Much has been written about Martin Scorsese’s films and hopefully we can expect more of both. Theologians and religious studies professors often drool over the theological over/undertones in his work. His early struggle of whether or not to enter the priesthood should add complexity to his work and our viewing of it. In The Word Made Flesh: Catholicism and Conflict in the Films of Martin Scorsese, Michael Bliss discusses Scorsese’s films from Who’s That Knocking at My Door to The... Read more