Here’s Why J.J. Abrams Won’t Blow It With The New Star Wars Film: Joseph Campbell

Here’s Why J.J. Abrams Won’t Blow It With The New Star Wars Film: Joseph Campbell December 3, 2015

jj.001Almost all religion is concerned with two problems: the meaning of life, and the reality of death. Most of the answers will line up into two big categories. Either life has no meaning and is absurd (nihilism, the postmodern answer), or life has meaning and we can or cannot know it depending on where you end up.

These questions have occupied religion and philosophy for centuries. How do we deal with the meaning of life, and the reality of death?

One of the most important developments of the past century, in terms of answering the two big questions came from a college professor, writer, and philosopher named Joseph Campbell. You may not have heard of him, but he’s had a significant impact on culture.

George Lucas credits Joseph Campbell’s work for much of the inspiration behind Star Wars, including the structure of the narrative and even the idea of  “the force”. The same is true of the Wachowski Bro’s and The Matrix, Disney’s The Lion King, and well known books like A Watership Down told stories according to Campbell’s script.

Joseph Campbell was born in 1904 in NYC, grew up in a middle class, Irish Catholic family, and was captivated with the symbols and rituals of the church. At age 7 his dad took him to see Buffalo Bill’s Wild West show at Madison Square Garden, and he became fascinated with the American Indians. He bugged his parents to take him to Museum of Natural History, got hooked, and started reading.

The kid was brilliant. He read everything there was to read on Native Americans. As a boy he had read all there was, and resorted to reading anthropological research (doctoral dissertations) for new material. He began to think about the role that myth plays in culture, and the way the stories a culture tells impact their take on the meaning of life, and the reality of death

Campbell went to prep school, then Dartmouth, and Columbia. He studied Biology and Mathematics, finally getting a degree in English, and a master’s in Medieval Literature. He went to the University of Paris to learn Old French, and to study art, literature, and aesthetics. From there he went to the University of Munich to learn Sanskrit, and to study Freud and Karl Jung. He also ran track, and for a time he was the fastest ½ miler in the world… obviously a real underachiever.

He went back to Columbia to work on his dissertation and became frustrated with the interruptions. So, he cloistered himself in a small house in Woodstock, NY and worked out a program where he could spend nine hours a day, seven days a week reading, and still remember most of what he read. He did this for five years straight—that’s over 16,000 hours of reading.

He became an expert in Native American myth, Myths of India, Aboriginal cultures, Greek Mythology, & Arthurian Legend, & Western Culture. He combined his knowledge of the myths in all the great cultures. His knowledge modern art, literature & aesthetics, combines with a serious study of modern psychology & anthropology helped him as he immersed himself in trying to understand how all these different cultures dealt with the two huge questions concerning reality: …the meaning of life & the reality of death. And he came up with a brand new hypothesis.

Campbell said that when you look at all of the Myths at work in all of the great cultures of the world, they’re really just the same story told in a 1000 different ways: The Hero’s Journey. It might be packaged differently, but in every culture it’s always the same story, & he did this scholarly research to attempt to describe the structure. Up to that point, he was really the first person to think of doing this. He coined the term monomyth; the classic myth of the hero, and he defined something like seventeen discrete movements to the Hero’s journey.

The easiest way to talk about the movements is through the original Star Wars film, because it follows the archetypal hero’s journey to a tee, and because most people know the film.

  • Hero living in his ordinary world: Luke on Tatooine.
  • The Call to Adventure: Luke gets this message from the droid.
  • The Refusal of Adventure: he has to stay and help with the harvest.
  • The Giving of a Talisman: when Obi-wan gives Luke a lightsaber
  • Supernatural aid: Obi-wan saves Luke from the Sand People
  • Crossing 1st Threshold: family dies, Cantina in Mos Eisley
  • Belly of the whale: trash compactor
  • Testing & Trials: light saber training
  • Meeting of the goddess: Leia all decked out in white (re: 4 costume)
  • Battle with the Dragon: Rescue Leia, Vader chasing, Obi-wan/Vader duel
  • A Ritual death: Obi-wan gives his life freely to save them.
  • Refusal of Return: Luke wants to stay & avenge Obi-wan.
  • Magic of Flight: Luke finally gets his X-wing fighter
  • Ultimate Battle: Luke’s trench run against the Death Star
  • Rescue from Without: Han Solo saves Luke, shoots down Vader,
  • Crossing Threshold of return: Luke turns off weapons system, uses force
  • Ultimate Boon: Luke blows up the death star.
  • Apotheosis (like a god): cheesy awards ceremony.
  • Freedom to live: Luke can go get his Jedi training.

George Lucas followed Campbell’s Hero’s Journey closely. The two were actually pictured together once, you can see the photo here. Campbell actually looks a little pissed, like he’s thinking, “Where’s my royalty check, George?”


Once you know the monomyth structure you can discern it in many movies and books. For instance, in Harry Potter the talisman is the wand, crossing the first threshold is that crappy island where they spend the night and Hagrid comes to get him. The new world of Hogwarts, with trials, ritual deaths, the magic of flight… its all there. Many of the most influential books & movies of the past century follow Campbell’s pattern as well. The Hobbit, Lord of the Rings, Wizard of Oz, those are all classic hero’s journeys.

What Joseph Campbell taught: is that when the story is told well, the listener will feel a sense of beckoning. The story says, “Okay, now it’s your turn. You are the hero,” and this is why we all love Star Wars. The magic of Star Wars was in a particular formula for telling the story that calls to us, beckons us to live a hero’s tale in our own lives.

Okay, here’s why J.J. Abrams won’t blow it with the new Star Wars: The Force Awakens movie. Almost all Abrams’ work is heavily influenced by Joseph Campbell. This likely has to do with the fact that Abrahams went to college at Sarah Lawrence, which is where Joseph Campbell taught for nearly 40 years. Campbell was long gone by the time Abrams showed up, but his influence was indelible on the culture of Sarah Lawrence. Just look at Abrams’ list of credits, and start to think about them according to the Hero’s Journey script, and you can see it in nearly all of them.

Disney bought the rights to the Star Wars franchise—and Disney cranks out one hero’s journey movie after another—so they hired Abrams to do the films. Abrams is an expert at making hero’s journey films. This movie is going to be fine in part because Abrams’ films look and sound amazing, but more importantly because he’ll tell the story we want to hear—Joseph Campbell’s hero’s journey.

Abrahams went to college at Sarah Lawrence, which is where Joseph Campbell taught for nearly 40 years. Abrams’ work is heavily influenced by Joseph Campbell, and so was George Lucas’. Tons of Disney movies follow the Campbell script… it’s a perfect match. Star Wars fans will get exactly what they want from J.J. Abrams.

Campbell was a deeply flawed man, and his influence at Sarah Lawrence has been controversial. I have deep issues with the hero’s journey, because I think it’s a story based in coercion and violence. I find some resonances with the Christian narrative, but the overall story follows a trajectory that is ultimately selfish and violent. If you want to watch a talk I gave on this subject you can see it here.

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  • Do you suspect that many X-gens and younger identify with the modern ‘Hero with a Thousand Faces’ more than the ancient heroes? Star Wars is such a draw for these (men/boys) because they can see themselves as part of the scenario. To a lesser degree, and to a younger audience, Harry Potter idealizes the dreams and imaginings of boys.

    In a more crude but similar vein, many of the video games virtually empower males to momentarily become that Hero who fights and conquers the villains. In the American culture the opportunities for such imaginings are endless.

    How, then, the Jesus Story must pale in comparison. The thin plot line, devoid of super magic and entangled, creepy villains cannot possibly attract this audience no matter how fundamental the pre-school Bible School stories. Luke and Harry are so much more attractive, so much easier to identify with than the Jesus story.

    What do you think?

  • Kosta

    Nice summary of Campbell’s background and teachings but to conclude that the hero’s journey is “based in coercion and violence” seems to miss the metaphors as Campbell might suggest – much of the violence in the modern day hero’s journey’s is a reflection of Hollywood/society (as well as the world just being violent place) but one of the main “results” (or illuminations) that comes through the heroes journey is self-realization (recognizing the Christ or Buddha within as Campbell says) which is part of the example of Apotheosis meaning “I am that which all things are” (or in Christian terms “The Kingdom of the Father is spread upon the earth and men do not see it”). All resultant from following “the call to adventure” that must come from within and be in alignment to your true self and readiness (follow your bliss).
    It’s an amazing spiritual quest and hopefully Abrams does stay true to the meaning of the story/adventure rather than go too Hollywood and Disney on us and loose the meaning of the myth… 🙂