We’re Not Lost by The Show Ponies

Album Review by Janelle and Phillip Aijian


“We’re not lost, we just don’t know where to go.” The lyric from the Show Ponies’ sophomore effort invokes not only the album title, but also one of its major themes: humor and humility in the midst of an uncertain journey.  But rather than “the hero’s journey,” pitting a misunderstood artist against seemingly insurmountable obstacles, each song offers a variation on a duet; a musical reminder that each journey is defined just as much by fellow sojourners as by the destination.

“We’re Not Lost” begins with the barn-burner, “Baby, I’m in Love With You,” reassuring fans that the Ponies can still trot out the foot-stomping bluegrass that typified their first album, “Here We Are!” Back too is the vocal magic of Clay Chaney and Andi Schrock—the two original ponies whose duets evoke the gruff tenderness of Johnny Cash and June Carter. “Here We Are” presented Chaney and Schrock performing with the same contained and personal dynamic as She and Him or The Civil Wars.  Guitarist Jason Harris produced the album before he, fiddler, Phil Glenn, (Johnson House, ’09) and percussionist, Kevin Brown, came onboard to round out the sound.  Two years of touring the West Coast and establishing a grassroots following has resulted in clear growth and sharper chops.  “We’re Not Lost” reaps the fruit of the hard work and manifests a greater range of musical diversity and instrumentation without sacrificing any cohesion.

Every song here belongs, placed carefully within a considered arc. As the album progresses, the upbeat, spunky bluegrass gradually softens to reveal raw and gentle tracks that would have been at home on the soundtrack for “Oh Brother, Where Art Thou?”  Sometimes the songs evoke adventure—at other times a slow, difficult trek—but the lyrics always manage to preserve a sense of hopefulness and forward motion.

The journeys on the album range from  career anxiety to relationships to the longing for spiritual integrity, often within the same song as in “Baby, I’m in Love With You”. This song moves seamlessly between lines like “I’ve been trying hard to keep my faith / And playing in a bluegrass band” to “Most people ask ‘Why would you do this?’/Maybe its because I’m in love.” The song concludes with the lines: “I may go from place to place / but the best one is flat on my face / We once were lost and still need grace/and that’s good enough for me.” The humility of this admission is reminiscent of “Everything I have Was Given to Me”, a gem from their first album that bucks hard against the idea of a “self-made man”, insisting that dependence is not just a necessary part of life, but a good one.

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