t merely a separation and reconciliation. It is a death and resurrection. When He returns to her, Yahweh comes as her “redeemer,” her go’el (vv. 5, 8), the one charged with responsibility to raise up... Read more

2013-03-28T09:32:37+06:00

Check out the new additions to the Trinity House web site . Read more

2013-03-28T08:12:16+06:00

Because of the Servant’s work (Isaiah 53), Zion is restored to her husband (54:4-5). That restoration is marked by the outbreak of song (54:1-3) but also by a series of negations. Verse 4 begins with three clauses that all begin with the Hebrew particle lo , “not”: Do not fear, you will not be ashamed, you will not be confounded. It continues with parallel clauses that promise deletion of memory: “the same of your youth you will forget” and “the... Read more

2013-03-28T04:59:53+06:00

This was first published at Credenda.org in March 2010. God is not mocked, Paul tells us. Matthew’s Passion narrative (Matthew 27:27-44), however, suggests otherwise. Matthew gives very little information about the physical sufferings of Jesus. We can imagine those sufferings from the details he records, but he directs our attention elsewhere. For Matthew, the cross is mainly about man’s mockery of God. Pilate knows Jesus is innocent and wants to dispose of Jesus as quickly as he can. He turns... Read more

2013-03-27T16:24:19+06:00

In a 2006 article, Israeli writer Eyal Weizman describes the Israeli military’s use of contemporary theory to revise military tactics. Weizman says that “the reading lists of contemporary military institutions include works from around 1968 (with a special emphasis on the writings of Gilles Deleuze, Félix Guattari and Guy Debord), as well as more contemporary writings on urbanism, psychology, cybernetics, post-colonial and post-Structuralist theory. If, as some writers claim, the space for criticality has withered away in late 20th-century capitalist... Read more

2013-03-27T15:01:09+06:00

In Battling to the End: Conversations with Benoît Chantre , Girard admits that Hegel’s analysis of the master/slave relationship, especially as mediated through Kojeve’s Introduction to the Reading of Hegel: Lectures on the Phenomenology of Spirit (which emphasizes the role of desire), helped shape his understanding of mimetic desire and its role in fomenting violence. In Girard’s view, though, Hegel stops short: “It is obvious that, for there to be recognition, the master, who makes me exist simply by looking... Read more


Browse Our Archives