Daniel Taylor’s recent novel, Death Comes for the Deconstructionist, is a postmodern “whodunit” mystery that asks whether we discover truth or create it. Caitlin Mackenzie, of Wipf and Stock Publishers, talked to Daniel about the utility of detective fiction, the inspiration for his characters and landscape, and what spurred him to write his first novel after thirty years of nonfiction and short fiction.
Caitlin Mackenzie: Although you have published short fiction, your previous books have been nonfiction and this is your first novel. What inspired the genre move? How does fiction operate in a way for you that nonfiction does or cannot?
Daniel Taylor: The common denominator to almost all my writing over thirty years has been story telling—analyzing it and doing it. It does not feel greatly different to me to move between nonfiction and fiction. Memoir, for instance, uses all the devices and strategies of fiction—from scene to plot to dialogue. And we know how much invention goes into even recounting our memories. The biggest change is the absence in fiction of any remembered event to serve as a guide and limit to one’s imagination. Literally anything goes in fiction and that makes it both easier and harder. [Read more...]