Understanding Louis Kahn’s Impact on American Architecture
American artists like Howard Chandler Christy replicated the work of great European painters presenting musing imagery of New York City in honor of George Haussmann’s portrayal of Paris. Christy beautifies the American City through the imaginative medium of painting, and as a result “The City Beautiful Movement” was born, and the resurrection of the New City began.
Louis Kahn, born to a Jewish family in Estonia in 1901, emigrated to the United States in 1906. Although of Jewish descent, Kahn was not religiously observant. Raised in a secular environment, he did not adhere to traditional Jewish practices. Nevertheless, his cultural roots had an impact on his architectural designs, especially those for Jewish communities. During the 1950s and 1960s, Kahn undertook notable commissions from Jewish organizations, such as synagogues and community centers, allowing him to delve into and manifest his cultural identity within his architectural creations.
Kahn eventually set out to advance urban planning and communicate his pioneering vision of the metropolis. In the 1920’s alongside the growth of government, Louis Kahn redefined the American City with his graphic and architectural skills. Early in his career, Kahn toured Europe, only to return to the United States and reconstruct the magnificent European Architecture.
The Depression was a significant time in history for the emergence of a new visual language. During wartime, the interests of the American public changed and planners sought to accommodate perceived housing needs. Consequently, the increase of public housing development became the focus for Kahn. During this time Kahn’s work was not accepted by many institutions therefore he created new design strategies to appease political resistance to facilitate social planning issues. After adjusting to this change, Kahn was sought after by many organizations and institutions. Charts, diagrams, and organizational charts were important during World War ll.
Kahn’s new charts served multiple purposes in public housing and the community. His planning techniques were extremely useful to military operations and imperative for military plotting strategies. Wartime served Kahn while boosting his vocation as a planner and architect with his convergence of visual design techniques. The new diagrams joined several methods and strategies that Kahn implemented to influence dissatisfied opposition.
During Kahn’s career he worked with many wartime associates and while adapting to change; he enhanced his design style through analyzing the work of his predecessors. The 1930s became another era of adjustment and Kahn began to include illustrated depictions of people; introducing them into his organizational charts.
In the 1940’s Kahn focused on the American People — the Family, a significant component of the planning process; thus introducing a democratic vision, building his vision around the people, home and community. He encouraged the people to use whatever tools necessary to plan out their neighborhoods. Kahn implemented this approach and asserted that planning could only be accomplished by embracing the community. As a result, the community became the centerpiece of urban planning.
During World War l a philosopher Neurath invented isotope; a unique form of quantitative planning. Kahn reintroduced statistical isotope icons with his associate planner Stoneorov replacing the earlier animated figures. This isotope was heavily favored in architecture, government, and advertising. Kahn and Stoneorov popularized the isotope and generated a connection between citizen participation and city planning.
Though Louis Kahn’s main aspiration in life was to be an architect; he led a very successful planning career. His ability to adapt to changes throughout his lifetime brought many architectural prospects to his life. Kahn employed numerous charting and design ideas that reflected the work of his many successful predecessors. Kahn worked beside many colleagues who helped him reinforce his numerous visual designs.
He was one of the first modern-day planning visionaries who sought to produce a structured and livable society in the 20th Century. Kahn’s natural architectural ability afforded him prospects in the public and private sectors. His ideas were innovative for his time and Kahn modified and adapted his skills when necessary. Kahn brought a vast amount of contributions to America. He weaved magnificent ancient culture and architecture into the architectural development of the United States.